Copyright Law is Obsolete


Book Description

Copyright laws worldwide were created for a publishing world where books were tangible, printed in a limited number and sold within territory based markets. Technological changes are giving place to a new book market where books are intangible, exist in unlimited number of copies and travel worldwide in an increasingly global market. In this emerging global book market made possible by the conjunction of the Internet, e-book technologies, DRM and print on demand devices, the three important legal concepts traditionally used in copyright laws have become obsolete: territory, property and the Aristotelian idea of justice. These three concepts were well suited to the tangible book market but are no longer for the virtual book market where persons matter more than objects. This book invites the reader to explore the specific functioning of the virtual economy. It proposes guidelines to modernize copyright law so that it can foster an adequate use of new communication technologies. For the first time in History, the humankind has acquired a technology that allows to create a world of information affluence and freedom of speech or its opposite. This book explains why the option for abundance and freedom must prevail, how the law can support this movement and what would be, to the contrary, the disastrous consequences of the other option. This book goes beyond a simple reflection on the book market and considers the choice of society, even of civilization implied by the use, right or wrong, of the new communication technologies.




Balancing Copyright - A Survey of National Approaches


Book Description

How does copyright law take into account the interests of third parties, especially the general public’s interest in the greatest possible dissemination of knowledge and culture? Twelve basic questions give copyright law experts from more than forty countries the opportunity to provide answers related to their national law on the following matters: categories of works and subject matter, eligibility conditions, duration, “users’ rights,” the three-step test, misuse, differentiations between categories of right holders, TPM, and relations of copyright law to other legal areas such as fundamental rights, competition law, consumer protection law, media law etc. The standardized form of the reports makes it easy to see the impacts of copyright law in the industrialized countries as well as in emerging economies; in common-law and civil-law approaches; in countries of the Andean Community and of the European Union, as well as in countries that are not party to the WIPO Treaties. A detailed preliminary chapter provides an approachable overview of issues and results. This chapter also discusses the voice of academia, represented by the European Copyright Code of the “Wittem Group.”




Copyright in Cyberspace


Book Description




Research Handbook on the Future of EU Copyright


Book Description

. . . an important contribution to the study of EU copyright law. It provides a good overview of different aspects of copyright law in the European Union and comprises a prevailing guide which undoubtedly will be of great use to both academics and practitioners. Ghufran Sukkaryeh, European Intellectual Property Review Estelle Derclaye s book is indeed a Handbook on EU copyright law, since practically every aspect of copyright law is examined through the lens of EU law by foremost European specialists. But it goes further than providing an understanding of what has been and ought to be happening in EU copyright law: each chapter can touch a raw nerve in the copyright law of any country in the world. Rarely has it been so obvious that EU copyright law can be considered a laboratory for copyright law in general. Ysolde Gendreau, Université de Montréal, Canada It has been over fifteen years since the EU started harmonising copyright law. This original Handbook takes stock and questions what the future of EU copyright should be. What went wrong with the harmonisation acquis? What did the directives do well? Should copyright be further harmonised? Each of the 25 recognised copyright experts from different European countries gives a critical account of the EU harmonisation carried out on several aspects of copyright law (subject-matter, originality, duration, rights, defences etc.), and asks whether further harmonisation is desirable or not. This way, the Handbook not only gives guidance to European institutions as to what remains to be done or needs to be remedied but is also the first overall picture of current and future EU copyright law. This Handbook will be of great interest to academics and intellectual property lawyers, as well as general commercial lawyers, across Europe because it reviews European directives in the field of copyright and also the relationships between copyright and other laws. Policymakers will also find much to interest them in the discussions regarding the future of EU copyright law and the proposed amendments to the existing legal framework.




Yearbook of the European Convention on Human Rights, 2001/Annuaire De LA Convention Europenne Des Droits De L'Homme


Book Description

This volume of the "Yearbook of the European Convention on Human Rights," prepared by the Directorate of Human Rights of the Council of Europe, relates to 2001. Its presentation follows that of previous volumes. Part one contains basic texts and information of a general nature; part two deals with the European Commission of Human Rights; part three with the European Court of Human Rights; part four with the Resolutions of the Committee of Ministers; and parts five and six with the other work of the Council of Europe in the field of human rights, the situation in the Member States, and developments within the European Communities. A bibliography and index are included.




Managing Copyright


Book Description

Managing Copyright brings together prominent contributors in a collection of academic papers as well as business oriented reports which encompasses our current knowledge in the field of collective management of authors’ and related rights. This volume, published in cooperation with the Association littéraire et artistique internationale, is an output of the 2019 ALAI Congress held in Prague where scholars and practitioners met to discuss outstanding issues related to collective management. In the book, the reader finds large studies by well-known copyright scholars (Gervais, Drexl, Nérisson, Synodinou, Ficsor, Axhamn and others) and reports on every issue in this highly dynamic field of copyright law. The book is essential for policy makers, scholars and practitioners in the field of collective management of copyright and neighbouring rights around the globe if they want to keep pace with the new developments in the field. Features: · Extensive report on dozens of national laws on collective management of rights · Conflict of laws, the music industry and collective management · European and global comparison of different national regulatory approaches · Reports on experience and transposition of the EU Collective Management Directive · Presentation of alternative models of copyright management, independent management entities and beyond · Reciprocal agreements between collective management organizations · Regulation of competition in the copyright administration · Territoriality, cyberspace, metadata, geoblocking and digital content portability · Tariff litigation · Outline of future policy development (WIPO, EU and individual countries) Benefits: · Getting informed about current research problems, policy considerations and regulatory challenges in collective management · Overview of national legislations from dozens of countries and all continents · Combination of scholarly studies and business-oriented reports from the industry insiders




Droit d'auteur et numérique


Book Description

Cet ouvrage est indispensable aux auteurs, comme à ceux qui protègent leurs droits ou exploitent leurs œuvres sur un nouveau support ou sur le Net. Il analyse les questions soulevées par l'adaptation du droit d'auteur et des droits voisins (producteurs et artistes-interprètes) à ce qu'il est convenu d'appeler l'environnement numérique, après les traités de l'OMPI (Organisation mondiale de la propriété intellectuelle) du 20 décembre 1996 et à la lumière de la récente proposition de directive communautaire sur l'harmonisation de certains aspects du droit d'auteur et des droits voisins dans la société de l'information y compris bien sûr les plus controversées : la qualification de l'œuvre multimédia, le droit sui generis reconnu aux producteurs de bases de données, le butinage (browsing) des internautes, la transmission numérique à la demande, l'avenir de l'exception de copie privée et du droit moral, la gestion collective, la détermination de la loi applicable à la diffusion sur les réseaux numériques.




Building a European Public Sphere / Un Espace Public Européen en Construction


Book Description

The book edited by four known specialists of European history presents for the first time a discussion among European historians on the European public sphere since the 1950s. It treats the general perspective and deals also in special articles with the role played by the European Union, by the Council of Europe, and by national media such as television and film. The volume shows that the role of the European public sphere is often underestimated and that it is gradually becoming more influential and forceful not only in politics, but also in culture. Sous la direction de quatre spécialistes renommés de l'histoire européenne, cet ouvrage présente de façon inédite un débat entre historiens de l'Europe sur l'espace public européen et son évolution depuis les années 1950. La question est abordée dans son ensemble, mais certaines contributions traitent aussi plus spécifiquement du rôle joué par l'Union européenne, par le Conseil de l'Europe, et par les médias nationaux, comme la télévision et le cinéma. Ce volume montre que l'on a souvent sous-estimé l'espace public européen, alors que son influence est de plus en plus importante, tant au niveau politique que culturel.