LabStudio


Book Description

LabStudio: Design Research between Architecture and Biology introduces the concept of the research design laboratory in which funded research and trans-disciplinary participants achieve radical advances in science, design, and applied architectural practice. The book demonstrates to natural scientists and architects alike new approaches to more traditional design studio and hypothesis-led research that are complementary, iterative, experimental, and reciprocal. These originate from 3-D spatial biology and generative design in architecture, creating philosophies and practices that are high-risk, non-linear, and design-driven for often surprising results. Authors Jenny E. Sabin, an architectural designer, and Peter Lloyd Jones, a spatial biologist, present case studies, prototypes, and exercises from their practice, LabStudio, illustrating in hundreds of color images a new model for seemingly unrelated, open-ended, data-, systems- and technology-driven methods that you can adopt for incredible results.




Knowledge Visualization Currents


Book Description

This text reviews the evolution of the field of visualization, providing innovative examples from various disciplines, highlighting the important role that visualization plays in extracting and organizing the concepts found in complex data. Features: presents a thorough introduction to the discipline of knowledge visualization, its current state of affairs and possible future developments; examines how tables have been used for information visualization in historical textual documents; discusses the application of visualization techniques for knowledge transfer in business relationships, and for the linguistic exploration and analysis of sensory descriptions; investigates the use of visualization to understand orchestral music scores, the optical theory behind Renaissance art, and to assist in the reconstruction of an historic church; describes immersive 360 degree stereographic visualization, knowledge-embedded embodied interaction, and a novel methodology for the analysis of architectural forms.




Vital Forms


Book Description

Shows how the intersection of biotech, art, and architecture are transforming the world we live in As living matter becomes more and more the domain of art and architecture, the life sciences are enabling a major cultural and aesthetic transformation. Vital Forms explores how the intersection of biology, art, and architecture has transformed these disciplines, offering heretofore unimagined possibilities. Using numerous case studies, Jennifer Johung explores how art and architecture are reimagining life on cellular and subcellular levels. In the process, she maps the constantly evolving dependencies that exist between objects, bodies, and environments. From Oron Catts and Ionat Zurr’s Tissue Culture and Art Project, which developed “semi-living worry dolls,” to Patricia Piccinini’s imagined Still Life with Stem Cells, each chapter pairs a branch of contemporary biological inquiry with the artists who are revolutionizing it. Examining cutting-edge developments in biotechnological research—including tissue-engineering, stem cell science, regenerative medicine, and more—Vital Forms brings biological art and architecture into critical dialogue. Distinguished by its broad range and Johung’s synthesizing talents, Vital Forms makes powerful observations about how the unfolding dependencies between all kinds of matter are becoming vital to life in our age of biotechnological manipulations.




Architecture in Formation


Book Description

Architecture in Formation is the first digital architecture manual that bridges multiple relationships between theory and practice, proposing a vital resource to structure the upcoming second digital revolution. Sixteen essays from practitioners, historians and theorists look at how information processing informs and is informed by architecture. Twenty-nine experimental projects propose radical means to inform the new upcoming digital architecture. Featuring essays by: Pablo Lorenzo-Eiroa, Aaron Sprecher, Georges Teyssot, Mario Carpo, Patrik Schumacher, Bernard Cache, Mark Linder, David Theodore, Evan Douglis, Ingeborg Rocker and Christian Lange, Antoine Picon, Michael Wen-Sen Su, Chris Perry, Alexis Meier, Achim Menges and Martin Bressani. Interviews with: George Legendre, Alessandra Ponte, Karl Chu, CiroNajle, and Greg Lynn. Projects by: Diller Scofidio and Renfro; Mark Burry; Yehuda Kalay; Omar Khan; Jason Kelly Johnson, Future Cities Lab; Alejandro Zaera-Polo and Maider Llaguno Munitxa; Anna Dyson / Bess Krietemeyer, Peter Stark, Center for Architecture, Science and Ecology (CASE); Philippe Rahm; Lydia Kallipoliti and Alexandros Tsamis; Neeraj Bhatia, Infranet Lab; Jenny Sabin, Lab Studio; Luc Courschene, Society for Arts and Technology (SAT); Eisenman Architects; Preston Scott Cohen; Eiroa Architects; Michael Hansmeyer; Open Source Architecture; Andrew Saunders; Nader Tehrani, Office dA; Satoru Sugihara, ATLV and Thom Mayne, Morphosis; Reiser and Umemoto; Roland Snooks, Kokkugia; Philip Beesley; Matias del Campo and Sandra Manninger SPAN; Michael Young; Eric Goldemberg, Monad Studio; Francois Roche; Ruy Klein; Chandler Ahrens and John Carpenter.




