Know The Jat


Book Description

The book, "Know the Jats" is based on factual research about Jats — a community of pastoral farmers, who contribute everything consumers need to eat for their survival, and yet not liked by almost 80% of people in India. Those who hate Jats and are ignorant about them on account of their sheer ignorance, at times have problems dealing with Jats, who are upright, honest, hardworking and brave people. Such people have failed to understand the Jats and by writing this book, it will be a step forward to create a better sense of understanding among non-Jats. The facts used in this book are honest and without any bias to anyone, including the Jats.




History Of The Jats


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Origin of Jat Race


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The Jats


Book Description

The present Volume III contains twenty nine research articles from the proceedings of the VIth National Seminar on the topic: ?The Jats: Their Role and Contribution to the Socio-economic Life and Polity of North and North-West India?. This seminar was organized in 2006 by the Maharaja Surajmal Centre for Research and Publication of the Surajmal Memorial Education Society, C-4, Janak Puri, New Delhi. If we glance at the papers presented they start from tracing the roots of the Jats in the hoary past and go on to explain their role and contribution in various fields upto the modern times. To illuminate the various aspects of social, economic, political and cultural life of the Jat community including agricultural and military, the papers have been presented on the inter-disciplinary approach by the learned scholars. Social, political and educational awakening alongwith Jat peasant movements also find place in this volume. Thus, in this volume scholars have covered the areas of Sindh, Western-Eastern- Southern Rajasthan, Madhya Pradesh, Haryana and Punjab, i.e., the whole Jat belt in India. Definitely this volume will give the glimpse of Jat history in a nut shell.




Conversations with John A. Williams


Book Description

One of the most prolific African American authors of his time, John A. Williams (1925-2015) made his mark as a journalist, educator, and writer. Having worked for Newsweek, Ebony, and Jet magazines, Williams went on to write twelve novels and numerous works of nonfiction. A vital link between the Black Arts movement and the previous era, Williams crafted works of fiction that relied on historical research as much as his own finely honed skills. From The Man Who Cried I Am, a roman à clef about expatriate African American writers in Europe, to Clifford's Blues, a Holocaust novel told in the form of the diary entries of a gay, black, jazz pianist in Dachau, these representations of black experiences marginalized from official histories make him one of our most important writers. Conversations with John A. Williams collects twenty-three interviews with the three-time winner of the American Book Award, beginning with a discussion in 1969 of his early works and ending with a previously unpublished interview from 2005. Gathered from print periodicals as well as radio and television programs, these interviews address a range of topics, including anti-black violence, Williams's WWII naval service, race and publishing, interracial romance, Martin Luther King Jr., growing up in Syracuse, the Prix de Rome scandal, traveling in Africa and Europe, and his reputation as an angry black writer. The conversations prove valuable given how often Williams drew from his own life and career for his fiction. They display the integrity, social engagement, and artistic vision that make him a writer to be reckoned with.




Indian Antiquary


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"At a time when each Society had its own medium of propogation of its researches ... in the form of Transactions, Proceedings, Journals, etc., a need was strongly felt for bringing out a journal devoted exclusively to the study and advancement of Indian culture in all its aspects. [This] encouraged Jas Burgess to launch the 'Indian antiquary' in 1872. The scope ... was in his own words 'as wide as possible' incorporating manners and customs, arts, mythology, feasts, festivals and rites, antiquities and the history of India ... Another laudable aim was to present the readers abstracts of the most recent researches of scholars in India and the West ... 'Indian antiquary' also dealt with local legends, folklore, proverbs, etc. In short 'Indian antiquary' was ... entirely devoted to the study of MAN - the Indian - in all spheres ..."--Introduction to facsimile volumes, published 1985




The Giant from the Fire Sea


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Jat is a boy who wants more from life than collecting coal from the Fire Sea. Newton is a misfit giant, cast out of his homeland for his love of science and reading. Brought together by chance, the two become the best of friends. But when enemy giants threaten to ruin everything, it's up to Jat and Newton to defend Jat’s village, leading to the journey of a lifetime.




All India Reporter


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Vols. 1-36, 1914-1949, 1999- issued in separate parts, called sections, e.g. Journal section, Federal Court section, Privy Council section, Allahabad section, Bombay section, etc.




No Bones


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A shattering and blackly funny debut in the tradition of Roddy Doyle, "No Bones" follows a young woman growing up in a Belfast beset by the Troubles.




Capital Punishment


Book Description

A crime thriller to take you on a terrifying journey into London's dark side. Beautiful Alyshia D'Cruz has grown up in London and Mumbai wanting for nothing. But one night she takes the wrong cab home. Charles Boxer, expert in high-stakes kidnap resolution, teams up with his ex-partner, investigative cop Mercy Danquah, who's battling with their rebellious teenage daughter. Alyshia's father hires Boxer, who knows all about the tycoon's colourful career, which has made him plenty of enemies. But despite the vast D'Cruz fortune, the kidnappers don't want cash, instead favouring a cruel and lethal game . . . To save Alyshia, Boxer must dodge religious fanatics, Indian mobsters and London's home-grown crime lords. CAPITAL PUNISHMENT is a journey to the dark side of people and places that lie just out of view, waiting for the moment to tear a life apart.