Latin and Vernacular Poets of the Middle Ages


Book Description

This volume presents a series of penetrating analyses of particular poems and problems of literary history illustrating the many sides of medieval poetry and the interactions of learned, popular and courtly traditions. The first and longest essay, 'Waltharius-Gaiferos', aims to characterize the diverse treatments of one of the major European heroic themes - in modes that include lay and epic, saga and ballad, and range from pre-Carolingian times to the Renaissance. There follow three interrelated essays on the medieval transformations of Ovid, and a larger group devoted to close reading of medieval lyrics. After discussing some brilliant Latin compositions, of the 9th-12th centuries, both sacred and profane, and the work of two of the most captivating 'goliard' poets, Peter Dronke looks at the earliest formations of love-lyric in two vernaculars, Spanish and English. Finally, he explores the unique symbiosis of Latin and vernacular imagery in two key moments of Dante's Divine Comedy. Ce volume contient une série d'analyses perspicaces de poèmes spécifiques et de certains problèmes de l'histoire littéraire illustrant les multiples facettes de la poésie médiévale et l'interaction des traditions érudites, populaires et courtoises. Le premier essai, "Waltharius-Gaïferos", tente de décrire les divers traitements de l'un des principaux thèmes héroïques européens selon des modes qui incluent: le lai et l'épique, la saga et la ballade et qui s'étendent sur une période allant de l'époque pré-carolingienne à la Renaissance. Suivent trois articles corrélatifs sur les adaptations médiévales des textes d'Ovide, ainsi qu'un groupe d'études voue à la lecture détaillée de la poésie lyrique médiévale. Après avoir considéré l'oeuvre de deux des plus passionnants poètes "goliards" et un certain nombre de remarquables compositions latines, sacrées et profanes, datant du 9e-12e siècles, Peter Dronke se tourne vers les pre




Latin and Vernacular Poets of the Middle Ages


Book Description

This volume presents a series of penetrating analyses of particular poems and problems of literary history illustrating the many sides of medieval poetry and the interactions of learned, popular and courtly traditions. The first and longest essay, 'Waltharius-Gaiferos', aims to characterize the diverse treatments of one of the major European heroic themes - in modes that include lay and epic, saga and ballad, and range from pre-Carolingian times to the Renaissance. There follow three interrelated essays on the medieval transformations of Ovid, and a larger group devoted to close reading of medieval lyrics. After discussing some brilliant Latin compositions, of the 9th-12th centuries, both sacred and profane, and the work of two of the most captivating 'goliard' poets, Peter Dronke looks at the earliest formations of love-lyric in two vernaculars, Spanish and English. Finally, he explores the unique symbiosis of Latin and vernacular imagery in two key moments of Dante's Divine Comedy. Ce volume contient une série d’analyses perspicaces de poèmes spécifiques et de certains problèmes de l’histoire littéraire illustrant les multiples facettes de la poésie médiévale et l’interaction des traditions érudites, populaires et courtoises. Le premier essai, "Waltharius-Gaïferos", tente de décrire les divers traitements de l’un des principaux thèmes héroïques européens selon des modes qui incluent: le lai et l’épique, la saga et la ballade et qui s’étendent sur une période allant de l’époque pré-carolingienne à la Renaissance. Suivent trois articles corrélatifs sur les adaptations médiévales des textes d’Ovide, ainsi qu’un groupe d’études voue à la lecture détaillée de la poésie lyrique médiévale. Après avoir considéré l’oeuvre de deux des plus passionnants poètes "goliards" et un certain nombre de remarquables compositions latines, sacrées et profanes, datant du 9e-12e siècles, Peter Dronke se tourne vers les pre




The Medieval Poet and His World


Book Description




Poets and Singers


Book Description

Features essays that represent the principal themes and issues that have occupied scholars of late medieval monophonic songs: their place in history and society, the role of women as composers and performers, poetic and musical structures, styles, and genres, relationships between poems and melodies, and written and oral transmission.




The Cambridge Guide to Homer


Book Description

From its ancient incarnation as a song to recent translations in modern languages, Homeric epic remains an abiding source of inspiration for both scholars and artists that transcends temporal and linguistic boundaries. The Cambridge Guide to Homer examines the influence and meaning of Homeric poetry from its earliest form as ancient Greek song to its current status in world literature, presenting the information in a synthetic manner that allows the reader to gain an understanding of the different strands of Homeric studies. The volume is structured around three main themes: Homeric Song and Text; the Homeric World, and Homer in the World. Each section starts with a series of 'macropedia' essays arranged thematically that are accompanied by shorter complementary 'micropedia' articles. The Cambridge Guide to Homer thus traces the many routes taken by Homeric epic in the ancient world and its continuing relevance in different periods and cultures.




