The Sun Temple of Konark


Book Description

Includes architectural rendering of the precincts of the temple.




Indian Art & Culture Book in English - Dr. Manish Rannjan (IAS)


Book Description

The presented book 'Indian Art & Culture' is extremely beneficial for the candidates preparing for the Preliminary and Mains Examination of Civil and State Services. The entire subject matter of the book is divided into 3 sections: Indian Art, Indian Culture and Indian Heritage. Each section has been discussed in detail in various chapters of the book. It is even more important for the aspirants because the book includes the diverse forms of Indian Art, Culture and Heritage, such as paintings and handicrafts, architecture, drama, dance, music, sculpture, architecture, inscriptions, festivals, heritage sites declared by UNESCO, language, literature, education, religion and philosophy etc. and their historical development since the time of their inception till now. This book is presented in a critical form with authentic facts and updated data keeping in view the latest developments in the field of art & culture. Four appendices have also been given at the end of the book in which examination related material pertaining to art and culture has been incorporated.




The World of Internet


Book Description







KONARK - THE BLACK PAGODA


Book Description

The sun temple of Konark in Orissa, also famous as the Black Pagoda, is undoubtedly one of the finest monuments of India. Even in ruins, the temple complex is a magnificent monument where the vitality and spirit of bygone creative age in the history of Orissa are echoed e en today in its life like sculptures.




Role of Culture in Development


Book Description

About the Book This book covers a spectrum of topics related to culture and development that Dr Kapila Vatsyayan presented on different occasions and platforms. “Culture” has a wide meaning and varied interpretations. The term “development” is equally loaded and complex. Both the terms mean different to different persons. Development sans cultural values and ethos makes no sense. Therefore, interlinking of developmental programmes with cultural and educational programmes is imperative. The volume thus discusses topics such as underlying concepts of the Indian cultural heritages; cultural configuration; profiling of cultural development; cultural tourism, its scope and impacts; new educational policy and the need to incorporate cultural goals in it; cultural osmosis between India and Indonesia; cultural patterns of India; what is culture from the Indian perspective; challenges in institutionalizing culture; cultural relations between India and Indo-China countries; and the contribution of Scheduled Castes and Scheduled Tribes for providing a unique identity to Indian culture. It also deals with Mahatma Gandhi’s blueprint on development and the report of World Commission on Culture and Development; Lenin’s role in making culture available to the Soviet masses and speaks about an ecology of human resources; and contributions of the Orientalists and the present status of Oriental institutes, among some other topics. About the Author Kapila Vatsyayan, Chairperson, IIC-International Research Division, India International Centre, New Delhi, and a former Member of Parliament (Rajya Sabha), is a well-known and leading scholar of interrelatedness of the arts. She was the founder-director of the Indira Gandhi National Centre for the Arts in Delhi, and has been Secretary, Government of India in the Department of Arts and Culture, where she was involved in framing policies with regard to many institutions of higher education and culture in India. She has also been the President, India International Centre; and Member, UNESCO Executive Board. She is the author of over thirty books, including Classical Indian Dance in Literature and the Arts (1968), The Square and the Circle of Indian Arts (1983), and a series of monographs on the Gita Govinda. She has conceived and organized conferences and exhibitions covering a range of concerns in Indian art, education and culture, and is the editor and general editor of several publications. In 2011, she was honoured with the “Padma Vibhushan” by the Government of India.




Konarak


Book Description




Cultural Identity in Hindi Plays


Book Description

This book deals with the interface between identity, culture and literature. It aims at studying questions of cultural identity and gender in Hindi plays of the 19th- and 20th- centuries and the interplay of poetics and politics, as revealed in the work of several influential playwrights. The book explores questions related to the ways in which seven representative playwrights imagine India and its identity and the ways, in which this concept is revealed in the "narratives of the nation", its postcolonial contentions and the politics of identity, as revealed in the production of various cultural discourses. The chapters explore various aspects of the ongoing process of constructing and narrating culture, gender, the nation and identity. There has been no monograph on the questions of cultural identity in Hindi drama. This is a pioneering project and a desideratum in the field of Hindi literature, South Asian Studies, and broadly, in the study of theatre of India and of South Asian cultures and literatures.




Indian Cultural Diplomacy


Book Description

The Book is a window on Indian cultural diplomacy, which is set against the backdrop of its ethos of 'Vasudhaiva Kutumbakam' (The World is a Family). It is pivoted to the 'Idea of India' that gets manifested through acceptance of diversity and celebration of pluralism. The Book in 15 chapters under 8 sections provides a comprehensive picture on the concept of cultural diplomacy; its relationship with public diplomacy and soft power; its place in the diplomatic architecture and its growing centrality. Unlike soft power, cultural diplomacy is not in the paradigm of power. The Book also provides an in depth study on the origins and evolution of Indian cultural diplomacy over the years. It reviews the role of the Ministries of Culture and External Affairs and the Indian Council for Cultural Relations (ICCR). It examines various instrumentalities, such as Cultural Agreements, Festivals of India, Cultural Centres and Chairs of Indian Studies, used by India, to achieve its objectives. The role played by Education, Media and Diaspora, as bridge builders is evaluated. The Book peeps into global cultural hubs, like the Smithsonian Institution in Washington DC and the working of cultural diplomacy at grassroots level at Chandigarh and Chicago. Two chapters in the Book look at the operation of cultural diplomacy in the Indian diplomatic missions and foreign diplomatic missions in India. This adds a practical dimension to the conceptual framework, as seen by practitioners of diplomacy. The final chapter provides an overview on the existing reality. A section on 'The Way Ahead' makes a number of practical recommendations in five clusters, to take cultural diplomacy to a higher plateau. Finally, it raises a set of pertinent issues and points for consideration by theoreticians and practitioners of cultural diplomacy. The Book would serve as a useful reference point for further studies, as it fills the existing void in the literature on cultural diplomacy.




Indian Art in Detail


Book Description

The rich and diverse cultures of India are represented in exquisite detail in this book, which begins with a simple question: what is Indian art? Each thematically organized chapter delves into such topics as religion and myth, epics, festivals, courtly and village life, and the natural world.