Koranic Allusions


Book Description

For anyone with an interest in the early history of Islam, this erudite anthology will prove to be informative and enlightening. Scholars have long known that the text of the Koran shows evidence of many influences from religious sources outside Islam. For example, stories in the Koran about Abraham, Moses, Jesus, and other characters from the Bible obviously come from the Jewish Torah and the Christian Gospels. But there is also evidence of borrowing in the Koran from more obscure literature. In this anthology, the acclaimed critic of Islam Ibn Warraq has assembled scholarly articles that delve into these unusual, little-known sources. The contributors examine the connections between pre-Islamic poetry and the text of the Koran; and they explore similarities between various Muslim doctrines and ideas found in the writings of the Ebionites, a Jewish Christian sect that existed from the second to the fourth centuries. Also considered is the influence of Coptic Christian literature on the writing of the traditional biography of Muhammad.




Koranic Allusions


Book Description

"For anyone with an interest in the early history of Islam, this erudite anthology will prove to be informative and enlightening.Scholars have long known that the text of the Koran shows evidence of many influences from religious sources outside Islam. For example, stories in the Koran about Abraham, Moses, Jesus, and other characters from the Bible obviously come from the Jewish Torah and the Christian Gospels. But there is also evidence of borrowing in the Koran from more obscure literature. In this anthology, the acclaimed critic of Islam Ibn Warraq has assembled scholarly articles that delve into these unusual, little-known sources. The contributors examine the connections between pre-Islamic poetry and the text of the Koran; and they explore similarities between various Muslim doctrines and ideas found in the writings of the Ebionites, a Jewish Christian sect that existed from the second to the fourth centuries. Also considered is the influence of Coptic Christian literature on the writing of the traditional biography of Muhammad."




Representations of the Divine in Arabic Poetry


Book Description

In Islam the fascination for “the word” is as vigorous as in Judaism and in Christianity, but an extra dimension is, that the revealed text, the Koran, is considered to be verbatim the word of the Almighty Himself, thereby providing the Arabic language with just an extra quality. No wonder that throughout Islamic history the study of the word, the Koran, the prophet’s utterances and the interpretation of both, has become the main axis of knowledge and education. As a consequence the intellectuals – and also the poets in Islamic culture - were thoroughly familiar with religious terms and the phraseology of a language which was highly estimated because of the divine origin with which it was associated. No wonder therefore, that allusions to religious texts can be found throughout Arabic literature, both classical and modern. The subject of this volume is the representation of the divine in Arabic poetry, be it the experience of the divine as expressed by poets or the use of imagery coined by religion.




The Islamic Jesus


Book Description

The intriguing connection between Christianity and Islam, through the lost “heresy” of Jewish Christianity




Religious Mysticism


Book Description

Contents: 1. Religious Mysticism: An Introduction, 2. Mysticism Among Oral Peoples, 3. Hinduism: A General Orientation, 4. Krishna, 5. Shiva, 6. Muslimtraditions: A General Orientation, 7. Ghazali And After, 8. God And Brahman, 9. Vedanta In Muslim Dress, 10. Islamic Traditions.




The Triumphal Sun


Book Description

This is a book on Rumi's life, his poetry, his thought, and his influence. Rumi's work forms one of the pillars of the Sufi orders, particularly the Mevlevi order, better known in the West as the Whirling Dervishes. In this book Rumi emerges not only as a spiritual master, but also as a fully human being grounded firmly in the Koran and in classical Islamic mysticism. The light of the Divine Sun, in its Beauty and Majesty, manifested itself for Rumi through the person of Shams of Tabriz. Transformed by this light, consumed by this fire, Mowlana Rumi saw the world in a new light. Everywhere he perceived God's Grandeur and his Grace. The book also discusses the theological premises upon which Rumi's work rests, his attitude to the problems of free will and predestination, and his analysis of the mystical stages and stations. The book not only gives a very rich analysis of Rumi's language and poetical art, but also a picture of medieval Konya, whose features the mystical poet transforms and transfigures.




The Tao of Islam


Book Description

The Tao of Islam is a rich and diverse anthology of Islamic teachings on the nature of the relationships between God and the world, the world and the human being, and the human being and God. Focusing on gender symbolism, Sachiko Murata shows that Muslim authors frequently analyze the divine reality and its connections with the cosmic and human domains with a view toward a complementarity or polarity of principles that is analogous to the Chinese idea of yin/yang. Murata believes that the unity of Islamic thought is found, not so much in the ideas discussed, as in the types of relationships that are set up among realities. She pays particular attention to the views of various figures commonly known as "Sufis" and "philosophers," since they approach these topics with a flexibility and subtlety not found in other schools of thought. She translates several hundred pages, most for the first time, from more than thirty important Muslims including the Ikhwan al-Safa', Avicenna, and Ibn al-'Arabi.




