The Life of Joan of Arc (Complete)


Book Description

FROM Neufch‰teau to Vaucouleurs the clear waters of the Meuse flow freely between banks covered with rows of poplar trees and low bushes of alder and willow. Now they wind in sudden bends, now in gradual curves, for ever breaking up into narrow streams, and then the threads of greenish waters gather together again, or here and there are suddenly lost to sight underground. In the summer the river is a lazy stream, barely bending in its course the reeds which grow upon its shallow bed; and from the bank one may watch its lapping waters kept back by clumps of rushes scarcely covering a little sand and moss. But in the season of heavy rains, swollen by sudden torrents, deeper and more rapid, as it rushes along, it leaves behind it on the banks a kind of dew, which rises in pools of clear water on a level with the grass of the valley. This valley, two or three miles broad, stretches unbroken between low hills, softly undulating, crowned with oaks, maples, and birches. Although strewn with wild-flowers in the spring, it looks severe, grave, and sometimes even sad. The green grass imparts to it a monotony like that of stagnant water. Even on fine days one is conscious of a hard, cold climate. The sky seems more genial than the earth. It beams upon it with a tearful smile; it constitutes all the movement, the grace, the exquisite charm of this delicate tranquil landscape. Then when winter comes the sky merges with the earth in a kind of chaos. Fogs come down thick and clinging. The white light mists, which in summer veil the bottom of the valley, give place to thick clouds and dark moving mountains, but slowly scattered by a red, cold sun. Wanderers ranging the uplands in the early morning might dream with the mystics in their ecstasy that they are walking on clouds. Thus, after having passed on the left the wooded plateau, from the height of which the ch‰teau of BourlŽmont dominates the valley of the Saonelle, and on the right Coussey with its old church, the winding river flows between le Bois Chesnu on the west and the hill of Julien on the east. Then on it goes, passing the adjacent villages of Domremy and Greux on the west bank and separating Greux from Maxey-sur-Meuse. Among other hamlets nestling in the hollows of the hills or rising on the high ground, it passes Burey-la-C™te, Maxey-sur-Vaise, and Burey-en-Vaux, and flows on to water the beautiful meadows of Vaucouleurs. In this little village of Domremy, situated at least seven and a half miles further down the river than Neufch‰teau and twelve and a half above Vaucouleurs, there was born, about the year 1410 or 1412, a girl who was destined to live a remarkable life. She was born poor. Her father, Jacques or Jacquot d'Arc, a native of the village of Ceffonds in Champagne, was a small farmer and himself drove his horses at the plough. His neighbours, men and women alike, held him to be a good Christian and an industrious workman. His wife came from Vouthon, a village nearly four miles northwest of Domremy, beyond the woods of Greux. Her name being Isabelle or Zabillet, she received at some time, exactly when is uncertain, the surname of RomŽe. That name was given to those who had been to Rome or on some other important pilgrimage; and it is possible that Isabelle may have acquired her name of RomŽe by assuming the pilgrim's shell and staff. One of her brothers was a parish priest, another a tiler; she had a nephew who was a carpenter. She had already borne her husband three children: Jacques or Jacquemin, Catherine, and Jean.




The Trial of Jeanne D’arc


Book Description

A little over five hundred years ago there was a trial in the King of England’s military headquarters and capital in France—a trial that has become second in importance only to the Trial of Christ. The young woman who was examined, tried and condemned in that medieval, strong-castled town of Rouen has been the central figure of a whole literature of controversy. Shakespeare, Voltaire, Michelet, Schiller, Quicherat, Lang, Mark Twain, Anatole France, Frank Harris, Shaw, Paine and others far too numerous to mention have demonstrated by their writing about her that minds throughout the centuries from her time to the present find her as dynamic and challenging a figure as did the people of her own time. Aeterna Press




The life of Joan of Arc; a translation by Winifred Stephens.-v.23. Little Pierre; a translation by J Lewis May.-v.24. The bloom of life; a translation by J. Lewis May. v.25. My friend's book; a translation by J. Lewis May.-v.26. Pierre Nozière; a translation by J. Lewis May.-v.27. On life & letters, first series; a translation by A.W. Evans.-v.28. On life & letters, second series; a translation by A.W. Evans.-v.29. On life & letters, third series; a translation by D.B. Stewart.-v.30. On life & letters, fourth series; a translation by Bernard Miall


