KPFA Program Folio
Author : KPFA (Radio station : Berkeley, Calif.)
Publisher :
Page : 436 pages
File Size : 13,90 MB
Release : 1962
Category : Radio
ISBN :
Author : KPFA (Radio station : Berkeley, Calif.)
Publisher :
Page : 436 pages
File Size : 13,90 MB
Release : 1962
Category : Radio
ISBN :
Author : KPFA (Radio station : Berkeley, Calif.)
Publisher :
Page : 386 pages
File Size : 22,40 MB
Release : 1965
Category : Radio
ISBN :
Author :
Publisher :
Page : 52 pages
File Size : 22,51 MB
Release : 1970
Category :
ISBN :
Author : KPFA (Radio station : Berkeley, Calif.)
Publisher :
Page : 590 pages
File Size : 28,97 MB
Release : 1972
Category : Radio
ISBN :
Author : KPFA (Radio station : Berkeley, Calif.)
Publisher :
Page : 436 pages
File Size : 16,82 MB
Release : 1964
Category : Radio
ISBN :
Author :
Publisher :
Page : 35 pages
File Size : 29,76 MB
Release : 1979
Category :
ISBN :
Author : Lisa Hollenbach
Publisher : University of Iowa Press
Page : 267 pages
File Size : 34,12 MB
Release : 2023-05-12
Category : Literary Criticism
ISBN : 1609388925
Poetry FM is the first book to explore the dynamic relationship between post-1945 poetry and radio in the United States. Contrary to assumptions about the decline of literary radio production in the television age, the transformation of the broadcasting industry after World War II changed writers’ engagement with radio in ways that impacted both the experimental development of FM radio and the oral, performative emphasis of postwar poetry. Lisa Hollenbach traces the history of Pacifica Radio—founded in 1946, the nation’s first listener-supported public radio network—through the 1970s: from the radical pacifists and poets who founded Pacifica after the war; to the San Francisco Renaissance, Beat, and New York poets who helped define the countercultural sound of Pacifica stations KPFA and WBAI in the 1950s and 1960s; to the feminist poets and activists who seized Pacifica’s frequencies in the 1970s. In the poems and recorded broadcasts of writers like Kenneth Rexroth, Jack Spicer, Allen Ginsberg, Amiri Baraka, Audre Lorde, Pat Parker, Bernadette Mayer, and Susan Howe, one finds a recurring ambivalence about the technics and poetics of reception. Through tropes of static noise, censorship, and inaudibility as well as voice, sound, and signal, these radiopoetic works suggest new ways of listening to the sounds and silences of Cold War American culture.
Author : George Richard Ragan
Publisher :
Page : 224 pages
File Size : 44,1 MB
Release : 1963
Category : Radio programs
ISBN :
Author : Brian Haley
Publisher : University of Arizona Press
Page : 328 pages
File Size : 21,10 MB
Release : 2024
Category : Social Science
ISBN : 0816553653
This book addresses how the Hopi became icons of the followers of alternative spiritualities and reveals one of the major pathways for the explosive appropriation of Indigenous identities in the 1960s. It reveals a largely unknown network of Native, non-Indian, and neo-Indian actors who spread misrepresentations of the Hopi that they created through interactions with the Hopi Traditionalist faction of the 1940s through 1980s. Significantly, many non-Hopis involved adopted Indian identities during this time, becoming "neo-Indians." Exploring the new social field that developed to spread these ideas, Hopis and the Counterculture meticulously traces the trajectories of figures such as Ammon Hennacy, Craig Carpenter, Frank Waters, and the Firesign Theatre, among others. Drawing on insights into the interplay between primitivism, radicalism, stereotyping, and identity, Haley expands on concepts from scholars such as Roy Harvey Pearce's notion of "isolated radicals" and Jonathan Friedman's observations regarding the ascendancy of primitivism amid global crises. Haley scrutinizes the roles played by non-Hopi actors and the timing behind the widespread popularization of Hopi religious practices.
Author :
Publisher :
Page : pages
File Size : 16,68 MB
Release : 1963
Category :
ISBN :
Summary