The Critical Qur'an


Book Description

A unique resource for understanding the Islamic Holy Book. As Islamic terrorism becomes a distressingly common feature of life in North America and Europe, it has become increasingly important for non-Muslims to be aware of the ideology that animates and motivates jihad violence and Sharia oppression of women and others—an ideology that’s rooted in Islam’s holy book, the Qur’an. English-speaking people, however, have found attempts to understand the Qur’an and Islam impeded by unclear, densely worded translations and explanatory notes written by Islamic apologists attempting to conceal, rather than reveal, how Islamic jihadis use the texts and teachings of the Qur’an to justify violence and supremacism, and to make recruits of peaceful Muslims. The Critical Qur’an, in contrast, makes clear the passages that are used to incite violence. Historian and Islamic scholar Robert Spencer elucidates the Qur’anic text with extensive references to the principal tafsir, or commentaries, that mainstream Muslims use today to understand the Qur’an, showing how interpretations that sanction violence are unfortunately not outliers, but central in Islamic theology. The Critical Qur’an is the Islamic counterpart to numerous critical and skeptical editions of the Bible that have appeared over the last century and more. It is the one edition of Islam’s book that doesn’t shy away from elucidating why the holy book of Islam is so frequently quoted and referred to with reverence by people who commit and/or justify acts of violence. It is a basic resource for everyone who wishes to understand the persistent phenomenon of Islamic terrorism, and the peculiar provenance of this most provocative book.




Early Islamic Poetry and Poetics


Book Description

This volume brings together a set of key studies on classical Arabic poetry (ca. 500-1000 C.E.), published over the last thirty-five years; the individual articles each deal with a different approach, period, genre, or theme. The major focus is on new interpretations of the form and function of the pre-eminent classical poetic genre, the polythematic qasida, or Arabic ode, particularly explorations of its ritual, ceremonial and performance dimensions. Other articles present the typology and genre characteristics of the short monothematic forms, especially the lyrical ghazal and the wine-poem. After thus setting out the full poetic genres and their structures, the volume turns in the remaining studies to the philological, rhetorical, stylistic and motival elements of classical Arabic poetry, in their etymological, symbolic, historical and comparatist dimensions. Suzanne Pinckney Stetkevych's Introduction places the articles within the context of the major critical and methodological trajectories of the field and in doing so demonstrates the increasing integration of Arabic literary studies into contemporary humanistic scholarship. The Selected Bibliography complements the Introduction and the Articles to offer the reader a full overview of the past generation of Western literary and critical scholarship on classical Arabic poetry.




Routledge Handbook on Early Islam


Book Description

The formative period of Islam remains highly contested. From the beginning of modern scholarship on this formative period, scholars have questioned traditional Muslim accounts on early Islam. The scholarly fixation is mirrored by sectarian groups and movements within Islam, most of which trace their origins to this period. Moreover, contemporary movements from Salafists to modernists continue to point to Islam’s origins to justify their positions. This Handbook provides a definitive overview of early Islam and how this period was understood and deployed by later Muslims. It is split into four main parts, the first of which explores the debates and positions on the critical texts and figures of early Islam. The second part turns to the communities that identified their origins with the Qurʾān and Muḥammad. In addition to the development of Muslim identities and polities, of particular focus is the relationship with groups outside or movements inside of the umma (the collective community of Muslims). The third part looks beyond what happened from the 7th to the 9th centuries CE and explores what that period, the events, figures, and texts have meant for Muslims in the past and what they mean for Muslims today. Not all Muslims or scholars are willing to merely reinterpret early Islam and its sources, though; some are willing to jettison parts, or even all, of the edifice that has been constructed over almost a millennium and a half. The Handbook therefore concludes with discussions of re-imaginations and revisions of early Islam and its sources. Almost every major debate in the study of Islam and among Muslims looks to the formative period of Islam. The wide range of contributions from many of the leading academic experts on the subject therefore means that this book will be a valuable resource for all students and scholars of Islamic studies, as well as for anyone with an interest in early Islam.