Le Morte Darthur: Selections


Book Description

Arguably no medieval English literary work has had as far and wide a reach as Sir Thomas Malory’s Le Morte Darthur; among the many adaptations are Tennyson’s Idylls of the King, T.H. White’s The Once and Future King, and the Lerner and Loewe musical Camelot. It might also be argued that the late twentieth- and early twenty-first-century tradition of fantasy literature—from Tolkien’s Lord of the Rings to George Lucas’s Star Wars and beyond—owes much to the Arthurian tradition, rooted in English most strongly in Malory’s Morte Darthur. Yet there has been no edition that draws on the results of the past generation’s scholarship while presenting Malory’s work in a form that is at once true to the original and accessible to the modern reader. This new edition, which expands on the revised and expanded selection of Malory material that will be included in the third edition of The Broadview Anthology of British Literature, is all of those things. The extensive selections include most of the material concerning Launcelot, and all of the Morte’s two final tales; the language has been partially modernized to make the text accessible to the modern reader, while retaining the flavor of the original; the text has been carefully prepared from the Winchester manuscript; and the annotations are extensive.




Le Morte Darthur


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Miracles of the Virgin in Middle English


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During the Middle Ages, Mary was the most powerful of saints, and the combination of her humanity and her proximity to the divine captured the medieval imagination. Her importance is nowhere more clearly reflected than in the genre of “Miracles of the Virgin,” short narrative accounts of Mary’s miraculous intercessory powers. These stories tend to fit a basic narrative pattern in which Mary saves a devoted believer from spiritual or physical danger—but beneath this surface simplicity, the Miracles frequently evoke fine or revealing theological, social, and cultural distinctions. They are remarkably various in tone, ranging from the darkly serious to the comically scandalous, and many display anti-Semitism to a greater degree or with greater punch than do other medieval genres. Mary herself takes on a variety of characteristics, appearing as dominant and persuasive more often than she appears as gentle and maternal. This volume offers a small but representative sampling of what survives of this literature in the English language. The Middle English has been helpfully glossed and annotated, and is lightly modernized for ease of reading; one particularly challenging story is translated in facing-page format. The “In Context” sections provide relevant biblical passages and medieval versions of the Christian prayers frequently evoked in the miracles; additional samples of Marian poetry and medieval illustrations of Marian miracles are also included.




Le Morte Darthur


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Le Morte D'Arthur (Illustrated)


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First published in 1485 by William Caxton, Le Morte d'Arthur is today perhaps the best-known work of Arthurian literature in English. Many modern Arthurian writers have used Malory as their principal source, including T. H. White in his popular The Once and Future King and Tennyson in The Idylls of the King.







LE MORTE DARTHUR


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The Once and Future King


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DigiCat Publishing presents to you this special edition of "The Once and Future King" by T. H. White. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.