The Ara Pacis Augustae


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The Religious Aspects of War in the Ancient Near East, Greece, and Rome


Book Description

The Religious Aspect of Warfare in the Ancient Near East, Greece and Rome is a volume dedicated to investigating the relationship between religion and war in antiquity in minute detail. The nineteen chapters are divided into three groups: the ancient Near East, Greece, and Rome. They are presented in turn and all possible aspects of warfare and its religious connections are investigated. The contributors focus on the theology of war, the role of priests in warfare, natural phenomena as signs for military activity, cruelty, piety, the divinity of humans in specific martial cases, rituals of war, iconographical representations and symbols of war, and even the archaeology of war. As editor Krzysztof Ulanowski invited both well-known specialists such as Robert Parker, Nicholas Sekunda, and Pietro Mander to contribute, as well as many young, talented scholars with fresh ideas. From this polyphony of voices, perspectives and opinions emerges a diverse, but coherent, representation of the complex relationship between religion and war in antiquity.




Between Republic and Empire


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Representing five major areas of Augustan scholarship—historiography, poetry, art, religion, and politics—the nineteen contributors to this volume bring us closer to a balanced, up-to-date account of Augustus and his principate.







Homilies on Luke


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Portraits of Livia


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A study of the influence of the Roman empress Livia's artistic patronage.







Hymns of Saint Ephrem the Syrian


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Fairacres Publications 149 St Ephrem the Syrian (306-376), a visionary poet and spiritual teacher of the early Christian centuries, is known chiefly as the author of numerous hymns. These examples of his ‘Table Blessings’, recalling the events of salvation history, combine lyrical delight in the good and beautiful things of creation with an outpouring of praise and thanksgiving to their Creator.




Homilies on the Psalms


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In 2012 Dr. Marina Marin Pradel, an archivist at the Bayerische Stattsbibliotek in Munich, discovered that a thick 12th-century Byzantine manuscript, Codex Monacensis Graecus 314, contained twenty-nine of Origen’s Homilies on the Psalms, hitherto considered lost. Lorenzo Perrone of the University of Bologna, an internationally respected scholar of Origen, vouched for the identification and immediately began work on the scholarly edition that appeared in 2015 as the thirteenth volume of Origen’s works in the distinguished Griechische Christlichen Schrifsteller series. In an introductory essay Perrone provided proof that the homilies are genuine and demonstrated that they are, astonishingly, his last known work. Live transcripts, these collection homilies constitute our largest collection of actual Christian preaching from the pre-Constantinian period. In these homilies, the final expression of his mature thought, Origen displays, more fully than elsewhere, his understanding of the church and of deification as the goal of Christian life. They also give precious insights into his understanding of the incarnation and of human nature. They are the earliest example of early Christian interpretation of the Psalms, works at the heart of Christian spirituality. Historians of biblical interpretation will find in them the largest body of Old Testament interpretation surviving in his own words, not filtered through ancient translations into Latin that often failed to convey his intense philological acumen. Among other things, they give us new insights into the life of a third-century Greco-Roman metropolis, into Christian/Jewish relations, and into Christian worship. This translation, using the GCS as its basis, seeks to convey, as faithfully as possible, Origen’s own categories of thought. An introduction and notes relate the homilies to the theology and principles of interpretation in Origen’s larger work and to that work’s intellectual context and legacy.




Ancient Sculptural Copies in Miniature


Book Description

In-depth case studies of individual statuary types form the core of this analysis of sculptural copying in antiquity. By examining the popular genre of the copy, the book illuminates broad questions of Roman sculptural production and the methodological limitations of traditional approaches to the subject.