Landour Days


Book Description

Ruskin Bond is an inveterate diarist, but over the years the nature of what he wants to record has changed, for ‘In the autumn of my life, I grow reflective’. Although Landour itself is a magical world—where every month has its own flower, every walker his own style, and the countryside is filled with a beauty all its own—in his mind Bond ranges further afield. In Landour Days, he ponders on the experience of being a writer, on writers he has known and those that he loves reading, and on critics, handwriting and typewriters. Filled with warmth and gentle humour, Landour Days captures the timeless rhythm of life in the mountains, and the serene wisdom of one of India’s best-loved writers.




Gods in the Bazaar


Book Description

Gods in the Bazaar is a fascinating account of the printed images known in India as “calendar art” or “bazaar art,” the color-saturated, mass-produced pictures often used on calendars and in advertisements, featuring deities and other religious themes as well as nationalist leaders, alluring women, movie stars, chubby babies, and landscapes. Calendar art appears in all manner of contexts in India: in chic elite living rooms, middle-class kitchens, urban slums, village huts; hung on walls, stuck on scooters and computers, propped up on machines, affixed to dashboards, tucked into wallets and lockets. In this beautifully illustrated book, Kajri Jain examines the power that calendar art wields in Indian mass culture, arguing that its meanings derive as much from the production and circulation of the images as from their visual features. Jain draws on interviews with artists, printers, publishers, and consumers as well as analyses of the prints themselves to trace the economies—of art, commerce, religion, and desire—within which calendar images and ideas about them are formulated. For Jain, an analysis of the bazaar, or vernacular commercial arena, is crucial to understanding not only the calendar art that circulates within the bazaar but also India’s postcolonial modernity and the ways that its mass culture has developed in close connection with a religiously inflected nationalism. The bazaar is characterized by the coexistence of seemingly incompatible elements: bourgeois-liberal and neoliberal modernism on the one hand, and vernacular discourses and practices on the other. Jain argues that from the colonial era to the present, capitalist expansion has depended on the maintenance of these multiple coexisting realms: the sacred, the commercial, and the artistic; the official and the vernacular.




Longings of Landour


Book Description

Landour is the heart of the Queen of Hills, Mussoorie.The book delves into the emotional realms of a person, disheartened to see Landour, Mussoorie in the present state. The history bears the testimony of the glory that Mussoorie held— only to be erased in recent years. The book presents a voice that highlight the longings of the people and their urge to hold on to the golden days of Landour. The poems glorify the past along with recent trends in the Queen. There is a hope for the rejuvenation of Landour while keeping its legacy intact and keeping in mind the glorious history of Landour.




Full Circle


Book Description

This book is the story of Ruth Nave Leibbrands life and how she made the full circle of leaving her home country to live in sixteen countries, fifteen of them as an oil-patch wife, living in three of them twice, and then returning home to retire. This is her version of their adventures, at home and overseas.




India


Book Description

Detailed and timely information on accommodations, restaurants, and local attractions highlight these updated travel guides, which feature all-new covers, a two-color interior design, symbols to indicate budget options, must-see ratings, multi-day itineraries, Smart Travel Tips, helpful bulleted maps, tips on transportation, guidelines for shopping excursions, and other valuable features. Original.




Moral Materialism


Book Description




All the Way To Heaven


Book Description

A Loving Tribute To A Unique Upbringing When Stephen Alter Is Asked The Simple Question Where Are You From, Originally? He Hesitates. Although He Is In Almost Every Way An American-Granted With A Trace Of British Accent-He Has An Unexpected Reply: My Real Home Was In India, A Hill Station Called Mussoorie, Seven And A Half Thousand Feet Up The Himalayas. That Was Where I Was Born And Raised, In A Section Known As Landour... It Is A Landscape, And A Time, That Haunts Him Still: I Miss The Place Itself; The Mountains, The View Of The High Himalayas Beyond Mussoorie, Stretching All The Way To Heaven. The Son And Grandson Of Presbytarian Missionaries Living In India For More Than Half A Century, Every Day Alter Straddled The Profound Boundary Between Utterly Different Peoples, Cultures, Languages And Religions. He And His Brothers Spoke A Pidgin Dialect Of Hindustani And English As Young Boys, Fished In The Rivers Song, Ganga And The Jumna, And Later Hunted For Barking Deer And Ghoral In The Steep Foothills Of The Mountains Always Looming Behind Them. They Studied American History But Knew More About India'S Recent Independence From England. In All The Way To Heaven, Alter Writes Affectionately Of His Family, His Indian Friends And His Memories Exotic And Mundane.




