Kinesic Humor


Book Description

Literature is one of the richest sources of information concerning the ways in which human beings play with cognition. Human cognition is grounded in the ability to feel, perceive, and move. Kinesic Humor examines literary works written in different languages and various historical periods, in which the cognitive processing of gestures and kinesic interactions trigger humorous effects. By bringing together literary studies, cognitive studies, gesturestudies, and humor studies, this book offers an original perspective on literary artworks such as Chrétien de Troyes' Yvain, Milton's Paradise Lost, Cervantes' Don Quixote, Rousseau's Confessions, Sterne's Tristram Shandy, and Stendhal's Le Rouge et le Noir.




Kinesic Intelligence in the Humanities


Book Description

This research collection showcases how kinesic intelligence is fundamental to human communication and our ability to produce complex meaning, exploring its manifestations across a range of humanities disciplines, and connecting our past with our social and cultural future. The book defines kinesic intelligence as a higher-order intellectual competence that allows human beings to interact and grow cognitively and intersubjectively through sensorimotricity and interpersonal movement. Understood in this way, kinesic intelligence can offer insights into the development of humans’ meaning-making abilities and in turn, society and culture more broadly. Recognizing the power of the humanities in furthering sociocultural development, the collection features perspectives from scholars across a range of topics, including the multimodality of language acquisition in children; young adults in clinical psychology and medical humanities; nonverbal communication in history; legal language and reasoning; literature and cognitive studies; the internet and multispecies anthropology; and sensoriality in history and art. Foregrounding the impact of the humanities in promoting new understandings of human intelligence, this volume will be of interest to scholars in cognitive literary studies, multimodality, anthropology, history, medical humanities, and those with an interest in the real-world impact of the humanities.




Interactional Humor


Book Description

The central question explored in this volume is: How is humor multimodally produced, perceived, responded to, and negotiated? To this end, it offers a panorama of linguistic research on multimodal and interactional humor, based on different theoretical frameworks, corpora, and methodologies. Humor is considered as an activity that is interactionally achieved, regardless of whether the interaction in which it is embedded is face-to-face, computer-mediated, with a human or a robot, oral or written. The aim is to analyze both the linguistic resources of the participants (such as their lexicon, prosody, gestures, gazes, or smiles) and the semiotic resources that social networks and instant messaging platforms offer them (such as memes, gifs, or emojis).




Live Artefacts


Book Description

Provides a reflection on the relations between nature and culture as manifested by literary artefacts, and reframes literary study as a form of cognitive anthropology and archaeology.




Classroom Communication and Diversity


Book Description

Classroom Communication and Diversity is an integral resource for teaching awareness of diversity issues and communication in the classroom. Drawing on the research in the communication and education disciplines, authors Robert G. Powell and Dana Caseau provide theoretical models and useful strategies for improving instructional practices. They address the ways in which culture influences communication in the classroom, and assist teachers in developing the skills necessary to meet the needs of the students in their classrooms. New to the second edition is an expanded skills component, additional teaching resources, and an increased focus on the role of diversity in the classroom. Much of the information shared in this text derives from the authors' research and experience in schools and from the experiences of others, including teachers, parents, and children. Their experiences, combined with the cross-disciplinary approach, produce a volume of unique perspectives and considerable insight.




Computational Drama Analysis


Book Description

Dramatic texts come with a natural structure of acts, scenes and speech clearly assigned to characters that lends itself to computational analysis: These explicit structures allow for straightforward formalizations without extensive preparatory work. Work on drama has therefore always been at the forefront of research in computational literary studies, with its pioneers analyzing drama quantitatively long before the digital age. Today, increasingly large digital text corpora are available and computational literary studies aims at a higher-scaled view on literary history, promising to analyze thousands of literary texts simultaneously. After decades of exploring the possibilities offered by computational methods, the field is now undergoing a phase of consolidation that takes stock of achievements and opportunities and critically reflects the computational methods and interpretations derived from data. Building on insights from the fields' tradition and current research approaches, this volume provides an overview of the status quo of computational drama analysis and explores possible routes for the future.







The Secret Life of Literature


Book Description

An innovative account that brings together cognitive science, ethnography, and literary history to examine patterns of “mindreading” in a wide range of literary works. For over four thousand years, writers have been experimenting with what cognitive scientists call “mindreading”: constantly devising new social contexts for making their audiences imagine complex mental states of characters and narrators. In The Secret Life of Literature, Lisa Zunshine uncovers these mindreading patterns, which have, until now, remained invisible to both readers and critics, in works ranging from The Epic of Gilgamesh to Invisible Man. Bringing together cognitive science, ethnography, and literary studies, this engaging book transforms our understanding of literary history. Central to Zunshine’s argument is the exploration of mental states “embedded” within each other, as, for instance, when Ellison’s Invisible Man is aware of how his white Communist Party comrades pretend not to understand what he means, when they want to reassert their position of power. Paying special attention to how race, class, and gender inform literary embedments, Zunshine contrasts this dynamic with real-life patterns studied by cognitive and social psychologists. She also considers community-specific mindreading values and looks at the rise and migration of embedment patterns across genres and national literary traditions, noting particularly the use of deception, eavesdropping, and shame as plot devices. Finally, she investigates mindreading in children’s literature. Stories for children geared toward different stages of development, she shows, provide cultural scaffolding for initiating young readers into a long-term engagement with the secret life of literature.




Comics and Cognition


Book Description

"Comics and Cognition: Towards a Multimodal Cognitive Poetics develops an analytical approach to multimodal communication in comics through insights from embodied cognitive science, especially cognitive linguistics and visual psychology. It extends previous cognitive poetic frameworks to the study of multimodality in comics, providing a cohesive analytical framework that also connects comics to other literary and artistic interests. The approach highlights the embodiment of cognition, and how this structures knowledge in long term memory, and activates it through perception, mental simulation, and creative blending. These cognitive processes allow readers to make impressions, predictions, inferences, and eventually conclusions and interpretations about a text. Many of these processes of reader comprehension are unconscious, but emerge into a conscious experience of the multimodal text with a richly construed and nuanced texture. This book unpacks the dynamic interplay between the reader and the multimodal text throughout the processes of multimodal reading, including opportunities for interaction, interrogation, and improvisation of meaning derived from the reader's embodied and textual experiences, tackling crucial features of the comics form, and their impact on such issues as viewpoint, temporality, abstraction, metacommentary, and transmediation. The proposed multimodal cognitive poetics applies to narrative and art comics, in both print and digital media"--




Unparalleled Poetry


Book Description

"Chapter 1 begins with a well-known biblical poem, Psalm 23, in order to illustrate two problems facing biblical poetry readers: what are "lines" in (traditionally unlineated) biblical poetry, and why does it even matter? The chapter sets these overarching problems in the context of modern biblical poetry scholarship: the frameworks of parallelism and meter, and the confusion over whether "biblical poetry" is best defined by style or structure. While parallelism and meter are rejected, Robert Lowth's early observation of "conformation" is affirmed: biblical poetry does relate to structure, and it is built from lines that fit to each other, not lines that fit to a meter. This raises the question of how the free-rhythm (unlineated) lines of biblical poetry can be perceived or mentally organized as structural-rhythmic units by the listener or reader. A cognitive approach informed by the theory and method of Reuven Tsur is introduced as the solution"--