L'Argent


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The career of Robert Bresson (b. 1907) is one of the richest in the history of cinema, but also one of the most enigmatic. For some commentators, Bresson is a severe moralist who's almost medieval in his concern for the darker aspects of Catholic theology. For others, he's best seen as a stylist whose work has consistently anticipated cinematic trends. Just as Bresson's 1959 'Pickpocket 'was remodelled by Paul Schrader as 'American Gigolo '(1980), so 'L'Argent '(1983) is a study of spontaneous murder and a meditation on evil that has a striking kinship with contemporary vigilante and serial killer films. Kent Jones disputes some of the received wisdom about Bresson's work as it's epitomized by 'L'Argent': the work can't simply be reduced to its austere, pessimistic, or religious elements. By exploring the many dimensions of' L'Argent,' Jones finds other elements: beauty, compassion, an overriding concern with the meaningful depiction of experience. 'L'Argent 'is the culminating work of one of the select group of directors able 'to push the cinema, through the force of their own genius, onto a new plain.'




L'Argent


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Small Change


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Small Change, shot in the French Provinces, is a story about children. Truffaut has captured the essence of each age group - the verbally precocious three-year-old who pushes the family cat out the window only to follow it nine stories to the ground, the teenage boy yet to experience his first kiss, but hopelessly infatuated with his best friend's mother, the uncooperative eight-year-old daughter of the local policeman who, when left alone as punishment, uses her father's bullhorn to complain to the neighbors she is starving, the brothers who, having insufficient pocket money to buy a stolen compass, cut a younger classmate's hair and borrow his barber money. Small Change contains precise and moving descriptions of the various stages of a secure childhood, of the fun and freedom one experiences as a child, but throughout the film, Truffaut makes a stunning comparison with another child who lives in the same town, who attends the same school. He compares the life of Julian, who is hated and abused by his mother, whose mere existence is despised because he is a child. In Small Change, Truffaut makes an eloquent and traumatic appeal for the rights of children.




Monthly Bulletin


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Money


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L'Argent ("Money") is the eighteenth novel in the Rougon-Macquart series by Émile Zola. lt focuses on the financial world of the Second French Empire as embodied in the Paris Bourse and exemplified by the fictional character of Aristide Saccard. Zola's intent was to show the terrible effects of speculation and fraudulent company promotion, the culpable negligence of company directors, and the downfall of contemporary financial laws.




The Studio


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Publications


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Sessional Papers


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