A History of the Bahamian People


Book Description

The present work concludes the important and monumental undertaking of Islanders in the Stream: A History of the Bahamian People, creating the most thorough and comprehensive history yet written of a Caribbean country and its people. In the first volume Michael Craton and Gail Saunders traced the developments of a unique archipelagic nation from aboriginal times to the period just before emancipation. This long-awaited second volume offers a description and interpretation of the social developments of the Bahamas in the years from 1830 to the present. Volume Two divides this period into three chronological sections, dealing first with adjustments to emancipation by former masters and former slaves between 1834 and 1900, followed by a study of the slow process of modernization between 1900 and 1973 that combines a systematic study of the stimulus of social change, a candid examination of current problems, and a penetrating but sympathetic analysis of what makes the Bahamas and Bahamians distinctive in the world. This work is an eminent product of the New Social History, intended for Bahamians, others interested in the Bahamas, and scholars alike. It skillfully interweaves generalizations and regional comparisons with particular examples, drawn from travelers' accounts, autobiographies, private letters, and the imaginative reconstruction of official dispatches and newspaper reports. Lavishly illustrated with contemporary photographs and original maps, it stands as a model for forthcoming histories of similar small ex-colonial nations in the region.




Cop Shows


Book Description

From cops who are paragons of virtue, to cops who are as bad as the bad guys...from surly loners, to upbeat partners...from detectives who pursue painstaking investigation, to loose cannons who just want to kick down the door, the heroes and anti-heroes of TV police dramas are part of who we are. They enter our living rooms and tell us tall tales about the social contract that exists between the citizen and the police. Love them or loathe them--according to the ratings, we love them--they serve a function. They've entertained, informed and sometimes infuriated audiences for more than 60 years. This book examines Dragnet, Highway Patrol, Naked City, The Untouchables, The F.B.I., Columbo, Hawaii Five-O, Kojak, Starsky & Hutch, Hill Street Blues, Cagney & Lacey, Miami Vice, Law & Order, Homicide: Life on the Street, NYPD Blue, CSI, The Shield, The Wire, and Justified. It's time to take another look at the "perps," the "vics" and the boys and girls in blue, and ask how their representation intersects with questions of class, gender, sexuality, and "race." What is their socio-cultural agenda? What is their relation to genre and televisuality? And why is it that when a TV cop gives a witness his card and says, "call me," that witness always ends up on a slab?




The Stand


Book Description

#1 BESTSELLER • The apocalyptic vision of a world blasted by plague and tangled in an elemental struggle between good and evil remains as riveting—and eerily plausible—as when it was first published. • The tie-in edition of the nine-part CBS All Access series starring Whoopi Goldberg, Alexander Skarsgard, and James Marsden. A patient escapes from a biological testing facility, unknowingly carrying a deadly weapon: a mutated strain of super-flu that will wipe out 99 percent of the world’s population within a few weeks. Those who remain are scared, bewildered, and in need of a leader. Two emerge—Mother Abagail, the benevolent 108-year-old woman who urges them to build a peaceful community in Boulder, Colorado; and Randall Flagg, the nefarious “Dark Man,” who delights in chaos and violence. As the dark man and the peaceful woman gather power, the survivors will have to choose between them—and ultimately decide the fate of all humanity.




Action TV: Tough-Guys, Smooth Operators and Foxy Chicks


Book Description

From re-runs of 'TV classics' like The Avengers or Starsky and Hutch, to soundtracks, club nights and film remakes such as Mission Impossible II, the action series is enjoying a popular revival. Yet little attention has been paid to the history, nature and enduring appeal of the action series, and its place in popular culture, past and present. Action TV traces the development of the action series from its genesis in the 1950s. From The Saint to Knigh t Rider, contributors explore the key shows which defined the genre, addressing issues of audiences and consumption, gender and sexuality, fashion and popular culture. They examine the institutional and cultural factors influencing the action series, and relate shifts in the genre to other forms of popular culture including film, pop music, fashion and popular literature. Chapters include: * Of leather suits and kinky boots: The Avengers, style and popular culture * 'Who loves ya, baby?': Kojak, action and the great society *'A lone crusader in a dangerous world': heroics of science and technology in Knight Rider * Angels in chains? feminism, femininity and consumer culture in Charlie's Angels * 'Who's the cat that won't cop out?' Black masculinity in American action shows of the sixties and seventies




Not Remotely Controlled


Book Description

The acclaimed critic with "the eyes and ears to bring the phenomena of culture to life as few other critics can" surveys the landscape of American television







Military Police


Book Description




Bye the Book


Book Description

The search for a cure for multiple sclerosis begins as a noble quest, but quickly degenerates into greed: the insatiable hunger for more and more money, backed by murder. The executive/researcher whose dreams have become corrupted, learns that the statistical records, if presented to the authorities at the FDA would bring about the collapse of his house of cards, are in a book kept by a statistician whose murder he ordered. He must secure and destroy that book, even if it means more people have to die. Where will it end? While detectives Luis Ortiz and Fred Hodge investigate the homicides, they must race the clock to locate and save Kathryn DiAgostino, forensics investigator and Luis' love interest, who had been captured by the "hired gun" before his own death. As the detectives struggle to catch the mastermind behind the killing spree, will they rescue Kathryn before it's too late? The surprise at the end will catch the reader as off guard as the detectives. Populated by real and believable characters, the non-stop action in this thriller will keep you riveted to your favorite reading place. Advance praise for "Bye The Book" "From the moment Willie Blood finds the classy lady shot in her car, I was hooked... "BYE THE BOOK is a roller coaster of a thriller with deep dives and harrowing turns, not to mention twists at a fast paced speed. Once again Frank CÁceres has written a riveting, can't wait to read the next page novel. Each book by Frank just gets better and better. Frank's characters are fun, real, sad in the true to the human condition way. He paints a beautiful mural with his words. You can clearly see the thoughts and actions of the characters and the action as if you are there. Wonderful! An excellent thrill ride." On a scale of 1 to 5, I give it a 5! Cynthia Lea Clark, Psy.D., FMAM Review Coordinator




Crime Television


Book Description

Crime dramas have been a staple of the television landscape since the advent of the medium. Along with comedies and soap operas, the police procedural made an easy transition from radio to TV, and starting with Dragnet in 1952, quickly became one of the most popular genres. Crime television has proven to be a fascinating reflection of changes and developments in the culture at large. In the '50s and early '60s, the square-jawed, just-the-facts detectives of The Untouchables and The FBI put police work in the best light possible. As the '60s gave way to the '70s, however, the depictions gained more subtle shading, and The Streets of San Francisco, The Rockford Files, and Baretta offered conflicted heroes in more complex worlds. This trend has of course continued in more recent decades, with Steven Bochco's dramas seeking a new realism through frank depictions of language and sexuality on television. In chronicling these developments and illustrating how the genre has reflected our ideas of crime and crime solving through the decades, author Douglas Snauffer provides essential reading for any fan. This work provides a comprehensive history of detective and police shows on television, with, among other elements, production histories of seminal programs, and interviews with some of the most important writers and producers of crime television. Besides the shows listed above, this volume will also discuss such programs as: Peter Gunn, The Mod Squad, Hawaii Five-O, Columbo, Starsky and Hutch, Charlie's Angels, Magnum P.I., Miami Vice, T.J. Hooker, Remington Steele, Cagney and Lacey, Murder, She Wrote, The Commish, Homicide: Life on the Street, Monk, and many more.




New Times


Book Description