Diodorus Siculus and the First Century


Book Description

Living in Rome during the last years of the Republic, Diodorus of Sicily produced the most expansive history of the ancient world that has survived from antiquity--the Bibliotheke. Whereas Diodorus himself has been commonly seen as a "mere copyist" of earlier historical traditions, Kenneth Sacks explores the complexity of his work to reveal a historian with a distinct point of view indicative of his times. Sacks focuses on three areas of Diodorus's history writing: methods of organization and style, broad historical and philosophical themes, and political sentiments. Throughout, Diodorus introduced his own ideas or refashioned those found in his sources. In particular, his negative reaction to Roman imperial rule helps to illuminate the obscure tradition of opposition historiography and to explain the shape and structure of the Bibliotheke. Viewed as a unified work reflecting the intellectual and political beliefs of the late Hellenistic period, the Bibliotheke will become an important source for interpreting first-century moral, political, and intellectual values. Originally published in 1990. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.




Unearthing the Past


Book Description

The rediscovery of some of the most famous artworks of all time--statues lying underground beneath Rome--launched a thrilling archaeological adventure in the 15th century. In this remarkable book, Barkan probes the impact of these magnificent finds on Renaissance consciousness. 206 illustrations.




The Art of Ancient Greece


Book Description

This book, a companion volume to Professor Pollitt's The Art of Rome: Sources and Documents (published by the Press in 1983), presents a comprehensive collection in translation of ancient literary evidence relating to Greek sculpture, painting, architecture, and the decorative arts. Its purpose is to make this important evidence available to students who are not specialists in the Classical languages or Classical archaeology. The author's translations of a wide selection of Greek and Latin texts are accompanied by an introduction, explanatory commentary, and a full bibliography. An earlier version of this book was published twenty-five years ago by Prentice-Hall. In this new publication Professor Pollitt has added a considerable number of new passages, revised some of his earlier translations and presented the texts in a different order which allows the reader to follow more easily the development of sculpture and painting as perceived by the ancient writers. The new and substantial bibliography, organised by topics as they appear in the book, emphasises works that deal directly with the literary sources or that supplement our knowledge of the personalities and monuments described in the sources. This collection will be welcomed by students and teachers of Greek art who have long been in need of an authoritative and reliable sourcebook for their subject.




Roman Imperial Identities in the Early Christian Era


Book Description

Through the close study of texts, Roman Imperial Identities in the Early Christian Era examines the overlapping emphases and themes of two cosmopolitan and multiethnic cultural identities emerging in the early centuries CE – a trans-empire alliance of the Elite and the "Christians." Exploring the cultural representations of these social identities, Judith Perkins shows that they converge around an array of shared themes: violence, the body, prisons, courts, and time. Locating Christian representations within their historical context and in dialogue with other contemporary representations, it asks why do Christian representations share certain emphases? To what do they respond, and to whom might they appeal? For example, does the increasing Christian emphasis on a fully material human resurrection in the early centuries, respond to the evolution of a harsher and more status based judicial system? Judith Perkins argues that Christians were so successful in suppressing their social identity as inhabitants of the Roman Empire, that historical documents and testimony have been sequestered as "Christian" rather than recognized as evidence for the social dynamics enacted during the period, Her discussion offers a stimulating survey of interest to students of ancient narrative, cultural studies and gender.




Ancient Sculptural Copies in Miniature


Book Description

In-depth case studies of individual statuary types form the core of this analysis of sculptural copying in antiquity. By examining the popular genre of the copy, the book illuminates broad questions of Roman sculptural production and the methodological limitations of traditional approaches to the subject.




The Cambridge History of Literary Criticism: Volume 1, Classical Criticism


Book Description

Surveying the beginnings of critical consciousness in Greece and proceeding to the writings of Aristophanes, Plato, Aristotle, and Hellenistic and Roman authors, this volume is not only for classicists but for those with no Greek or Latin who are interested in the origins of literary history, theory, and criticism.







Eranos


Book Description




The Dancing Maenad Reliefs


Book Description