KIM Jee-woon


Book Description

KIM Jee-woon KIM Jee-woon is both a talented genre filmmaker and one of the few cineastes in today's Korean film possessing both skillful storytelling abilities and an original visual style. KIM began his career as a stage actor, stage director, and screenwriter. His films have been hailed by critics and audiences alike for his unique styles and method of storytelling. With KIM, there is a slightly uneasy coexistence of the virtues of a commercial film director and solitary auteurism; a sense of conscience that demands that he make even entertainment films melancholy; aesthetic judgment that is stinting toward genre film coupled with a director's dissatisfaction with that situation. His films represent a kind of theory of life presented through the conventions of genre film, and the director constantly provides a gaze of compassion toward the characters suffering within his films. Korean Film Directors Created by the Korean Film Council, this series offers deep insight into key directors in Korean film, figures who are not only broadening the range of art and creativity found in Korean-produced commercial films but also gaining increasingly strong footholds in international markets. Each volume features: - critical commentary on films - extensive interview - biography - complete filmography




The Kim Ji Woon Handbook - Everything You Need to Know about Kim Ji Woon


Book Description

Kim Ji-woon (born May 27, 1964) is a South Korean film director and screenwriter. Kim Ji-woon has a history of successfully tackling a wide range of film genres, garnering a cult following among Asian films fans all over the world. This book is your ultimate resource for Kim Ji woon. Here you will find the most up-to-date information, photos, and much more. In easy to read chapters, with extensive references and links to get you to know all there is to know about Kim Ji woon's Early life, Career and Personal life right away. A quick look inside: Contents, Kim Ji-woon, 2013 in film, 60 Seconds of Solitude in Year Zero, A Bittersweet Life, Blue Dragon Film Awards, Deauville Asian Film Festival, Doomsday Book, Doomsday Book (film), Fantasporto, I Saw the Devil, Jung Woo-sung, Lee Byung-hun, The Foul King, The Last Stand (2013 film), The Quiet Family 65...and more pages Contains selected content from the highest rated entries, typeset, printed and shipped, combining the advantages of up-to-date and in-depth knowledge with the convenience of printed books. A portion of the proceeds of each book will be donated to the Wikimedia Foundation to support their mission.




Film Critiques


Book Description




Criminal Vol. 1: Coward


Book Description

The bestselling crime series returns in strikingly designed new editions from Image, starting where it all began: CRIMINAL, VOL. 1: COWARD„a new take on noir that turned the heist story on its head and created a whole new underworld for BRUBAKER & PHILLIPS to explore. BRUBAKER & PHILLIPSÍ recent series FATALE and The FADE OUT have brought their work to a wider audience of new readers, and now is the perfect time to show them the work that made the award-winning teamÍs reputation! ñBrubaker and PhillipsÍ books have always been about eight years ahead of their time.î -Brian K. Vaughan




K-MOVIE


Book Description

Even though Hollywood films still dominate the world’s box offices, Korean films are just as popular as their Hollywood counterparts in domestic theaters. In 2014 alone, Korean movies drew a combined total of 107.7 million viewers at box offices nationwide, accounting for 50.1% of the total number of movie viewers. Korean movies have accounted for more than 50% of the total film market share for the past four years and have attracted more than 100 million moviegoers annually for the past three years. In particular, the movie The Admiral: Roaring Currents (2014), which depicts Chapter 1 Korean Films Today The Evolution of Commercial Films: Korean-style Blockbuster Films The Coexistence of ‘Diversity Films’ Foreign Perspectives on Korean Films Chapter 2 Korean Films in the World Overseas Export of Hallyu and Korean Films Expansion of Exchanges through Joint Production with Foreign Countries Increased Export of Film Technology Services Taking the Lead in the Development of the Southeast Asian Film Industry Korean Directors Gaining Attention Worldwide K-Movie Stars Chapter 3 Major Film Festivals in Korea Busan International Film Festival Jeonju International Film Festival Bucheon International Fantastic Film Festival International Women’s Film Festival in Seoul Jecheon International Music & Film Festival Other Festivals Chapter 4 Top 10 Korean Films Worldwide




