The Apostle of the Flesh


Book Description

This Life of Charles Kingsley is a detailed intellectual biography, which is at the same time a critical and contextual study. Working from the original manuscript letters, the author has placed the events of Kingsley’s life against a social-historical-religious background, paying much attention to such mid-nineteenth-century issues as geological discoveries, the Oxford Movement, biblical Higher Criticism, Chartism, sanitary reform, the Crimean War, the Indian Mutiny, Darwinism, the American Civil War, and the anti-slavery campaigns. Analyses of Kingsley’s relationships with important contemporaries are allotted ample space, and special emphasis has been given to themes on which previous biographies have remained relatively silent. Kingsley emerges from this study as one of England’s leading nineteenth-century voices as poet, novelist, social reformer, churchman and historian.




A Genealogy of Social Violence


Book Description

Examining the mimetic theory of René Girard, this book investigates the development of society as a result of an original crime (a murder) that shaped the way the earliest humans organized the social structures we live with today - an analysis that reveals the dangerous structure of the most basic social relationships. With attention to family relationships, A Genealogy of Social Violence sheds light on the processes by which the traditional nuclear family, through the mimetic behaviour of children, embeds violence into human desires and hence society as whole. Challenging the thought of Girard and of Rawls in order to offer a new understanding of justice, this book suggests that in order to achieve a more peaceful society, what is required is not the self-defeating narrative of equality, developed in order to manage the violence engendered by our social institutions, but a reconceptualisation of the nuclear family structure. A striking critique of modern society, which draws on religion, mythology, literature, history, philosophy and political theory, A Genealogy of Social Violence will be of interest to social and political theorists, as well as philosophers working in the area of contemporary social and European thought.




The Disciple


Book Description

Sister Veronica returns in the sequel to The Convent. “Such a good read . . . a cosy mystery but has, like Christie’s Miss Marple books, a very dark side.” —Love Books, Read Books Would you follow him into darkness? Sister Veronica is back at the Convent; a changed woman as a result of her experiences with the corrupt clergy and the murder she lived through. Now—more than ever—she has a thirst for righting wrongs, even if it means getting herself into danger. So, when a two-month-old baby girl is left on the Convent doorstep one night, wrapped up in dirty blankets and placed in an open cardboard box, Sister Veronica steps in to help solve the mystery. And when she discovers a tarot card left with the baby, she is drawn deeper into the search for the mother. Sister Veronica sets out on a mission to discover the truth, and in doing so begins to peel back the layers of secrecy and lies. But is she really prepared for what she’ll discover? Praise for the Sister Veronica Mysteries “A fast-moving psychological thriller about murder and corruption within the Roman Catholic Church.” —Crime Fiction Lover “I love Sister Veronica! This book was not what I was expecting, but I really enjoyed it. The mystery is compelling and keeps becoming more so as Sister Veronica and her friends discover the depth of the corruption and willingness to kill to cover it up.” —Avonna Loves Genres “These are most definitely books with their own, unique stories and characters. They are well worth reading, well written and very engaging.” —Love Books, Read Books




From Plato to Lancelot


Book Description

Considered the most important figure in medieval French literature, Chrétien de Troyes is credited with inventing the modern novel. The roots of his influential Arthurian romance narratives remain the subject of investigation and great debate among medieval scholars. In From Plato to Lancelot, K. Sara-Jane Murray makes a highly original and profoundly significant contribution to the current scholarship by locating Chrétien’s work at the intersection of two important traditions: one derived from Greco-Roman antiquity, the other from the Celtic world of the Atlantic seaboard. Drawing on a broad range of sources, from Plato’s Timaeus and Ovid’s Metamorphoses to the anonymous Lais translated in the twelfth century by Marie de France, Murray demonstrates that Chrétien and his contemporaries learned the importance of translation from the Mediterranean-centered classical tradition. She then turns to the Celtic world, examining how Irish monastic scholarship, as demonstrated by the Voyage of St. Brendan and Celtic saints’ lives, profoundly influenced the cultural identity of medieval Europe and paved the way for an interest in Celtic stories and legends. With breathtaking insight and lucid prose, Murray illustrates that Chrétien’s singular genius lay in his ability to look to the future and to lay the foundations for a thoroughly new, and French, tradition of vernacular storytelling.







A Companion to the Lancelot-Grail Cycle


Book Description

The early thirteenth-century French prose Lancelot-Grail Cycle (or Vulgate Cycle) brings together the stories of Arthur with those of the Grail, a conjunction of materials that continues to fascinate the Western imagination today. Representing what is probably the earliest large-scale use of prose for fiction in the West, it also exemplifies the taste for big cyclic compositions that shaped much of European narrative fiction for three centuries. A Companion to the Lancelot-Grail Cycle is the first comprehensive volume devoted exclusively to the Lancelot-Grail Cycle and its medieval legacy. The twenty essays in this volume, all by internationally known scholars, locate the work in its social, historical, literary, and manuscript contexts. In addition to addressing critical issues in the five texts that make up the Cycle, the contributors convey to modern readers the appeal that the text must have had for its medieval audiences, and the richness of composition that made it compelling. This volume will become standard reading for scholars, students, and more general readers interested in the Lancelot-Grail Cycle, medieval romance, Malory studies, and the Arthurian legends. Contributors: RICHARD BARBER, EMMANUELE BAUMGARTNER, FANNI BOGDANOW, FRANK BRANDSMA, MATILDA T. BRUCKNER, CAROL J. CHASE, ANNIE COMBES, HELEN COOPER, CAROL R. DOVER, MICHAEL HARNEY, DONALD L. HOFFMAN, DOUGLAS KELLY, ELSPETH KENNEDY, NORRIS J. LACY, ROGER MIDDLETON, HAQUIRA OSAKABE, HANS-HUGO STEINHOFF, ALISON STONES, RICHARD TRACHSLER. CAROL DOVER is associate professor of French and director of undergraduate studies, Georgetown University, Washington DC.










A Knight at the Movies


Book Description

Imagining the Middle Ages is an unprecedented examination of the historical content of films depicting the medieval period from the 11th to the 15th centuries. Historians increasingly feel the need to weigh in on popular depictions of the past, since so much of the public's knowledge of history comes from popular mediums. Aberth dissects how each film interpreted the period, offering estimations of the historical accuracy of the works and demonstrating how they project their own contemporary era's obsessions and fears onto the past.




Between Courtly Literature and Al-Andaluz


Book Description

Chrétien de Troyes uses repeated references to Spain throughout his romances; despite past suggestions that they contain Mozarabic and Islamic themes and motifs, these references have never been commented upon. The book will demonstrate that these allusions to Spain occur at key moments in the romances, and are often coupled with linguistic riddles which serve as roadmaps to the manner in which the romances are to be read. These references and riddles seem to support the idea that some of their themes and motifs in Chrétien's romances are of Andalusi origin. The book also analyzes Chrétien's notion of conjointure and shows it to be the intentional elaboration of a sort of Mischliteratur , which integrates Islamic and Jewish themes and motifs, as well as mystical alchemical symbolism, into the standard religious and literary canons of his time. The contrast afforded by Chrétien's use of irony, and his subtle integration of this matière d'Orient into the standard canon, constitutes a carefully veiled criticism of the social and moral conduct, as well as spiritual beliefs, of twelfth-century Christian society, the crusading mentality, chivalric mores, and even the notion of courtly love . The primary interest of the book lies in the fact that it will be the first to comment upon and analyze Chrétien's references to Spain and the rich matière d'Orient in his romances, while suggesting channels for its transmission, through scholars, merchants, and religious houses, from northern Spain to Champagne.