LabStudio


Book Description

Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- Preface -- Foreword: Reinventing Nature -- Acknowledgments -- Part I Design Research in Practice: Methodology and Approach with Historical Precedents and Case Studies -- 1 Bioconstructivisms -- Trans-Disciplinary Research Practice: Contemporary Case Studies -- 2 Design Research in Practice: A New Model -- Part II Design Computation Tools for Architecture and Science: New Tools and Forms -- Introduction to Design Computation Tools for Architecture and Science: New Tools and Forms -- 3 Networking: Elasticity and Branching Morphogenesis -- Comments on the Role of the Matrix -- New Architectural Concerns -- 4 Motility: Adaptive Architecture and Personalized Medicine -- Topologically Free Cells -- Avoiding Biomimicry -- Visualizing in Another Dimension -- Positioning Mechanism -- Newness -- 5 Surface Design: The Mammary Gland as a Model of Architectural Connectivity -- On Geometry and Cellular Mechanics -- Biological Data and Intuition -- Case Study: Understanding Behavioral Rule Sets through Cell Motility -- Case Study: Motility and the Observation of Change -- Case Study: Microfabrication: Spatializing Cell Signaling and Sensing Mechanisms -- 6 BioInspired Materials and Design -- Part III Architectural Prototyping: Human-Scale Material Systems and Big Datascapes -- 7 The New Science of Making -- 8 Matter Design Computation: Biosynthesis and New Paradigms of Making -- Project: Branching Morphogenesis, 2008 -- Project: Ground Substance, 2009 -- Workshop: Nonlinear Systems Biology and Design, 2010 -- Part IV Personalized Architecture and Medicine -- 9 eSkin: BioInspired Adaptive Materials -- 10 myThread Pavilion -- Interview: RE(IN)FORM(ULAT)ING Health Care via Medicine + Creativity -- Conclusion -- Notes on Contributors -- Image Credits -- Index




Toward a Living Architecture?


Book Description

A bold and unprecedented look at a cutting-edge movement in architecture Toward a Living Architecture? is the first book-length critique of the emerging field of generative architecture and its nexus with computation, biology, and complexity. Starting from the assertion that we should take generative architects’ rhetoric of biology and sustainability seriously, Christina Cogdell examines their claims from the standpoints of the sciences they draw on—complex systems theory, evolutionary theory, genetics and epigenetics, and synthetic biology. She reveals significant disconnects while also pointing to approaches and projects with significant potential for further development. Arguing that architectural design today often only masquerades as sustainable, Cogdell demonstrates how the language of some cutting-edge practitioners and educators can mislead students and clients into thinking they are getting something biological when they are not. In a narrative that moves from the computational toward the biological and from current practice to visionary futures, Cogdell uses life-cycle analysis as a baseline for parsing the material, energetic, and pollution differences between different digital and biological design and construction approaches. Contrary to green-tech sustainability advocates, she questions whether quartzite-based silicon technologies and their reliance on rare earth metals as currently designed are sustainable for much longer, challenging common projections of a computationally designed and manufactured future. Moreover, in critiquing contemporary architecture and science from a historical vantage point, she reveals the similarities between eugenic design of the 1930s and the aims of some generative architects and engineering synthetic biologists today. Each chapter addresses a current architectural school or program while also exploring a distinct aspect of the corresponding scientific language, theory, or practice. No other book critiques generative architecture by evaluating its scientific rhetoric and disjunction from actual scientific theory and practice. Based on the author’s years of field research in architecture studios and biological labs, this rare, field-building book does no less than definitively, unsparingly explain the role of the natural sciences within contemporary architecture.




