The Cambridge History of Classical Literature: Volume 1, Greek Literature, Part 4, The Hellenistic Period and the Empire


Book Description

The emphasis of this volume is on Greek literature produced in the period between the foundation of Alexandria late in the fourth century B.C. and the end of the 'high empire' in the third century A.D. Here we see a shift away from the city states of the Greek mainland to the new centres of culture and power, first Alexandria under the Ptolemies and then imperial Rome, Greek literature, being traditionally cosmopolitan, adapted to these changes with remarkable success, and through the efficiency of the Hellenistic educational system Greek literary culture became the essential mark of an educated person in the Graeco-Roman world.




The Expanding Discourse


Book Description

A sequel to the pioneering volume, Feminism and Art History: Questioning the Litany, published in 1982, The Expanding Discourse contains 29 essays on artists and issues from the Renaissance to the present, representing some of the best feminist art-historical writing of the past decade. Chronologically arranged, the essays demonstrate the abundance, diversity, and main conceptual trends in recent feminist scholarship.




Performance in Greek and Roman Theatre


Book Description

This series has existed for the past 50 years. It provides a forum for the publication of well over 300 scholarly works on all aspects of the ancient world, including inscriptions, papyri, language, the history of material culture and mentality, the history of peoples and institutions, but also latterly the classical tradition, for example, neo-latin literature and the history of Classical scholarship.




The Cambridge History of Literary Criticism: Volume 1, Classical Criticism


Book Description

Surveying the beginnings of critical consciousness in Greece and proceeding to the writings of Aristophanes, Plato, Aristotle, and Hellenistic and Roman authors, this volume is not only for classicists but for those with no Greek or Latin who are interested in the origins of literary history, theory, and criticism.




History of Ancient Greek Scholarship


Book Description

This book aims to offer a unified historical treatment of all that is usually understood as “ancient scholarship” or “ancient philology” and is the first modern work to cover a period from the beginnings to the fall of Byzantium after John Edwin Sandys’ work published between 1903-1908. The field “ancient scholarship” includes the exegesis of Greek authors, the editing of their texts, orderly collections of materials useful for exegetical purposes – such as lexeis, onomatologies, collections of antiquarian materials et similia –, the study of grammar, reflection on language, and everything that can be linked to this sphere, that is to say literature and the instruments for interpreting it. If it is hard today to imagine such a work being undertaken by a single scholar, it is worth underlining the benefits offered by a volume with multiple expert voices in a field so complex and multiform. The book is based on the four historiographical chapters of Brill's Companion to Ancient Greek Scholarship (2015), which have been enlarged, updated and rethought.




Ancient Libraries


Book Description

The libraries of the ancient world were completely unlike those we know today. This book explores and explains those differences.




Diodorus Siculus and the First Century


Book Description

Living in Rome during the last years of the Republic, Diodorus of Sicily produced the most expansive history of the ancient world that has survived from antiquity--the Bibliotheke. Whereas Diodorus himself has been commonly seen as a "mere copyist" of earlier historical traditions, Kenneth Sacks explores the complexity of his work to reveal a historian with a distinct point of view indicative of his times. Sacks focuses on three areas of Diodorus's history writing: methods of organization and style, broad historical and philosophical themes, and political sentiments. Throughout, Diodorus introduced his own ideas or refashioned those found in his sources. In particular, his negative reaction to Roman imperial rule helps to illuminate the obscure tradition of opposition historiography and to explain the shape and structure of the Bibliotheke. Viewed as a unified work reflecting the intellectual and political beliefs of the late Hellenistic period, the Bibliotheke will become an important source for interpreting first-century moral, political, and intellectual values. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.




Augustan Culture


Book Description

Weaving analysis and narrative throughout an illustrated text, the author provides an account of the major ideas of the Augustan age, and offers an interpretation of the creative tensions and contradictions that made for its vitality and influence.




The Author's Voice in Classical and Late Antiquity


Book Description

What significance does the voice or projected persona in which a text is written have for our understanding of the meaning of that text? This volume explores the persona of the author in antiquity, from Homer to late antiquity, taking into account both Latin and Greek authors from a range of disciplines. The thirteen chapters are divided into two main sections, the first of which focuses on the diverse forms of writing adopted by various ancient authors, and the different ways these forms were used to present and project an authorial voice. The second part of the volume considers questions regarding authority and ascription in relation to the authorial voice. In particular, it looks at how later readers - and later authors - may understand the authority of a text's author or supposed author. The volume contains chapters on pseudo-epigraphy and fictional letters, as well as the use of texts as authoritative in philosophical schools, and the ancient ascription of authorship to works of art.




Modes of Viewing in Hellenistic Poetry and Art


Book Description

Taking a fresh look at the poetry and visual art of the Hellenistic age, from the death of Alexander the Great in 323 B.C. to the Romans’ defeat of Cleopatra in 30 B.C., Graham Zanker makes enlightening discoveries about the assumptions and conventions of Hellenistic poets and artists and their audiences. Zanker’s exciting new interpretations closely compare poetry and art for the light each sheds on the other. He finds, for example, an exuberant expansion of subject matter in the Hellenistic periods in both literature and art, as styles and iconographic traditions reserved for grander concepts in earlier eras were applied to themes, motifs, and subjects that were emphatically less grand.