Lavinia Fontana’s Mythological Paintings


Book Description

This volume investigates emblematic and art-historical issues in Lavinia Fontana’s mythological paintings. Fontana is the first female painter of the sixteenth century in Italy to depict female nudes, as well as mythological and emblematic paintings associated with concepts of beauty and wisdom. Her paintings reveal an appropriation of the antique, a fusion between patronage and culture, and a humanistic pursuit of Mannerist conceits. Fontana’s secular imagery provides a challenging paragone with the male tradition of history painting during the sixteenth century and paves the way for new subjects to be depicted and interpreted by female painters of the seventeenth century.




A Tale of Two Women Painters


Book Description

Drawing on some sixty works and for the first time, the Museo del Prado will jointly present the most important paintings by Sofonisba Anguissola (ca. 1535-1625) and Lavinia Fontana (1552-1614). The two artists achieved recognition and fame among their contemporaries for and despite their status as female painters. Both were able to break away from the prevailing stereotypes assigned to women in relation to artistic practice and the deep-rooted scepticism regarding women's creative and artistic abilities.The exhibition and accompanying catalogue will present the work of these two women, whose artistic personalities were to some extent obscured over the course of time but who in the last thirty years have once again aroused the interest of specialists and the general public.




Lavinia Fontana


Book Description

"Bolognese painter Lavinia Fontana was the most significant and prolific woman artist of Renaissance Europe. Her large and renowned body of work encompasses several genres, including altarpieces, history paintings, and portraits. This extensively illustrated book is the first comprehensive study of Fontana in the English language. Art historian Caroline P. Murphy assesses the relation of Fontana's native city of Bologna to the artist's work and career, proposing that the unique attributes of the city, its religious and social climate and the citizens who became Fontana's patrons contributed importantly to her success as an artist." "Employing an especially varied set of source materials, from personal letters, baptismal records, property inventories, and wills to such contemporary printed sources as sermons, poems, and scientific treatises, the book opens a window on the little-known world of a professional woman of Renaissance Italy."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved




Mythological Passions


Book Description

Love, desire, and beauty are intimately connected in Greek and Roman mythology, dominating the lives of gods and mortals. The texts that focus on these themes ? Homer?s Iliad and Odyssey, Ovid?s Metamorphoses, and Virgil?s Aeneid, among many others ? were revered by Renaissance and Baroque artists, who aimed to represent them in a powerfully expressive manner.00This fully illustrated catalogue offers a detailed study of mythological paintings by Titian, Veronese, Allori, Rubens, Ribera, Poussin, Van Dyck, and Velázquez. Inspired in some cases by a desire to emulate and in others by a sense of rivalry, these artists were responsible for the creation of a fascinating interpretative sequence that reflects the adaptability of the mythological tradition and its potential for constant renewal.00Exhibition: Museo del Prado, Madrid, Spain (02.03.-04.07.2021).




Gender and Art


Book Description

Encompassing European art, architecture and design from the sixteenth century to the present day, it explores both the work of women artists and the ways that visual representation by male and female artists may be gendered."--BOOK JACKET.




The Beauty and the Terror


Book Description

A new account of the birth of the West through its birthplace--Renaissance Italy The period between 1492--resonant for a number of reasons--and 1571, when the Ottoman navy was defeated in the Battle of Lepanto, embraces what we know as the Renaissance, one of the most dynamic and creatively explosive epochs in world history. Here is the period that gave rise to so many great artists and figures, and which by its connection to its classical heritage enabled a redefinition, even reinvention, of human potential. It was a moment both of violent struggle and great achievement, of Michelangelo and da Vinci as well as the Borgias and Machiavelli. At the hub of this cultural and intellectual ferment was Italy. The Beauty and the Terror offers a vibrant history of Renaissance Italy and its crucial role in the emergence of the Western world. Drawing on a rich range of sources--letters, interrogation records, maps, artworks, and inventories--Catherine Fletcher explores both the explosion of artistic expression and years of bloody conflict between Spain and France, between Catholic and Protestant, between Christian and Muslim; in doing so, she presents a new way of witnessing the birth of the West.




Women in Italian Renaissance Art


Book Description

This is the first book which gives a general overview of women as subject-matter in Italian Renaissance painting. It presents a view of the interaction between artist and patron, and also of the function of these paintings in Italian society of the fifteenth and sixteenth centuries. Using letters, poems, and treatises, it examines through the eyes of the contemporary viewer the way women were represented in paintings.




Italian Women Artists


Book Description

Surveying the women painters, engravers and sculptors working in 16th and 17th century Italy, this text examines their artistic practices and achievements.




Radiance and Symbolism in Modern Stained Glass


Book Description

This book focuses on the aesthetic, symbolic, and cultural concepts of radiance and beauty in stained glass in modern art; global exchanges between stained-glass artists in Europe and the Americas; and the transformation of stained glass from religious decoration to secular material culture. Unique features of the book include its geographic breadth, encompassing England, France, Italy, USA, and Mexico, and its inclusion of American female glassmakers. Essays consider how stained glass became an art form during this time, and show how the narrative for the figurative design drew from the Bible, mythology, history, literature, and the symbolism of the time, including popular culture such as ecology and materiality. Written for students and the general public interested in the humanities, literature, history, art history, and new media and popular culture, this book examines the visual beauty and symbolism of stained-glass windows in Europe and American cultures during the late nineteenth and early twentieth centuries – the modern era.




Barbara Longhi of Ravenna


Book Description

This book provides new impetus to the study of female art in regional areas. It will expand research beyond studies of women’s lives, careers, socio-political patronage, and specific gender issues to look at emblematic, historical, and spiritual aspects of their work. Through an analysis of the paintings of Barbara Longhi, the book reveals the importance of devotional art and the ample creativity of female painters. It highlights the importance of Longhi’s artistic contribution in the study of iconography and iconology on art and devotion in some of her paintings. Although there is limited information about her personal life, through the records of her two Wills and Testaments, we learn about her administrative ability, family dedication, and, most of all, about her Christian religiosity and devotion to the Virgin Mary (La Madonna).