A Look Inside South Korean Cinema


Book Description

Hollywood films may dominate the world’s box offices today, but in Korea it’s the homegrown product that has been capturing the public’s attention. Korean films industry today and look inside of directors and stars. Korean film directors were getting major press at the world’s different film festivals. Exports were booming, and the films that reached overseas audiences found a warm reception there Contents Prologue Chapter One A Look Inside Korean Cinema The Korean Film Industry Today A Foreign Perspective Fostering New Talent Chapter Two Going Global Hallyu and Korean Film Working Internationally: Co-Productions Acclaimed Directors K-Movie Stars Chapter Three How Korean Film Got Here The Early Years (1920–1939) Golden Age: The 1960s and the ‘Literary Film’ Out of the Quicksand (1970–1989) Renaissance: 'Planned Movies' and Government Support (1990 to today) Chapter Four Film Festivals Busan International Film Festival Jeonju International Film Festival Puchon International Fantastic Film Festival International Women’s Film Festival in Seoul Jecheon International Music & Film Festival Other Festivals Chapter Five Ten Korean Films with Overseas Followings Appendix Further Reading Award-winning Korean Films at Overseas Festivals Park Chan-wook,Hong Sang-soo,Kim Ki-duk,Lee Chang-dong,Bong Joon-ho,Kim Jee-woon, Im Sang-soo, Byun Young-joo, Choi Dong-hoon, Na Hong-jin, Yang Ik-june, Yun Seong-hyeon, Yeon Sang-ho, Song Kang-ho, Jeon Do-youn, Sul Kyoung-gu, Lee Byung-hun, Jun Ji-hyun, Busan International Film Festival (BIFF), The Housemaid, The Coachman, Heavenly Homecoming to Stars, The Surrogate Woman, Why Has Bodhi-Dharma Left for the East?, My Sassy Girl , Oldboy, Spring, Summer, Autumn, Winter. . . and Spring, The Host, Poetry




The Journal of Korean Studies, Volume 16, Number 2 (Fall 2011)


Book Description

The University of Washington-Korea Studies Program, in collaboration with Rowman & Littlefield Publishers, is proud to publish the Journal of Korean Studies. In 1979 Dr. James Palais (PhD Harvard 1968), former UW professor of Korean History edited and published the first volume of the Journal of Korean Studies. For thirteen years it was a leading academic forum for innovative, in-depth research on Korea. In 2004 former editors Gi-Wook Shin and John Duncan revived this outstanding publication at Stanford University. In August 2008 editorial responsibility transferred back to the University of Washington. With the editorial guidance of Clark Sorensen and Donald Baker, the Journal of Korean Studies (JKS) continues to be dedicated to publishing outstanding articles, from all disciplines, on a broad range of historical and contemporary topics concerning Korea. In addition the JKS publishes reviews of the latest Korea-related books. To subscribe to the Journal of Korean Studies or order print back issues, please click here.







Contemporary Musical Film


Book Description

Since the turn of the millennium, films such as Chicago (2002) and Phantom of the Opera (2004) have reinvigorated the popularity of the screen musical. This edited collection, bringing together a number of international scholars, looks closely at the range and scope of contemporary film musicals, from stage adaptations like Mamma Mia! (2008) and Les Miserables (2012), to less conventional works that elide the genre, like Team America: World Police (2004) and Quentin Tarantino's Kill Bill (2003/04). Looking at the varying aesthetic function of soundtrack and lyric in films like Disney's wildly popular Frozen (2013) and the Fast and the Furious franchise, or the self-reflexive commentary of the 'post-millennial rock musical', this wide-ranging collection breaks new ground in its study of this multifaceted genre.




Eastern Westerns


Book Description

The western, one of Hollywood’s great film genres, has, surprisingly, enjoyed a revival recently in Asia and in other parts of the world, whilst at the same time declining in America. Although the western is often seen as an example of American cultural dominance, this book challenges this view. It considers the western from an Asian perspective, exploring why the rise of Asian westerns has come about, and examining how its aesthetics, styles and politics have evolved as a result. It analyses specific Asian Westerns as well as Westerns made elsewhere, including in Australia, Europe, and Hollywood, to demonstrate how these employ Asian philosophical and mythical ideas and value systems. The book concludes that the western is a genre which is truly global, and not one that that is purely intrinsic to America.