La Belle Dame Sans Mercy. [A Poem. By Alain Chartier. With a Woodcut.] G.L.
Author : DAME.
Publisher :
Page : pages
File Size : 29,30 MB
Release : 1490
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ISBN :
Author : DAME.
Publisher :
Page : pages
File Size : 29,30 MB
Release : 1490
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ISBN :
Author : Alain Chartier
Publisher : Createspace Independent Publishing Platform
Page : 32 pages
File Size : 45,87 MB
Release : 2018-07-09
Category :
ISBN : 9781722856212
The poem is written in a series of octaves (huitains in the French) each line of which contains eight syllables (octosyllabes), which is also the style of the poet François Villon in the "Ballade des dames du temps jadis" written later in the 15th century. In the debate between the Lover and the Lady, the alternating octaves delineate their arguments. The rhyme scheme is ABABBCBC of crossed rhymes (rimes croisées).
Author : Jean MAROT (Poet.)
Publisher :
Page : pages
File Size : 22,66 MB
Release : 1495*
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ISBN :
Author : British Library (London)
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Page : 538 pages
File Size : 16,68 MB
Release : 1979
Category : Reference
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Author : British Museum. Dept. of Printed Books
Publisher :
Page : 650 pages
File Size : 31,44 MB
Release : 1959
Category : English imprints
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Author : British Museum. Department of Printed Books
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Page : 624 pages
File Size : 20,16 MB
Release : 1966
Category : English imprints
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Author : Alain Chartier
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Page : 128 pages
File Size : 21,18 MB
Release : 1949
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Author : John Keats
Publisher :
Page : 38 pages
File Size : 44,30 MB
Release : 2011
Category :
ISBN : 9789736114076
Author : John Lydgate
Publisher :
Page : 116 pages
File Size : 25,20 MB
Release : 2006
Category : English literature
ISBN :
The Temple of Glas takes the form of an elusive and suspenseful-but for that reason all the more sensational-dream vision that demands close attention to detail and the dynamic way in which the meaning of events unfolds. Seducing readers with possibilities remains what the poem does best, and that special magnetism speaks not only to the provenance and textual history of Lydgate's text but also to its literary qualities.
Author :
Publisher : BRILL
Page : 818 pages
File Size : 46,74 MB
Release : 2018-10-16
Category : Art
ISBN : 9004378219
This volume explores the various strategies by which appropriate pasts were construed in scholarship, literature, art, and architecture in order to create “national”, regional, or local identities in late medieval and early modern Europe. Because authority was based on lineage, political and territorial claims were underpinned by historical arguments, either true or otherwise. Literature, scholarship, art, and architecture were pivotal media that were used to give evidence of the impressive old lineage of states, regions, or families. These claims were related not only to classical antiquity but also to other periods that were regarded as antiquities, such as the Middle Ages, especially the chivalric age. The authors of this volume analyse these intriguing early modern constructions of “antiquity” and investigate the ways in which they were applied in political, intellectual and artistic contexts in the period of 1400–1700. Contributors include: Barbara Arciszewska, Bianca De Divitiis, Karl Enenkel, Hubertus Günther, Thomas Haye, Harald Hendrix, Stephan Hoppe, Marc Laureys, Frédérique Lemerle, Coen Maas, Anne-Françoise Morel, Kristoffer Neville, Konrad Ottenheym, Yves Pauwels, Christian Peters, Christoph Pieper, David Rijser, Bernd Roling, Nuno Senos, Paul Smith, Pieter Vlaardingerbroek, and Matthew Walker.