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Fresh Verdicts on Joan of Arc


Book Description

Joan of Arc has long piqued the historical imagination, for it seems impossible that a peasant-maid couldhave led the French army, crowned her king, and then been burned as a heretic, only later to be found a saint. This volume of original essays seeks to shed light on these mysteries, but also to explain why, even in the 20th century, Joan of Arc remains such a potent symbol. Scholars here employ the latest tools of historical analysis, literary criticism, and feminist inquiry to reveal why verterans of her military campaigns found her to have been a remarkable commander; why so many of her contemporaries and near-contemporaries, churchman and poets alike, found it possible to accept the validity of her mission and her voices; why modern politicians and literary and cinematic artists have used her as the symbolic vehicle for their own visions; and why the Catholic Church finally decided to canonize her in 1920. The essays are heavily cross-referenced, and are capped off with a reflective epilogue by R gine Pernoud, long the dean of Joan scholars and former director of the Centre Jeanne d'Arc at Orleans. Also includes maps.




Joan of Arc


Book Description

The fame of Joan of Arc began in her lifetime and, though it has dipped a little now and then, she has never vanished from view. Her image acts as a seismograph for the shifts and settlings of personal and political ideals: Joan of Arc is the heroine every movement has wanted as their figurehead. In France, anti-semitic, xenophobic, extreme right parties have claimed her since the Action Francaise in the 19th century. By contrast, Socialists, feminists, and liberal Catholics rallied to her as the champion of the dispossessed and the wrongly accused. Joan of Arc has also played a crucial role in changing visions of female heroism. She has proved an inexhaustible source of inspiration for writers, playwrights, film-makers, performers, and composers. In a single, brief life, several of the essential mythopoiec characteristics that throughout history have defined the charismatic leader and saint are powerfully and intensely condensed. Even while Joan of Arc was still alive, but far more so after her death, the heroic part of her story sparked narratives of all kinds, in pictures, ballads, plays, and also satires. This was only heightened in 1841-9 by the publication of the Inquisition trial which had examined Joan for witchcraft and heresy. The transcript of the interrogations gives us the voice of this young woman across the centuries with almost unbearable immediacy; her spirit leaps from the page, uncompromising in its frankness, good sense, courage, and often breathtaking in its simple effectiveness. Joan of Arc into one of the most fully and vividly present personalities in history, about whom a great more is known, in her own words and at first hand, than is, for example, about Shakespeare. However, this has not stopped the flow of fictions and fantasies about her. Marina Warner analyses the symbolism of the Maid in her own time and in her rich afterlife in popular culture. The cultural expressions are part of an ongoing historical struggle to own the symbol - you could say, the brand. In a new preface to her study, Marina Warner takes stock of the continuing contention, in politics and culture, for this powerful symbol of virtue. Joan of Arc's multiple resurrections and transformations show how vigorous the need for figures like her remains, and how crucial it is to meet that need with thoughtfulness. She argues that abandoning the search to identify heroes and define them, out of a kind of high-minded distaste for propaganda, lets dangerous political factions manipulate them to their own ends. When Marine Le Pen calls on Joan of Arc's name, she needs to be confronted about her bad faith and her abuse of history.







Joan of Arc in the English Imagination, 1429–1829


Book Description

In this book, Gail Orgelfinger examines the ways in which English historians and illustrators depicted Joan of Arc over a period of four hundred years, from her capture in 1429 to the early nineteenth century. The variety of epithets attached to Joan of Arc—from “witch” and “Medean virago” to “missioned Maid” and “shepherd’s child”—attests to England’s complicated relationship with the saint. While portrayals of Joan in English popular culture evolved over the centuries, they do not follow a straightforward trajectory from vituperation to adulation. Focusing primarily on descriptions of Joan’s captivity, trial, and execution, this study shows how the exigencies of politics and the demands of genre shaped English retellings of her military successes, gender transgressions, and execution at the hands of her English enemies. Orgelfinger’s research illuminates how and why English writers and artists used the memory of Joan of Arc to grapple with issues such as England’s relationship with France, emerging protofeminism in the early modern era, and the sense of national guilt over her execution. A systematic analysis of Joan’s English historiography in its political and social contexts, this volume sheds light on four centuries of English thought on Joan of Arc. It will be welcomed by specialist and general readers alike, especially those interested in women’s studies.