King René's Book of Love


Book Description




The Book of The Love-Smitten Heart


Book Description

Available only in Middle French and German translation until now, this volume constitutes the first full-length , French-English bilingual edition of Rene of Anjou's Livre du cuers d'amours espris, including all sixteen of the celebrated color plates, a critical introduction, notes on the translation, and a comprehensive bibliography. The book tells the tale of desire and adventure as Heart -- part of Rene torn from his body by Love -- travels a complex allegorical landscape in quest of the lady Mercy, who is being held prisoner by a band of miscreants led by Refusal and Shame. Rene begs the reader to help him determine which of three entities is responsible for his torment: Fortune led him to the lady whom he loves; once he arrived, Love, in the guise of his lady's gaze, struck his heart; and Destiny insists that he reflect upon her alone. In addition to being a compelling courtly page-turner, The Book of the Love-Smitten Heart represents the rare instance in which a medieval love story is told simultaneously in three frameworks: autobiographical letter, dream vision, and quest romance. This structure makes clear the multiple logics within which the author's psychology is reflected in the story, and illustrates how the symbol of the heart, as it travels through these shifting frameworks, dramatizes vital relations linking self, desire, and writing.




Facing up to the History of Emotions


Book Description

This book brings together several strands of medieval and medievalist work in the history of emotions, with a focus on literary, historical and cinema studies. It asks how we may best ‘face up’ to work that has been done already in these fields, and speculates about work that might yet be done, especially by medievalists working across medieval and postmedieval sources. In the idiom ‘facing up,’ its editors evoke the impulse to assess and realize the place of medieval studies in the burgeoning field of emotions research. Conceptually, psychologically, and artistically, the face is perceived as being at the forefront of many human interactions and emotional practices – as such, the face is not only a powerful conceptual site for theorizing human relationships, past and present, or a site for the representation of emotion: it is itself a catalyst for feeling. As such, the contributions gathered here provide a cutting-edge reflection on the history of medieval emotions.




Visual Power and Fame in René d'Anjou, Geoffrey Chaucer, and the Black Prince


Book Description

Reading semiotically against the backdrop of medieval mirrors of princes, Arthurian narratives, and chronicles, this study examines how René d Anjou (1409-1480), Geoffrey Chaucer s House of Fame (ca. 1375-1380), and Edward the Black Prince (1330-1376) explore fame s visual power. While very different in approach, all three individuals reject the classical suggestion that fame is bestowed and understand that particularly in positions of leadership, it is necessary to communicate effectively with audiences in order to secure fame. This sweeping study sheds light on fame s intoxicating but deceptively simple promise of elite glory.




Touching Parchment: How Medieval Users Rubbed, Handled, and Kissed Their Manuscripts


Book Description

In the late middle ages (ca. 1200-1520), both religious and secular people used manuscripts, was regarded as a most precious item. The traces of their use through touching and handling during different rituals such as oath-taking, public reading, and memorializing the dead, is the subject of Kathryn Rudy’s research in Touching Parchment. This second volume, Social Encounters with the Book, delves into the physical interaction with books in various social settings, including education, courtly assemblies, and confraternal gatherings. Looking at acts such as pointing, scratching, and ‘wet-touching’, the author zooms in on smudges and abrasions on medieval manuscripts as testimonials of readers’ interaction with the book and its contents. In so doing, she dissects the function of books in oaths, confraternal groups, education, and courtly settings, illuminating how books were used as teaching aids and tools for conveying political messages. The narrative paints a vivid picture of medieval reading, emphasizing bodily engagement, from page-turning to the intimate act of kissing pages. Overall, this text offers a captivating exploration of the tactile and social dimensions of book use in late medieval Europe broadening our perspective on the role of objects in rituals during the middle ages. Social Encounters with the Book provides a fundamental resource to anybody interested in medieval history and book materiality more widely.




The Robert Lehman Collection


Book Description




Routledge Revivals: Key Figures in Medieval Europe (2006)


Book Description

First published in 2006, Key Figures in Medieval Europe, brings together in one volume the most important people who lived in medieval Europe between 500 and 1500. Gathered from the biographical entries from the series, Routledge Encyclopedias of the Middle Ages, these A-Z biographical entries discuss the lives of over 575 individuals who have had a historical impact in such areas as politics, religion, and the arts. It includes individuals from places such as medieval England, France, Germany, Iberia, Italy, and Scandinavia, as well as those from the Jewish and Islamic worlds. In one convenient volume, students, scholars, and interested readers will find the biographies of the people whose actions, beliefs, creations, and writings shaped the Middle Ages, one of the most fascinating periods of world history.