The Language of Flowers


Book Description

NEW YORK TIMES BESTSELLER The Victorian language of flowers was used to convey romantic expressions: honeysuckle for devotion, asters for patience, and red roses for love. But for Victoria Jones, it’s been more useful in communicating mistrust and solitude. After a childhood spent in the foster-care system, she is unable to get close to anybody, and her only connection to the world is through flowers and their meanings. Now eighteen and emancipated from the system with nowhere to go, Victoria realizes she has a gift for helping others through the flowers she chooses for them. But an unexpected encounter with a mysterious stranger has her questioning what’s been missing in her life. And when she’s forced to confront a painful secret from her past, she must decide whether it’s worth risking everything for a second chance at happiness. Look for special features inside. Join the Circle for author chats and more. Praise for The Language of Flowers "Instantly enchanting . . . [Diffenbaugh] is the best new writer of the year."—Elle “I would like to hand Vanessa Diffenbaugh a bouquet of bouvardia (enthusiasm), gladiolus (you pierce my heart) and lisianthus (appreciation). In this original and brilliant first novel, Diffenbaugh has united her fascination with the language of flowers—a long-forgotten and mysterious way of communication—with her firsthand knowledge of the travails of the foster-care system. . . . This novel is both enchanting and cruel, full of beauty and anger. Diffenbaugh is a talented writer and a mesmerizing storyteller. She includes a flower dictionary in case we want to use the language ourselves. And there is one more sprig I should add to her bouquet: a single pink carnation (I will never forget you).”—Washington Post "A fascinating debut . . . Diffenbaugh clearly knows both the human heart and her plants, and she keeps us rooting for the damaged Victoria."—O Magazine "Diffenbaugh effortlessly spins this enchanting tale, making even her prickly protagonist impossible not to love."—Entertainment Weekly




A Victorian Flower Dictionary


Book Description

“A flower is not a flower alone; a thousand thoughts invest it.” Daffodils signal new beginnings, daisies innocence. Lilacs mean the first emotions of love, periwinkles tender recollection. Early Victorians used flowers as a way to express their feelings—love or grief, jealousy or devotion. Now, modern-day romantics are enjoying a resurgence of this bygone custom, and this book will share the historical, literary, and cultural significance of flowers with a whole new generation. With lavish illustrations, a dual dictionary of flora and meanings, and suggestions for creating expressive arrangements, this keepsake is the perfect compendium for everyone who has ever given or received a bouquet.




The Language of Flowers


Book Description

An adopted bumblebee learns the language of flowers from her floral family in this enchanting picture book, inspired by floriography, that celebrates one of nature's most important relationships. Deep within a magical meadow, some lonely flowers receive a very special gift: a baby bumblebee in need. The flowers name her Beatrice, they care for her and help her find her wings. And as she grows older, Beatrice learns the language of her floral family — messages of kindness and appreciation that she delivers between them. With each sweet word, the flowers bloom until the meadow becomes so big that Beatrice needs help delivering her messages and decides to set out in search of her own kind. But this little bee’s quest takes her beyond the safety of the meadow and into the dangerous swamp the flowers have warned her about, a swamp inhabited by strange plants with snapping jaws and terrible teeth . . . will these prickly plants let her pass? Could they just be in need of a little sweetness themselves? A gently fanciful tale of the miracle of pollination and the important relationship between flowers and bees, this sweetly affirming story, inspired by the Victorian practice of floriography, suggests the secret to flourishing is kindness and appreciation.




Another Language of Flowers


Book Description

Twelve imaginary blooms on twelve canvases - one for each







The Language of Plants


Book Description

The eighteenth-century naturalist Erasmus Darwin (grandfather of Charles) argued that plants are animate, living beings and attributed them sensation, movement, and a certain degree of mental activity, emphasizing the continuity between humankind and plant existence. Two centuries later, the understanding of plants as active and communicative organisms has reemerged in such diverse fields as plant neurobiology, philosophical posthumanism, and ecocriticism. The Language of Plants brings together groundbreaking essays from across the disciplines to foster a dialogue between the biological sciences and the humanities and to reconsider our relation to the vegetal world in new ethical and political terms. Viewing plants as sophisticated information-processing organisms with complex communication strategies (they can sense and respond to environmental cues and play an active role in their own survival and reproduction through chemical languages) radically transforms our notion of plants as unresponsive beings, ready to be instrumentally appropriated. By providing multifaceted understandings of plants, informed by the latest developments in evolutionary ecology, the philosophy of biology, and ecocritical theory, The Language of Plants promotes the freedom of imagination necessary for a new ecological awareness and more sustainable interactions with diverse life forms. Contributors: Joni Adamson, Arizona State U; Nancy E. Baker, Sarah Lawrence College; Karen L. F. Houle, U of Guelph; Luce Irigaray, Centre National de la Recherche Scientifique, Paris; Erin James, U of Idaho; Richard Karban, U of California at Davis; André Kessler, Cornell U; Isabel Kranz, U of Vienna; Michael Marder, U of the Basque Country (UPV-EHU); Timothy Morton, Rice U; Christian Nansen, U of California at Davis; Robert A. Raguso, Cornell U; Catriona Sandilands, York U.




A First Book of Nature


Book Description

Billedbog. Introduces the sights and sounds of the changing seasons, along city streets and in country meadow




Floriography


Book Description

Flowers can talk. Red roses say ‘I love you’, white lilies offer condolence and poppies invite us to remember. For thousands of years, humans have used flowers as a language, a short-hand for emotions and meanings. In her new book, Sally Coulthard, takes a fascinating look at floriography and shows how we still use this secret language across the world. She delves into the meanings of flowers and where they came from, whether it’s ancient mythology or hedgerow folklore. Covering 50 well-loved flowers and plants, from peonies to sweetpeas, ivy to irises, Floriography is a beautifully illustrated guide that will take the reader on an intriguing journey through the history, legend, anthropology and literature of flowers, showing how modern-day society still relies on the meaning of flowers. From the Chinese lotus flower to the Celtic bluebell, the myth, magic and language of flowers is still blossoming today.




Flower Symbols


Book Description




Herbarium/verbarium


Book Description

As poetic symbols or scientific models, flowers have often been invoked to explain nature's harmonizing of expression, attraction, and reproduction. Words can lie, but flowers seem to speak plainly nature's own language. Flowers thrive as both botanical and literary phenomena in the works of Goethe, Rousseau, and Ruskin and serve as essential points of reference for Rilke, Proust, Genet, Ponge, Cixous, Derrida, and many others. This book explores the links between the flowers of nature and the flowers of metaphor. No longer rooted in a system of symbols, as they have been in many times and cultures, the flowers of modern literature are ambiguous and changeable. As examples of nature's finery and plenitude they justify not only finery and plentitude, but also questions and contradictions. They are flagrantly colorful or delicate and secretive. Yet throughout the Western traditional flowers have most frequently been considered feminine by male and female writers alike. It is this attachment that Sartiliot pursues to the end, questioning the place of flowers in Cixous's writings and in contemporary feminism.