King Sunny Ade the Legend!


Book Description

African arts have found a fortress in Nigeria from time immemorial. Obviously, many things are embedded in African music. Indeed it is safe to aver that he who wishes to appreciate and enjoy the splendor of African arts must start from reading about the life and time of African artistes, their contributions to the liberal arts, and the pristine significance of such contributions. Quite a great number of African artistes have striven hard to showcase African arts to the world through their God-given talents and unflinching efforts. Unarguably, in the realms of musical and entertainment arts, no doubt, is King Sunny Ade, one of the greatest artistes that have ever come out of the African continent, who leads the sparkling Band, The African Beats from Nigeria, the largest and most populous Black nation in the world. This artiste has through his Juju genre of music, in the last five decades, showcased the beauty of African entertainment arts to the entire world, including Europe, Asia, and America especially with his ever-sparkling live performances. He has titillated the Kings and the Lords, the rulers and the ruled, the high and the mighty. KSA's over 300 albums for which he has won several international accolades and awards across the globe give a vivid picture of the development of contemporary Nigerian music. King Sunny Ade The Legend! is an exposé on a musical Titan. Aside from becoming an internationally sought product, his music, over time metamorphosed from being mere entertainment music to freedom-music, which often identifies the societal foible, lacunae in governance styles, contemporary problems, etc. Quite often the world renowned music maker has always offered alternative suggestions and tickled the ears of the ruling class, sensitizing those at the helms of governance to make amend for the benefit of the ruled. King Sunny Ade whose musical art works had attracted the eminent attention and comments of many world renowned leaders, including the former United States' President Bill Clinton was rated by a credible British Magazine as one of the 100 greatest guitarists in the world.




King Sunny Adé, the Legend!


Book Description

APPRECIATING THE BEAUTY OF AFRICAN MUSICAL ARTS THROUGH THE NEW BOOK African arts have found a fortress in Nigeria from time immemorial. Obviously, many things are embedded in African music. Indeed it is safe to aver that he who wishes to appreciate and enjoy the splendor of African arts must start from reading about the life and time of African artistes, their contributions to the liberal arts, and the pristine significance of such contributions. Quite a great number of African artistes have striven hard to showcase African arts to the world through their God-given talents and unflinching efforts. Unarguably, in the realms of musical and entertainment arts, no doubt, is King Sunny Ade, one of the greatest artistes that have ever come out of the African continent, who leads the sparkling Band The African Beats from Nigeria, the largest and most populous Black nation in the world. This artiste has through his Juju genre of music, in the last four decades, showcased the beauty of African entertainment arts to the entire world, including Europe, Asia, and America especially with his ever-sparkling live performances. He has titillated the Kings and the Lords, the ruler and the ruled, the high and the mighty. KSA's over 200 albums for which he has won several international accolades and awards across the globe give a vivid picture of the development of contemporary Nigerian music. King Sunny Ade The Legend! is an expose on a musical Titan. Aside from becoming an internationally sought product, his music, over time metamorphosed from being mere entertainment music to freedom-music, which often identifies the societal foible, lacunae in governance styles, contemporary problems, etc. Quite often the world renowned music maker has always offered alternative suggestions and tickled the ears of the ruling class, sensitizing those at the helms of governance to make amend for the benefit of the ruled. King Sunny Ade whose musical art works had attracted the eminent attention and comments of many world renowned leaders, including the former United States' President Bill Clinton was rated by a credible British Magazine as one of the 100 greatest guitarists in the world.




Dictionary of African Biography


Book Description

From the Pharaohs to Fanon, Dictionary of African Biography provides a comprehensive overview of the lives of the men and women who shaped Africa's history. Unprecedented in scale, DAB covers the whole continent from Tunisia to South Africa, from Sierra Leone to Somalia. It also encompasses the full scope of history from Queen Hatsheput of Egypt (1490-1468 BC) and Hannibal, the military commander and strategist of Carthage (243-183 BC), to Kwame Nkrumah of Ghana (1909-1972), Miriam Makeba and Nelson Mandela of South Africa (1918 -).




America I AM Legends


Book Description

America I AM: The African American Imprint, a national traveling museum exhibition, was conceived by award-winning broadcaster and bestselling author Tavis Smiley as a one-of-a-kind multi-media experience that chronicles the distinct history of African Americans. This beautifully conceived companion volume addresses the central theme of the exhibition, posed by W. E. B. Du Bois: "Would America have been America without her Negro people?" Through exceptional photographic images and penetrating words, America I AM Legends captures the dynamism of 78 legendary African Americans, highlighting the indelible imprint each has made on the United States and the world. A statement illuminating a unique aspect of each iconic figure—made by the legend or by someone carrying on their legacy today—portrays the vision and contribution of each subject. Whether black artistic genius, athletic excellence, political leadership, or the struggle to hold America true to its promise, each legend reminds us that America would be unrecognizable without its African American imprint. America I AM Legends takes us on an unforgettable journey to the heart of the American experience.




