La mensongère, conte-type 710


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The Fairytale as Art Form and Portrait of Man


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Fairytales have amused and delighted generations of both children and adults. They possess the unique quality of bringing together the human and otherworldly, creating a special kind of magic. In this major work by the distinguished Swiss folklorist Max Lüthi, the traditional fairytale is examined from two points of view, that of aesthetics and that of anthropology. According to the author, fairytales have been told time and again because they provide pleasure. Therefore, an aesthetics of the fairytale must be concerned with why these stories are still a source of pleasure. Lüthi shows that fairytales are more than just pleasing form; they present a particularly way of looking at the world and at human existence. Thus, they must be evaluated in terms of what they say about man and the human condition. -- From publisher's description.




The Two Traditions


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Newfoundland is well known for the strong traditions and folklore of its English-speaking inhabitants. Until recently, however, few outside this province realized that there is also a small but vigorous Francophone population, situated mainly on the west coast of the island in and around the Port au Port Peninsula. The culture and folklore, and particularly their storytelling traditions, are the focus of the work by noted folklorist and memorial university professor Gerald Thomas. Thomas has conducted extensive and exhaustive research on the Port au Port Peninsula for more than twenty years, focusing on, though not limited to, the music and story telling in Franco Newfoundland communities, through the study of the repertoire, context and lives on three people: Mrs. Blanche Ozone, Mrs. Angela Kerfont, and Emile Benoit.




The Culture of Print


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The leading historians who are the authors of this work offer a highly original account of one of the most important transformations in Western culture: the change brought about by the discovery and development of printing in Europe. Focusing primarily on printed matter other than books, The Culture of Print emphasizes the specific and local contexts in which printed materials, such as broadsheets, flysheets, and posters, were used in modern Europe. The authors show that festive, ritual, cultic, civic, and pedagogic uses of print were social activities that involved deciphering texts in a collective way, with those who knew how to read leading those who did not. Only gradually did these collective forms of appropriation give way to a practice of reading--privately, silently, using the eyes alone--that has become common today. This wide-ranging work opens up new historical and methodological perspectives and will become a focal point of debate for historians and sociologists interested in the cultural transformations that accompanied the rise of modern societies. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.




Cajun and Creole Folktales


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This teeming compendium of tales assembles and classifies the abundant lore and storytelling prevalent in the French culture of southern Louisiana. This is the largest, most diverse, and best annotated collection of French-language tales ever published in the United States. Side by side are dual-language retellings—the Cajun French and its English translation—along with insightful commentaries. This volume reveals the long and lively heritage of the Louisiana folktale among French Creoles and Cajuns and shows how tale-telling in Louisiana through the years has remained vigorous and constantly changing. Some of the best storytellers of the present day are highlighted in biographical sketches and are identified by some of their best tales. Their repertory includes animal stories, magic stories, jokes, tall tales, Pascal (improvised) stories, and legendary tales—all of them colorful examples of Louisiana narrative at its best. Though greatly transformed since the French arrived on southern soil, the French oral tradition is alive and flourishing today. It is even more complex and varied than has been shown in previous studies, for revealed here are African influences as well as others that have been filtered from America's multicultural mainstream.




Many voices


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This volume provides a historical overview of the development and role of Anglo-Canadian folklore studies in Canada and their relationship to similar research conducted with respect to French Canadians, minority groups within Canada, within the wider Canadian context, and at the international level.




Canadiana


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The Tale of the Three Oranges


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Subject Catalog


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