The Last Cheater's Waltz


Book Description

From the recipient of the 1997 Whiting Award. Feeling disconnected from the wildly beautiful desert that she has known intimately for twenty years, award-winning writer Ellen Meloy embarks on a search for home that is historical, scientific, and spiritual. Her "Map of the Known Universe," devised to guide her quest, reveals extraordinary details of a physical link between the atomic age and her home on Utah's San Juan River. The Map grows to include Los Alamos, the Trinity A-test site, White Sands Missile Range, and primary sources of uranium. Meloy casts her naturalist's eye on the Southwest's "geography of consequence," where she finds unusual local bestiaries, the bodies of long-buried neighbors, an underground bubble of nuclear physics in a national forest, and the rich textures of nature on her own eight acres of land. The Last Cheater's Waltz: Beauty and Violence in the Desert Southwest is multilayered and far-reaching, yet always infused with Meloy's prodigious research, finely tuned prose, and wry humor.




Last Cheater's Waltz


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Last Cheater's Waltz


Book Description

Last Cheater's Waltz is an 1851-1876 post-Civil War epic that focuses on Sara Johns, a gifted woman who was a victim of rape and abuse during her teens; was feared as a Death Spirit by Crow Dog of the Comanche tribe; and became a Confederate campfire myth/legend codenamed Black Horse, moving quietly around Washington, D.C., gathering information for Lee. Her reputation spans the gamut between Confederate campfire trash and sheer elegance, between a deadly gunfighter and a perceptive businesswoman. After twenty-five years alone, Sara falls in love with a wealthy and respected Arkansas rancher named Tierel Slaughter, an alias for Frank Cobb, a man who has psychotic tendencies, but veils them brilliantly. Sara, Tierel, and everyone they know are destined to travel Crow Dog's Trail-of-Life . . . and death, in this story of love, jealousy, and lies.




Dirty Wars


Book Description

Since World War II, the American West has become the nation?s military arsenal, proving ground, and disposal site. Through a wide-ranging discussion of recent literature produced in and about the West, Dirty Wars explores how the region?s iconic landscapes, invested with myths of national virtue, have obscured the West?s crucial role in a post?World War II age of ?permanent war.? ø In readings of western?particularly southwestern?literature, John Beck provides a historically informed account of how the military-industrial economy, established to protect the United States after Pearl Harbor, has instead produced western waste lands and ?waste populations? as the enemies and collateral casualties of a permanent state of emergency. Beck offers new readings of writers such as Cormac McCarthy, Leslie Marmon Silko, Don DeLillo, Rebecca Solnit, Julie Otsuka, and Terry Tempest Williams. He also draws on a variety of sources in history, political theory, philosophy, environmental studies, and other fields. Throughout Dirty Wars,øhe identifies resonances between different experiences and representations of the West that allow us to think about internment policies, the manufacture of atomic weapons, the culture of Cold War security, border policing, and toxic pollution as part of a broader program of a sustained and invasive management of western space.




The Last Cheater's Waltz


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Alternatives Journal


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All American Country


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The Witness


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