The Keyboard Concertos of Carl Philipp Emanuel Bach
Author : Rachel W. Wade
Publisher : Ann Arbor, Mich. : UMI Research Press
Page : 378 pages
File Size : 31,24 MB
Release : 1981
Category : Music
ISBN :
Author : Rachel W. Wade
Publisher : Ann Arbor, Mich. : UMI Research Press
Page : 378 pages
File Size : 31,24 MB
Release : 1981
Category : Music
ISBN :
Author : Rachel W. Wade
Publisher :
Page : 491 pages
File Size : 47,70 MB
Release : 1979
Category :
ISBN :
Author : Rachel W. Wade
Publisher :
Page : 513 pages
File Size : 32,64 MB
Release : 1978
Category :
ISBN :
Author : Charles Robert Haag
Publisher :
Page : 488 pages
File Size : 36,35 MB
Release : 1956
Category :
ISBN :
Author : Doris Bosworth Powers
Publisher : Psychology Press
Page : 308 pages
File Size : 22,80 MB
Release : 2002
Category : Composers
ISBN : 0815321791
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Author : Jane R. Stevens
Publisher :
Page : 602 pages
File Size : 25,96 MB
Release : 1965
Category :
ISBN :
Author : Stephen L. Clark
Publisher : Oxford [England] : Clarendon Press ; New York : Oxford University Press
Page : 378 pages
File Size : 38,86 MB
Release : 1988
Category : Music
ISBN :
This collection of essays reflects the growth of interest in and research on Carl Philipp Emanuel Bach (1714-88) over the last twenty years. The contributors, including Christopher Hogwood, Hans-Günter Ottenberg, Darrell M. Berg, and Rachel Wade, discuss a wide range of topics surrounding Bach including musical innovations, relationships with contemporaries, aesthetics, and influence.
Author : Carl Philipp Emanuel Bach
Publisher :
Page : pages
File Size : 38,84 MB
Release : 1989
Category :
ISBN : 9780193240018
Author : Jane R. Stevens
Publisher :
Page : 304 pages
File Size : 41,8 MB
Release : 2001
Category : Biography & Autobiography
ISBN :
A historical-stylistic study of the solo keyboard concerto and its changing identity. The author discusses the development of the work of Johann Sebastian Bach and three of his sons (Wilhelm Friedemann, Carl Philipp Emanuel, and Johann Christian) for whom he was an important teacher. Her primary aim is to explore certain issues pertaining to concerto composition in the 18th century, with a focus upon the history of musical practice and imagination rather than the investigation of the relevant musical documents.
Author : David Schulenberg
Publisher : Boydell & Brewer
Page : 436 pages
File Size : 28,40 MB
Release : 2014
Category : Biography & Autobiography
ISBN : 1580464815
Of the four sons of J.S. Bach who became composers, Carl Philipp Emanuel (1714-88) was the most prolific, the most original, and the most influential both during and after his lifetime. This first full-length English-language study critically surveys his output, examining not only the famous keyboard sonatas and concertos but also the songs, chamber music, and sacred works, many of which resurfaced in 1999 and have not previously been evaluated. The bookalso outlines the composer's career from his student days at Leipzig and Frankfurt (Oder) to his nearly three decades as court musician to Prussian King Frederick "the Great" and his last twenty years as cantor at Hamburg. Focusing on the composer's choices within his social and historical context, the book shows how C.P.E. Bach deliberately avoided his father's style while adopting the manner of his Berlin colleagues, derived from Italian opera. Anew perspective on the composer emerges from the demonstration that C.P.E. Bach, best known for his virtuoso keyboard works, refashioned himself as a writer of vocal music and popular chamber compositions in response to changingcultural and aesthetic trends. Supplementary texts and musical examples are included on a companion website. David Schulenberg is professor of music at Wagner College and teaches historical performance at the JuilliardSchool. He is the author of The Music of Wilhelm Friedemann Bach (University of Rochester Press, 2010).