Kusumabale


Book Description

Midnight- when stone and water melt- at the village entrance, the guardian-lamp spirits meet, they talk, exchange notes, share joys, share sorrows. Devanoora Mahadeva leads us to a world of spirits ruled by a strong sense of justice. As we listen in, their conversation introduces four generations of a family: Akkamahadevamma; her son Yaada; his son Somappa; and the main protagonist, Somappa's daughter, Kusuma. In this intricately woven cosmos, death casts its shadow. Following the different voices around, we come face to face with the harsh realities of Dalit life. Steered by the nuances of folk tale and oral tradition, this extraordinary account of feudal oppression presents a rare blend of poetry and prose. A modern classic, when it first appeared in 1988, Kusumabale marked a turning point in modern Kannada literature.




Dweepa


Book Description

As land wrestles unsuccessfully with water to save itself from being swallowed, everyone leaves except Ganapayya and his family. When the Sharavathi rises, it isn't only snakes that enter the little farmhouse. Unknown to Ganapayya, his wife's playmate from long ago finds a place in an otherwise happy marriage. Everyone and everything changes in the farmer's life as the values and ways of the Malnad region disappear under the flood waters of the hydroelectric project.




Chakori


Book Description

Narrative poem.







Creative Arts in Modern India


Book Description

Papers presented at a seminar on comparative aesthetics and criticism of the contemporary arts, arranged by the Department of Art History and Aesthetics of the Maharaja Sayajirao University of Baroda.




My Country Is Literature


Book Description

'A book is only one text, but it is many books. It is a different book for each of its readers. My Anna Karenina is not your Anna Karenina; your A House for Mr Biswas is not the one on my shelf. When we think of a favourite book, we recall not only the shape of the story, the characters who touched our hearts, the rhythm and texture of the sentences. We recall our own circumstances when we read it: where we bought it (and for how much), what kind of joy or solace it provided, how scenes from the story began to intermingle with scenes from our life, how it roused us to anger or indignation or allowed us to make our peace with some great private discord. This is the second life of the book: its life in our life.' In his early twenties, the novelist Chandrahas Choudhury found himself in the position of most young people who want to write: impractical, hard-up, ill at ease in the world. Like most people who love to read, his most radiant hours were inside the pages of a book. Seeking to combine his love of writing with his love of reading, he became an adept of a trade that is mainly transacted lying down—that is, he became a book reviewer. Pleasure, independence, aesthetic rapture, even a modest livelihood: all these were the rewards of being a worker bee of literature, ingesting the output of the publishers of the world in great quantities and trying to explain in the pages of newspapers and magazines exactly what makes a book leave a mark on the soul. Even as Choudhury's own novels began to be published, he continued to write about other writers' books: his contemporaries at home and abroad, the great Indian writers of the past, the relationship of the reading life —in particular, the novel—to selfhood and democracy, all the ways in which literature sings the truths of the human heart. My Country Is Literature brings together the best of his literary criticism: a long train of perceptive essays on writers as diverse as VS Naipaul and Orhan Pamuk, Gandhi and Nehru, Bibhutibhushan Bandyopadhyay and Jhumpa Lahiri. The book also contains an introductory essay describing Choudhury's book-saturated years as a young writer in Mumbai, the joys and sorrows and stratagems of the book reviewer's trade, and the ways in which literature is made as much by readers as by writers. Delightfully punctuated with 15 portraits of writers by the artist Golak Khandual, My Country Is Literature is essential reading for everyone who believes that books are the most beautiful things in life.




Studies in Comparative Literature


Book Description

Kongress (Thiruvananthapuram, 2001).




Koogai


Book Description

Koogai, the owl-huddled in its hollowwith the sun overhead,it flies freewhen darkness descendsBird of the night -an abuse, a bad omenattacked and shunnedby birds, by humans ...Strong, but unaware ofits immense power,Koogai, the owl -foolishor wise?Set in post-Independence Tamil Nadu's era of agrarian and industrial change, Koogai reflects the nuances of an authentic contemporary myth leavened with irony and fierce humour. Empowering themselves with the image of the owl, a totem of self-respect and hope, men and women break free of old castetaboos only to find themselves entangled in the doublespeak of an egalitarian rhetoric




Pethavan


Book Description

When Bhakkiyam falls in love with a Dalit sub-inspector, death is the only punishment that will satisfy her village panchayat. Pazhani, her father, is ordered to kill her. But how can a father murder his own daughter? Imayam's powerful tale about caste bitterness--sickness that continues to plague Indian society--eerily preceded an actual event that occurred two months later. The narrative, constructed on short, crisp dialogues, is an unflinching account of the ugliness and trauma that await those who dare to transcend caste borders.




The Literary Criterion


Book Description