Lartigue's Winter Pictures


Book Description

1913. Jacques Henri Lartigue was only nineteen years old when he spent his first winter vacation in the Alps. Immediately captivated, he became a frequent visitor to the increasingly fashionable resorts of Chamonix, Megè ve, and Saint Moritz. The photographs that he took there are full of the adolescent wonderment that he was to maintain all his life. The exhilaration at being in the mountains and the awe inspired by the ethereal scenery of snowcapped summits are difficult to contain. Lartigue was overcome by the "dazzle of colorless light" that surrounded him: "I am in the negative of night!" he wrote in his journal at the time. The young photographer's joy was as fresh as it was lasting, reinforced by the inexhaustible pleasures of winter sports, which he discovered at the same time. He photographed all the fun and glamour of European high-society at play in the snow--intrepid sportsmen and women in action, displaying their athletic prowess at skiing, ice hockey, skating, curling, bobsleigh. . . . His pictures propel us between sky and land: skaters twirl, skiers jump, fir trees sway. But the mountains also harbor more contemplative, personal moments: his honeymoon with his young wife Bibi at Chamonix; skiing through "silence as soft as down"; the quiet poetry of a winter landscape. Beautifully reproduced in duo-tone, this collection of winter photographs, the majority of which are published here for the first time, reiterate Lartigue's positon as one of the great masters of twentieth-century photography.




Lartigue: Life in Color


Book Description

"This book accompanies the exhibition organized at the Maison europaeenne de la Photographie in Paris from June 24 to August 23, 2015"--Title page verso.




Photo-textualities


Book Description

"This anthology investigates books that juxtapose photographs and written language (photo-texts), considering a variety of examples from America, Britain, Canada, and France. Ranging from Nathaniel Hawthorne's The Marble Faun to Michael Ondaatje's postmodern novel Coming Through Slaughter and Edward Said's postdocumentary After the Last Sky, the contributors' analyses address photo-textuality's implications for representation and its cultural contexts. A truly interdisciplinary collection, Photo-Textualities features contributors who work in literary studies (English, romance languages), as well as contributors who work in media studies (film, graphic arts)." "Photo-Textualities invigorates critical inquiry with its range of literary and photographic genres, including photo-texts that elude genre classification. Besides documentary and biography, nonfiction literary genres include autobiography and travelogue. The range of photographic genres extends to landscapes, portraiture, documentary, tourist snapshots, and media images, as well as to the standard photo-textual forms of published album and photo-essay."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved




Lartigue's Riviera


Book Description

Jacques-Henri Lartigue (1894-1986), celebrated photographer, and one of the greatest practitioners the medium has ever known, discovered the Riviera with his first camera in the company of his wealthy family when he was just eleven years old. For the rest of his life Lartigue was a regular visitor to the Cote d'Azur, taking many of his finest pictures in Nice, Cannes, Cap d'Ail, Antibes, Menton, and Monaco. This splendid volume is the first book, to bring together a large selection of these photographs which are accompanied by a lively, informative text. Not only did Lartigue document the elegant resort life of the leisure class of which he was a member-in the villas, hotels, beach clubs, and casinos where they lived and played-but he also created an intimate chronicle of the life he shared on he Riviera with his beautiful first wife Bibi, during the 1920s, his companion Renee Perle, in 1930-31, and Florette whom he married in 1942. Apart from the stunning black-and-white images for which Lartigue is celebrated-including his ground-breaking panoramic photographs of the coastline-"Lartigue's Riviera "also reveals an important group of little-known and rarely published color photographs. The world ski-jumping championships in Juan-les-Pins, filming "Les Aventures du roi Pausole "in Cap d'Antibes, the Ziegfeld Follies girls in Monte Carlo, alternate here with the daily life of Latigue and his friends-stopping for lunch in St. Tropez, exercising on the beach in Cannes, drinking an aperitif at sunset at Cap d'Ail. Among the most beautiful-and often funny and poignant-photographs ever taken, Lartigue's pictures of the Riviera will come as a revelation to those who will bediscovering them for the first time, and as a welcome glimpse of the sunlight and glamour for which he is so admired by his devoted fans.