A New Narrative for Africa


Book Description

This book examines the perception of Africa in the global system, tracing Africa’s transition from a "problem" to be solved into an agent with a rising voice in the world. Mixing Afro-optimism with heavy doses of Afro-reality and Afro-responsibility, this book calls for a new political narrative about Africa that captures the multi-disciplinary dimensions of Africa’s “transition” and critically examining its ramifications. The author discusses the origins of the “Problem” perception held about Africa and explains how things are turning around and how the continent is now becoming a voice to be heard rather than a problem to be solved. He then goes on to interrogate some of the key manifestations of this new “voice” and identifies how the world is responding to the new “voice” of Africa before finally examining some of the contradictions that have been embedded in the transition. The book is strategically multi-disciplinary - emphasizing key disciplines of African studies in different chapters - for example: anthropology, ethnography, and philosophy in Chapter 1; history, in Chapter 2; economics, in Chapter 3; politics, in Chapter 4; arts, literature, and aesthetics, in Chapter 5; religion, in Chapter 6; and globalization, in Chapter 7. Through this, A New Narrative for Africa explores and analyses several of the various strands of the African studies discipline, examining the transformation of African on the global stage over the course of its history. Taking an interdisciplinary approach, this book will be of interest across African Studies, Global Affairs, Politics, Economics, and Development studies.




The Global Music Industry


Book Description

For everyone in the music industry—record labels, managers, music publishers, and the performers themselves—it is important to understand the world music marketplace and how it functions. Yet remarkably little has been written about the music business outside of the U.S. The Global Music Industry: Three Perspectives gives a concise overview of the issues facing everyone in the international music industry. Designed for an introductory course on music business, the book begins with an introduction to the field around the world, then focuses on global issues by region, from bootlegging and copyright to censorship and government support. It will be a standard resource for students, professionals, and musicians.




Modern Drummer Legends: Rush's Neil Peart


Book Description

(Percussion). Neil Peart's ten appearances on the cover of Modern Drummer magazine span the years 1980, when he was five albums and several tours into his historic run with the Canadian progressive rock band Rush, and 2020, the year of his passing. No other drummer has come close to appearing so many times on the front of a drum publication, certainly not the world's most recognized one. This, the first installment in Modern Drummer magazine's Legends book series, collects all nine of Peart's cover stories, plus the complete contents of his May 2020 Modern Drummer tribute issue. Highlights include analyses of Neil's performances on every Rush studio album, a survey of the evolution of his famous live drumkits, transcriptions of deep Rush cuts, dozens of photos, and much more.




Hooked to Music


Book Description




EJIRE (MYTHICAL TWINS)


Book Description

EJIRE (MYTHICAL TWINS) is a monograph about the phenomenon of twins and their deification as cognized and practiced in Yoruba culture. The book in concise headings explore the spiritual, artistic and modernist aspects of the Ibeji tradition, highlighting its peculiarities and the special place twins occupy in the scheme of traditional society. Featured with illustration, the book is written by foremost Neo Negritudian, Wale Sasamura Owoeye.




Who Owns the Problem?


Book Description

How may we conceptualize Africa in the driver’s seat of her own destiny in the twenty-first century? How practically may her cultures become the foundation and driving force of her innovation, development, and growth in the age of the global knowledge economy? How may the Africanist disciplines in the humanities, the social sciences, and the natural sciences be revamped to rise up to these challenges through new imaginaries of intersectional reflection? This book assembles lectures given by Pius Adesanmi that address these questions. Adesanmi sought to create an African world of signification in which verbal artistry interpellates performer and audience in a heuristic process of knowledge production. The narrative and delivery of his arguments, the antiphonal call and response, and the aspects of Yoruba oratory and verbal resources all combine with diction and borrowings from Nigerian popular culture to create a distinct African performative mode. This mode becomes a form of resistance, specifically against the pressure to conform to Western ideals of the packaging, standardization, and delivery of knowledge. Together, these short essays preserve the committed and passionate voice of an African writer lost far too soon. Adesanmi urges his readers to commit themselves to Africa’s cultural agency.