The Routledge Companion to Biology in Art and Architecture


Book Description

The Routledge Companion to Biology in Art and Architecture collects thirty essays from a transdisciplinary array of experts on biology in art and architecture. The book presents a diversity of hybrid art-and-science thinking, revealing how science and culture are interwoven. The book situates bioart and bioarchitecture within an expanded field of biology in art, architecture, and design. It proposes an emergent field of biocreativity and outlines its historical and theoretical foundations from the perspective of artists, architects, designers, scientists, historians, and theoreticians. Includes over 150 black and white images.




Paradigms in Computing


Book Description

Paradigms in Computing: Making, Machines, and Models for Design Agency in Architecture brings together critical, theoretical, and practical research and design that illustrates the plurality of computing approaches within the broad spectrum of design and mediated practices. It is an interrogation of our primary field of architecture through the lens of computing, and yet one that realizes a productive expanding of our métier’s definition and boundaries. It is a compilation that purposefully promotes architecture’s disciplinary reach and incorporations beyond the design and construction of buildings and cities. The book offers a glimpse into the wide range of positions and experiences that are shaping practice and discourse today. The work included in Paradigms in Computing is evidence that models for enquiry are many and proliferating. As digitalization and computation continue to infuse our processes with new tools and new design environments, some of the trends collected in this book will continue to be central to the production and speculation of architecture, and others will, in retrospect, be recognized as the seeds of new, or perhaps multiple, paradigms. Included are essays and projects, from; Alisa Andrasek, Rachel Armstrong, Philip Beesley, Tom Bessai, Shajay Bhooshan, Brad Cantrel, Matias Del Campo, Pablo Eiroa, Marc Fornes, David Jason Gerber, Maria Paz Gutierrez, Alvin Huang, Jason Kelly Johnson, Simon Kim, Neil Leach, Greg Lynn, Elena and Anna Maria Manferdini, Alex McDowell, Phillippe Morel, Nick Puckett, Casey Reas, Alex Robinson, Jenny Sabin, Jose Sanchez, Patrik Schumacher, Kyle Steinfeld, Satoru Sugihara, Orkan Telhan, Kathy Velikov and Geoffrey Thun, Tom Verebes, Leire Asensio Villoria and David Mah, Jenny Wu, Eric Howeler and Meejin Yoon, and Zaha Hadid Architects.







Teaching and Designing in Detroit


Book Description

This book provides a compelling and insightful portrait of ten female architects, artists, and designers who explored unique approaches to teaching, practice, and research in the postindustrial city of Detroit. These women explored the phenomenon of a new “ecological urbanism” through their own work in art, architecture, design, planning, landscape architecture, and installation as well as the work of their students. Teaching and Designing in Detroit provides an eighteen-year snapshot of this work, how it affected the women’s practice, how they influenced student relationships to design and community development, and how their visions are now being carried out in Detroit. This book is organized into sections that group stories according to their focus on practice, pedagogy, and community engagement. Included in the book is a foreword by Leslie Kanes Weisman, the only female architecture professor at the University of Detroit Mercy in the 1970s, and an afterword by Sharon Egretta Sutton reflecting on how working and practicing in Detroit foreshadowed the future vision now being carried out in the rebounding city of Detroit. An intriguing read for students and professionals, this book will illustrate how these lessons learned can be applied by universities and communities in other postindustrial cities.