Three Essays on Style


Book Description

with a memoir by William S. Heckscher Erwin Panofsky (1892-1968) was one of the preeminent art historians of the twentieth century. A new translation of his seminal work, Perspective as Symbolic Form, was recently published by Zone Books; now three remarkable essays, one previously unpublished, place Panofsky's genius in a different perspective: What Is Baroque?, Style and Medium in the Motion Pictures,andThe Ideological Antecedents of the Rolls-Royce Radiator. The essays are framed by an introduction by Irving Lavin, Panofsky's successor as Professor of Art History at the Institute for Advanced Study in Princeton, discussing the context of the essays' composition and their significance within Panofsky's oeuvre, and an insightful memoir by Panofsky's former student, close friend, and fellow emigr & e ́, William Heckscher. All three essays reveal unexpected aspects of Panofsky's sensibility, both personal and intellectual. Originally written as lectures for general audiences, they are composed in a lively, informal manner, and are full of charm and wit. The studies concern broadly defined problems of style in art--the visual symptoms endemic to works of a certain period (Baroque), medium (film), or national identity (England)--as opposed to the focus on iconography and subject matter usually associated with Panofsky's "method." The essay on Baroque, which Lavin considers "vintage Panofsky" and which appears here for the first time, and the one on film were written in 1934. The Rolls-Royce piece was written in 1962.




The Movie Guide


Book Description

From The Big Sleep to Babette's Feast, from Lawrence of Arabia to Drugstore Cowboy, The Movie Guide offers the inside word on 3,500 of the best motion pictures ever made. James Monaco is the president and founder of BASELINE, the world's leading supplier of information to the film and television industries. Among his previous books are The Encyclopedia of Film, American Film Now, and How to Read a Film.




Citizen of the World


Book Description

One of the most important, exciting biographies of our time: the definitive, major two-volume biography of Pierre Elliott Trudeau—written with unprecedented, complete access to Trudeau’s enormous cache of private letters and papers. Bestselling biographer John English gets behind the public record and existing glancing portraits of Trudeau to reveal the real man and the multiple influences that shaped his life, providing the full context lacking in all previous biographies to-date. As prime minister between 1968 and 1984, Trudeau, the brilliant, controversial figure, intrigued Canadians and attracted international attention as no other Canadian leader has ever done. Volume One takes us from his birth in 1919 to his election as leader in 1968. Born into a wealthy family in Montreal, Trudeau excelled at the best schools, graduating as a lawyer with conservative, nationalist and traditional Catholic views. But always conscious of his French-English heritage, desperate to know the outside world, and an adventurer to boot, he embarked on a pilgrimage of discovery—first to Harvard and the Sorbonne, then to the London School of Economics and, finally, on a trip through Europe, the Middle East, India and China. He was a changed man when he returned—socialist in his politics, sympathetic to labour, a friend to activists and writers in radical causes. Suddenly and surprisingly, he went to Ottawa for two mostly unhappy years as a public servant in the Privy Council Office. He frequently shocked his colleagues when, on the brink of a Quebec election, for example, he departed for New York or Europe on an extended tour. Yet in the 1950s and 60s, he wrote the most important articles outlining his political philosophy. And there were the remarkable relationships with friends, women and especially his mother (whom he lived with until he was middle-aged). He wrote to them always, exchanging ideas with the men, intimacies with the women, especially in these early years, and lively descriptions of his life. He even recorded his in-depth psychoanalysis in Paris. This personal side of Trudeau has never been revealed before—and it sheds light on the politician and statesman he became. Volume One ends with his entry into politics, his appointment as Minister of Justice, his meeting Margaret and his election as leader of the Liberal Party and Prime Minister of Canada. There, his genius and charisma, his ambition and intellectual prowess, his ruthlessness and emotional character and his deliberate shaping of himself for leadership played out on the national stage and, when Lester B. Pearson announced his retirement as prime minister in 1968, there was but one obvious man for the job: Pierre Trudeau. In 1938 Trudeau began a diary, which he continued for over two years. It is detailed, frank, and extraordinarily revealing. It is the only diary in Trudeau’ s papers, apart from less personal travel diaries and an agenda for 1937 that contains some commentary. His diary expresses Trudeau’s own need to chronicle the moments of late adolescence as he tried to find his identity. It begins on New Year’s Day 1938 with the intriguing advice: “If you want to know my thoughts, read between the lines!” —from Citizen of the World




Peter Brook: Oxford to Orghast


Book Description

Peter Brook is known internationally as a theatre visionary, and a daring experimenter on the cutting-edge of performance and production. This book concentrates on Brook's early years, and his innovative achievements in opera, television, film, and the theatre. His productions are viewed separately, in chronological order, suggesting Brook's developing and changing interests. The authors include thought-provoking interviews with Brook (and with numerous outstanding artists who have worked with him) and bring to the reader penetrating critiques of Brook's theories and practices as a man of the theatre.




A Truffaut Notebook


Book Description

François Truffaut (1932-1984) ranks among the greatest film directors and has had a worldwide impact on filmmaking as a screenwriter, producer, film critic, and founding member of the French New Wave. His most celebrated films include The 400 Blows, Shoot the Piano Player, Jules and Jim, Day for Night, and The Last Metro. A Truffaut Notebook is a lively and eclectic introduction to the life and work of this major cinematic figure. In entries as brief as a page, as well as in full-length essays, it examines topics such as Truffaut's mentors, the autobiographical nature of his films, his place in the film tradition, his film criticism, his reputation, his relationships with other directors, and the formal and thematic coherence of his body of work. Sam Solecki also argues for Truffaut's continuing appeal and relevance by examining his influence on filmmakers like Woody Allen, Noah Baumbach, Alexander Payne, Patrice Leconte, and Jean-Pierre Jeunet, and on writers such as Julian Barnes, Ann Beattie, and Salman Rushdie. Because the book returns regularly to the author's shifting responses to Truffaut's work over the last fifty years, it also offers an autobiographical meditation on his own lifelong fascination with film. Consisting of over eighty short entries and essays, as well as provocative lists, dreams, and quizzes, A Truffaut Notebook is an original and exciting text and a model of passionate engagement with cinema.




Sound


Book Description

Fascinating, accessible survey of the acoustic world from physics and music to zoology and film.




The One That Got Away


Book Description

In World War II James Leasor was commissioned into the Royal Berkshire Regiment and posted to the 1st Lincolns in Burma and India, where he served for three and a half years. His experiences inspired him to write such books as Boarding Party (filmed as The Sea Wolves). He later became a feature writer and foreign correspondent at the Daily Express. Here he wrote The One that Got Away. As well as non-fiction, Leasor has written novels, including Passport to Oblivion, filmed as Where the Spies Are with David Niven




The Magnificent Ambersons


Book Description

V.F. Perkins explores Orson Welles' genius in directing actors, his intricate weaving of his own narration in and around the drama, and his unsurpassed use of the long take to capture the fines nuance of expression and unspoken feeling. For Perkins The Magnificent Ambersons 'has as many marvellous shots, scenes, ideas, performances as most film-makers could hope to achieve in an entire career'. Second only to Citizen Kane in work, this film can never be seen as he intended it, after being heavily cut by RKO studio. However, it remains a remarkable picture of dynastic ruin and social change.







Hollywood and the Foreign Touch


Book Description

While a few select foreign filmmakers have been widely recognized for their contributions to Hollywood, scores more have gone largely unrecognized. Arranged alphabetically, this volume provides detailed information on the filmmakers and their films.