Rain in the Mountains


Book Description

Rain in the Mountains brings together some of Ruskin Bond’s most beautiful works from his years spent in the foothills of the Himalayas in the town of Mussoorie. Through vivid images and lucid writing, Bond evokes the everyday sights and sounds, and captures the essence of mountain life. The musings on his natural habitat, in both prose and poetry, offer a view of that simple and affable world. Some of his writings featured in the book are ‘Once Upon a Mountain Time’, ‘Sounds I Like to Hear’, ‘How Far Is the River’ and ‘After the Monsoon’. Rain in the Mountains will transport the reader into the quiet world of the mountains, lit with an eternal charm.




On the Double


Book Description

Tanushree is a self-confessed word-a-holic and a traveller. When not reading or writing books, she’s sure to be packing her bags and boots to zip around the world. A true maverick, she stumbled through many career choices before settling on writing. A chocolate addict with a penchant for the unusual, she has collected dozens of interesting certificates that range from a wine-master’s assistant at Australia, an international reindeer driving licence from Lapland, to one from ‘The School of Hard Knocks’ at Royal Selangor. No Margin for Error is her ninth novel. After leading a nomadic life for several decades, thanks to the Indian Army, she has finally grown roots at Pune. Tanushree can be contacted on her website – http://www. tanushreepodder.com.




Two Taproots


Book Description

Marguerite Thoburn Watkins memoir, Two Taproots: Growing Up in the Forties in India and America begins as the USA enters World War II and her missionary family, the Thoburns, is evacuated from India to America. It covers the next ten years of the authors life. Three peripatetic years in New England with their wartime scrap drives, rationing and victory gardens, culminated in a precipitous return to India while the war was still on. The departure was secret because, Loose lips sink ships. She is back in India for Indian independence, the partition riots and the assassination of Gandhi. But the story is primarily personal -- family, friends, boarding school life, experiences and impressions of growing up in two worlds. It is about formative years shaped by World War II, the last days of the British Raj, Indian independence, and by missionary life. The author was a professors kid on an Indian college campus and an American girl at boarding school in the Himalayas. Nourished, as she says, by English khana and Hindustani gana, by a rich stew of cultures and religions, and by the natural beauty of her homes, she describes herself as having two taproots, India and America. But she was also part of a third experience that was nourished by both countries, a third culture kid. She conveys the privilege, and challenge, of such a life, discovering, as do many expatriate children, that her country of citizenship seemed sometimes more foreign than the land in which she was born and that she is both at home and a stranger in either world. The authors great love for India is apparent. As a writer," she says, "I can put myself back into a picture and am surrounded by the sounds, smells, people, names I thought I had forgotten. Like shifting color chips in a kaleidoscope, forgotten patterns regroup and are mine again for a moment. The ongoing struggle for self-rule was a feature of her landscape in both Jabalpur and Mussoorie -- obstacle after obstacle, marches, arrests. When independence finally arrived, it came with a joyous rush but it came with partition, and the bloody partition rioting. The author writes: Suddenly we too were involved, and the Landour Muslims were in harms way. One particular night toward the end of August, students heard shouts and screams from the hillside across the valley, a sobering experience. Partition rioting had started in Mussoorie. Standing on the balcony in the afternoons, looking toward the Landour bazaar, girls watched the rioting far across the valley. We had a panoramic view of the Mullingar army headquarters on the ridge and below it the settlement of Muslim homes. We observed ant-like figures climb toward the safety of the Mullingar enclosure. To our horror, columns of smoke rose from burning homes. The flames from one large house lit the sky. Yet there was an eerie unreality to the scene; it was all so far away. We could see the destruction, but it was too far to hear very much. And too, we now had no news from the outside world, and little sense of how widespread and bloodthirsty the riots had become. Finally it was time for the author to sail back to America to attend Bates College in Maine. It was the end of her childhood. The memoir closes as a new decade begins, New Years Day 1950. It was the start of her next incarnation, life at home in her country of citizenship. I snuggled in, longing for my cat, and looked out the window at the snow and stars. In a few hours it would be New Years Day, 1950. I wondered what the new decade would bring me. And I thought about my two lives, the unknown one ahead in this home country that was not really home, where I felt like an outsider, and the one behind me in the country I loved, where I really was an outsider but did not feel like one. I had friends at college and family here who loved me but did not understand me. I thought about