KPFA Program Folio
Author : KPFA (Radio station : Berkeley, Calif.)
Publisher :
Page : 436 pages
File Size : 13,61 MB
Release : 1962
Category : Radio
ISBN :
Author : KPFA (Radio station : Berkeley, Calif.)
Publisher :
Page : 436 pages
File Size : 13,61 MB
Release : 1962
Category : Radio
ISBN :
Author : KPFA (Radio station : Berkeley, Calif.)
Publisher :
Page : 590 pages
File Size : 49,75 MB
Release : 1972
Category : Radio
ISBN :
Author : KPFA (Radio station : Berkeley, Calif.)
Publisher :
Page : 436 pages
File Size : 49,11 MB
Release : 1964
Category : Radio
ISBN :
Author : KPFA (Radio station : Berkeley, Calif.)
Publisher :
Page : 386 pages
File Size : 14,14 MB
Release : 1965
Category : Radio
ISBN :
Author :
Publisher :
Page : 52 pages
File Size : 26,2 MB
Release : 1970
Category :
ISBN :
Author : Matthew Lasar
Publisher : Black Apollo Press
Page : 431 pages
File Size : 18,73 MB
Release : 2006
Category : Alternative radio broadcasting
ISBN : 1900355450
"Uneasy listening tells the story of the epic battle over five listener-supported radio stations that rocked the American Left and raised difficult questions about public broadcasting in the United States that have yet to be answered"--P. [4] of cover.
Author : Lisa Hollenbach
Publisher : University of Iowa Press
Page : 267 pages
File Size : 34,37 MB
Release : 2023-05-12
Category : Literary Criticism
ISBN : 1609388925
Poetry FM is the first book to explore the dynamic relationship between post-1945 poetry and radio in the United States. Contrary to assumptions about the decline of literary radio production in the television age, the transformation of the broadcasting industry after World War II changed writers’ engagement with radio in ways that impacted both the experimental development of FM radio and the oral, performative emphasis of postwar poetry. Lisa Hollenbach traces the history of Pacifica Radio—founded in 1946, the nation’s first listener-supported public radio network—through the 1970s: from the radical pacifists and poets who founded Pacifica after the war; to the San Francisco Renaissance, Beat, and New York poets who helped define the countercultural sound of Pacifica stations KPFA and WBAI in the 1950s and 1960s; to the feminist poets and activists who seized Pacifica’s frequencies in the 1970s. In the poems and recorded broadcasts of writers like Kenneth Rexroth, Jack Spicer, Allen Ginsberg, Amiri Baraka, Audre Lorde, Pat Parker, Bernadette Mayer, and Susan Howe, one finds a recurring ambivalence about the technics and poetics of reception. Through tropes of static noise, censorship, and inaudibility as well as voice, sound, and signal, these radiopoetic works suggest new ways of listening to the sounds and silences of Cold War American culture.
Author : Jeff Land
Publisher : U of Minnesota Press
Page : 210 pages
File Size : 32,19 MB
Release : 1999
Category : Performing Arts
ISBN : 9780816631575
In a searing critique of the War on Drugs and other attempts to eradicate "getting high, " Lenson ventures outside the conventional genres of drug writing and looks at the drug debate from a lost, and often forbidden, point of view: the user's. Walking a fine line between the antidrug hysteria prevalent in our culture and an uncritical advocacy of drug use, he describes in provocative detail the experiences and dynamics of drugs of pleasure and desire.
Author : United States. Federal Communications Commission
Publisher :
Page : 1262 pages
File Size : 50,49 MB
Release : 1975
Category : Radio
ISBN :
Author : Chela Sandoval
Publisher : U of Minnesota Press
Page : 264 pages
File Size : 12,35 MB
Release : 2013-11-30
Category : Literary Criticism
ISBN : 1452904065
In a work with far-reaching implications, Chela Sandoval does no less than revise the genealogy of theory over the past thirty years, inserting what she terms "U.S. Third World feminism" into the narrative in a way that thoroughly alters our perspective on contemporary culture and subjectivity. What Sandoval has identified is a language, a rhetoric of resistance to postmodern cultural conditions. U.S. liberation movements of the post-World War II era generated specific modes of oppositional consciousness. Out of these emerged a new activity of consciousness and language Sandoval calls the "methodology of the oppressed." This methodology—born of the strains of the cultural and identity struggles that currently mark global exchange—holds out the possibility of a new historical moment, a new citizen-subject, and a new form of alliance consciousness and politics. Utilizing semiotics and U.S. Third World feminist criticism, Sandoval demonstrates how this methodology mobilizes love as a category of critical analysis. Rendering this approach in all its specifics, Methodology of the Oppressed gives rise to an alternative mode of criticism opening new perspectives on any theoretical, literary, aesthetic, social movement, or psychic expression.