Nothing Is Lost


Book Description

From the late editor, writer, and critic, one of the great chroniclers of the art, fashion, and celebrity scenes: an expansive collection of thirty-five essays that offer an intimate look into the worlds of some of the most important and well-known artists, designers, and actors of our time. For more than three decades, Ingrid Sischy's profiles and critical essays have been admired for their keen observation and playful style. Many of the pieces that appeared in The New York Times Magazine, The New Yorker, and Vanity Fair from the 1980s to 2015 are gathered here for the first time, including her masterful profiles of Nicole Kidman, Kristen Stewart, Miuccia Prada, Calvin Klein, Jeff Koons, Jean Pigozzi, Alice Neel, and Francesco Clemente, among others, as well as her exclusive interview with John Galliano after his career nose-dived in 2011. Whether writing about a young Alexander McQueen, the photography of Robert Mapplethorpe, Sebastião Salgado, Cindy Sherman, or Bob Richardson, or the Japanese musical theater group Takarazuka Revue, Sischy's close attention to the unexpectedly telling detail results in vividly crafted, incisive portraits of individuals and their works. Here is a unique collection that gives readers unprecedented access to a dazzling range of artists from one of the greatest cultural critics of a generation.




Camera Lucida


Book Description

"Examining the themes of presence and absence, the relationship between photography and theatre, history and death, these 'reflections on photography' begin as an investigation into the nature of photographs. Then, as Barthes contemplates a photograph of his mother as a child, the book becomes an exposition of his own mind."--Alibris.




Road to Seeing


Book Description

After beginning his career as a photojournalist for a daily newspaper in southern California, Dan Winters moved to New York to begin a celebrated career that has since led to more than one hundred awards, including the Alfred Eisenstaedt Award for Magazine Photography. An immensely respected portrait photographer, Dan is well known for an impeccable use of light, colour, and depth in his evocative images. In Road to Seeing, Dan shares his journey to becoming a photographer, as well as key moments in his career that have influenced and informed the decisions he has made and the path he has taken. Though this book appeals to the broader photography audience, it speaks primarily to the student of photography--whether enrolled in school or not--and addresses such topics as creating a visual language; the history of photography; the portfolio; street photography; personal projects; his portraiture work; and the need for key characteristics such as perseverance, awareness, curiosity, and reverence. By relaying both personal experiences and a kind of philosophy on photography, Road to Seeing tells the reader how one photographer carved a path for himself, and in so doing, helps equip the reader to forge his own.




BEST OF JACQUES-HENRI LARTIGUE.


Book Description

Jacques Henri Lartigue's elegant black-and-white and color photography spans a century; this affordable volume celebrates the best of his joyful and stylish work. Jacques Henri Lartigue's carefree, joyful, and spontaneous spirit permeates his photography. And yet there are other, lesser-known aspects of his work that invite us to take a closer look. Whether capturing amusing scenes on film or sketching them on paper or canvas, the artist covered a vast range of themes. Lartigue took photographs throughout his career, almost as a matter of routine, which makes his work a vital record of his times. His style gradually evolved, influenced by artistic experiments and personal encounters. He left behind a rich and varied body of work. Albums of his private photographs provide a romanticized view of the photographer's personal life, revealing his doubts and attempts to understand his place in the world; they constitute an essential part of his body of work. Lartigue played with visual tricks, styles, and recurring themes--transportation, sports, shadow play, chic women--bridging different periods and lending consistency to his work. The selection of photographs reproduced here represents the best examples of his most popular themes.




Modern Photography


Book Description




Black and Blue


Book Description

Audacious and genre-defying, Black and Blue is steeped in melancholy, in the feeling of being blue, or, rather, black and blue, with all the literality of bruised flesh. Roland Barthes and Marcel Proust are inspirations for and subjects of Carol Mavor's exquisite, image-filled rumination on efforts to capture fleeting moments and to comprehend the incomprehensible. At the book's heart are one book and three films—Roland Barthes's Camera Lucida, Chris Marker's La Jetée and Sans soleil, and Marguerite Duras's and Alain Resnais's Hiroshima mon amour—postwar French works that register disturbing truths about loss and regret, and violence and history, through aesthetic refinement. Personal recollections punctuate Mavor's dazzling interpretations of these and many other works of art and criticism. Childhood memories become Proust's "small-scale contrivances," tiny sensations that open onto panoramas. Mavor's mother lost her memory to Alzheimer's, and Black and Blue is framed by the author's memories of her mother and effort to understand what it means to not be recognized by one to whom you were once so known.