Las Lugosi's Dracula: The Cradle of Evil


Book Description

Las Lugosi's Dracula is a three part story about the most famous vampire the world has ever seen. It tells the story of how the vampire was born, going from a child hostage in the Ottoman Court to the height of his power and ultimately to his downfall and death. But the story is not just about Dracula. It is about the millions of people his existence has impacted and the countless lives he has ruined as he tried to conquer the world. But remember, just because Dracula has been successfully defeated, it does not mean he is gone forever. Just because he has been killed off for now, does not mean he will not return. He is, after all, undead.




Terence Davies


Book Description

Called the most important British filmmaker of his generation, Terence Davies made his reputation with modern classics like Distant Voices, Still Lives and The Long Day Closes, personal works exploring his fractured childhood in Liverpool. His idiosyncratic and unorthodox narrative films defy easy categorization, as their seeming existence within realism and personal memory cinema is undermined by an abstractness that makes the way he lays bare personal pain come across as distant, even alien. Film critic Michael Koresky explores the unique emotional tenor of Davies's work by focusing on four paradoxes within the director's oeuvre: films that are autobiographical yet fictional; melancholy yet elating; conservative in tone and theme yet radically constructed; and obsessed with the passing of time yet frozen in time and space. Through these contradictions, the films' intricate designs reveal a cumulative, deeply personal meditation on the self. Koresky also analyzes how Davies's ongoing negotiation of--and struggle with--questions of identity related to his past and his homosexuality imbue the details and jarring juxtapositions in his films with a queer sensibility, which is too often overlooked due to the complexity of Davies's work and his unfashionable ambivalence toward his own sexual orientation.




The Sad Part was


Book Description

Winner of a PEN Translates! grant. Selected as a 'book to look out for in 2017' by The Guardian and BuzzFeed Books. In these witty, postmodern stories, Yoon riffs on pop culture, experiments with punctuation, flirts with sci-fi and, in a metafictional twist, mocks his own position as omnipotent author. Highly literary, his narratives offer an oblique reflection of contemporary Bangkok life, exploring the bewildering disjunct and oft-hilarious contradictions of a modernity that is at odds with many traditional Thai ideas on relationships, family, school and work. Praise for The Sad Part Was 'Evocative, erudite, and often very funny stories of Bangkok life.' -- The Guardian 'Formally inventive, always surprising and often poignant, with the publication of this fluid and assured translation of The Sad Part Was, Prabda Yoon can take his place alongside the liks of Ben Lerner and Alejandro Zambra as a writer committed to demonstrating that there's life in the old fiction-dog yet.' -- Adam Biles, author of Feeding Time 'An entrancing and distinctive collection. Yoon's limpid prose faces up to large, transcendental questions, all the while flickering with beautiful other-worldly images and flashes of deadpan humour.' -- Mahesh Rao, author of One Point Two Billion 'Prabda Yoon is one of Thailand's finest writers. These witty, adventurous, and wholly brilliant short stories were a necessary shot across the bow when they first appeared in Thai, a deceptively revolutionary collection that helped to transform the country's literary landscape. Long deemed untranslatable, given their interests in linguistic wordplay, their appearance in English--in this supple, agile translation by Mui Poopoksakul--is a cause for celebration.' -- Rattawut Lapcharoensap




The Bloody Chamber and Other Stories


Book Description

WITH AN INTRODUCTION BY HELEN SIMPSON From familiar fairy tales and legends âe" Red Riding Hood, Bluebeard, Puss in Boots, Beauty and the Beast, vampires and werewolves âe" Angela Carter has created an absorbing collection of dark, sensual, fantastic stories.




Letter From a Dead Man


Book Description

Spring 1945: WWII may be crashing to a close, but Jessica and Liz Minton’s hopes for the future are short-lived as they become entrapped in a noir world of intrigue and murder. Jessica’s beloved is missing in action in Europe, leaving her on her own to save herself and those she cares about from the shadows of a dark past entangling them in false identities, a cut-throat search for stolen jade, and murder. Join Jessica and Liz as they strive to restore a friend’s family honor, to save Elizabeth’s love from the deadly frame-up of a predatory socialite with underworld connections, to outsmart two dogged detectives, and to deal with an F.B.I. agent from Jessica’s past with secrets of his own - all without getting themselves killed! It’s enough to make Dusty the cat’s fur stand on end!




The Film Book


Book Description

Story of cinema -- How movies are made -- Movie genres -- World cinema -- A-Z directors -- Must-see movies.




The Vampire Lectures


Book Description

Bela Lugosi may -- as the eighties gothic rock band Bauhaus sang -- be dead, but the vampire lives on. A nightmarish figure dwelling somewhere between genuine terror and high camp, a morbid repository for the psychic projections of diverse cultures, an endlessly recyclable mass-media icon, the vampire is an enduring object of fascination, fear, ridicule, and reverence. In The Vampire Lectures, Laurence A. Rickels sifts through the rich mythology of vampirism, from medieval folklore to Marilyn Manson, to explore the profound and unconscious appeal of the undead. Based on the course Rickels has taught at the University of California, Santa Barbara, for several years (a course that is itself a cult phenomenon on campus), The Vampire Lectures reflects Rickels's unique lecture style and provides a lively history of vampirism in legend, literature, and film. Rickels unearths a trove that includes eyewitness accounts of vampire attacks; burial rituals and sexual taboos devised to keep vampirism at bay; Hungarian countess Elisabeth Bathory's use of girls' blood in her sadistic beauty regimen; Bram Stoker's Dracula, with its turn-of-the-century media technologies; F. W. Murnau's haunting Nosferatu; and crude, though intense, straight-to-video horror films such as Subspecies. He makes intuitive, often unexpected connections among these sometimes wildly disparate sources. More than simply a compilation of vampire lore, however, The Vampire Lectures makes an original and intellectually rigorous contribution to literary and psychoanalytic theory, identifying the subconscious meanings, complex symbolism, and philosophical arguments -- particularly those of Marx, Freud, and Nietzsche -- embeddedin vampirism and gothic literature.




German Culture through Film


Book Description

German Culture through Film: An Introduction to German Cinema is an English-language text that serves equally well in courses on modern German film, in courses on general film studies, in courses that incorporate film as a way to study culture, and as an engaging resource for scholars, students, and devotees of cinema and film history. In its second edition, German Culture through Film expands on the first edition, providing additional chapters with context for understanding the era in which the featured films were produced. Thirty-three notable German films are arranged in seven chronological chapters, spanning key moments in German film history, from the silent era to the present. Each chapter begins with an introduction that focuses on the history and culture surrounding films of the relevant period. Sections within chapters are each devoted to one particular film, providing film credits, a summary of the story, background information, an evaluation, questions and activities to encourage diverse interpretations, a list of related films, and bibliographical information on the films discussed.




A Taint in the Blood


Book Description

From S. M. Stirling, the “master of speculative fiction” (Library Journal) and the author of the New York Times bestselling Novels of the Change, comes a new vision, as a man battles the dark forces of the world—including those in his own blood… Aeons ago, Homo nocturnus ruled the Earth. Possessing extraordinary powers, they were the source of all manner of myths and legends. Though their numbers have been greatly reduced, they exist still—though not as purebreds. Adrian Brézé is one such being. Wealthy and reclusive, he is more Shadowspawn than human. He rebelled against his own kind, choosing to live as an ordinary man, fighting against his darker nature. But Adrian’s sister is determined to bring back the reign of the Shadowspawn, and now she has struck him at his weakest point by kidnapping his human lover, Ellen. To save Ellen—and perhaps all of humanity—Adrian must rejoin a battle he swore he would never fight again.