Vernacular Theology


Book Description

This book examines the audiences and languages of Dominican sermons in late medieval Italy. It is a thorough analysis of how Latinate theological culture interacted with popular religious devotion. In particular it assesses the role of vernacular theology. Eliana Corbari defines vernacular theology as a form of theology that is based neither on a Latin scholastic model nor a monastic one. It is a “third dimension” of theology which was accessible to the laity, and in particular women, through their attendance at sermons and the reading of vernacular devotional works (in this case, medieval Italian treatises and sermons). Through painstaking manuscript work, Corbari makes an excellent contribution to sermon studies, gender studies, medieval theology, and codicology. She demonstrates that Dominican friars preached to an active contingent of laywomen, usually members of confraternities, who not only attended these sermons but re-read them and also disseminated them through book production to the wider Florentine community.




Ovid in the Middle Ages


Book Description

This book explores the extraordinary influence of Ovid upon the culture - learned, literary, artistic and popular - of medieval Europe.




European Literature and the Latin Middle Ages


Book Description

Published just after the Second World War, European Literature and the Latin Middle Ages is a sweeping exploration of the remarkable continuity of European literature across time and place, from the classical era up to the early nineteenth century, and from the Italian peninsula to the British Isles. In what T. S. Eliot called a "magnificent" book, Ernst Robert Curtius establishes medieval Latin literature as the vital transition between the literature of antiquity and the vernacular literatures of later centuries. The result is nothing less than a masterful synthesis of European literature from Homer to Goethe. European Literature and the Latin Middle Ages is a monumental work of literary scholarship. In a new introduction, Colin Burrow provides critical insights into Curtius's life and ideas and highlights the distinctive importance of this wonderful book.




The Intellectual Life of Western Europe in the Middle Ages


Book Description

A connected account of European thought from the Patristic age through the mid-fourteenth century, and emphasizing educational systems, the interaction between the popular and elite cultures, and medieval humanism; with excellent interpretive chapters on science and philosophy.




Medieval Latin


Book Description

Organized with the assistance of an international advisory committee of medievalists from several disciplines, Medieval Latin: An Introduction and Bibliographical Guide is a new standard guide to the Latin language and literature of the period from c. A.D. 200 to 1500. It promises to be indispensable as a handbook in university courses in Medieval Latin and as a point of departure for the study of Latin texts and documents in any of the fields of medieval studies. Comprehensive in scope, the guide provides introductions to, and bibliographic orientations in, all the main areas of Medieval Latin language, literature, and scholarship. Part One consists of an introduction and sizable listing of general print and electronic reference and research tools. Part Two focuses on issues of language, with introductions to such topics as Biblical and Christian Latin, and Medieval Latin pronunciation, orthography, morphology and syntax, word formation and lexicography, metrics, prose styles, and so on. There are chapters on the Latin used in administration, law, music, commerce, the liturgy, theology and philosophy, science and technology, and daily life. Part Three offers a systematic overview of Medieval Latin literature, with introductions to a wide range of genres and to translations from and into Latin. Each chapter concludes with a bibliography of fundamental works--texts, lexica, studies, and research aids. This guide satisfies a long-standing need for a reference tool in English that focuses on medieval latinity in all its specialized aspects. It will be welcomed by students, teachers, professional latinists, medievalists, humanists, and general readers interested in the role of Latin as the learned lingua franca of western Europe. It may also prove valuable to reference librarians assembling collections concerned with Latin authors and texts of the postclassical period. ABOUT THE EDITORS F. A. C. Mantello is professor of Medieval Latin at The Catholic University of America. A. G. Rigg is professor of English and medieval studies and chairman of the Medieval Latin Committee at the University of Toronto's Centre for Medieval Studies. PRASIE FOR THE BOOK "This extraordinary volume, joint effort of dozens of scholars in eight countries, will be in constant use for research, for advising students and designing courses, and for answering the queries of nonmedievalist colleagues. . . . Medieval Latin provides a foundation for advances in research and teaching on a wide front. . . . Though Mantello and Rigg's Medieval Latin is a superb reference volume, I recommend that it also be read from beginning to end--in small increments, of course. The rewards will be sheaves of notes and an immensely enriched appreciation of Medieval Latin and its literature."--Janet M. Martin, Princeton University, Speculum "A remarkable achievement, and no one interested in medieval Latin can afford to be without it."--Journal of Ecclesiastical History "Everywhere there is clarity, conclusion, judicious illustration, and careful selection of what is central. This guide is a major achievement and will serve Medieval Latin studies extremely well for the foreseeable future."--The Classical Review