The North American Review


Book Description

Vols. 277-230, no. 2 include Stuff and nonsense, v. 5-6, no. 8, Jan. 1929-Aug. 1930.




Bookseller


Book Description

Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.







Three Letters and an Essay by John Ruskin 1836-1841. Found in his tutor's desk


Book Description

"Three Letters and an Essay by John Ruskin..." is a collection of the earliest writings of the famed English author of the 19th century, as given by his former tutor. "In the days when the Rev. Thomas Dale had a school in Grove Lane, Camberwell, he was, as well as a schoolmaster, a poet, author, and preacher. In 1835 he was presented to the living of St. Bride's, Fleet Street; in 1843, to a Canonry of St. Paul's; and he died in 1870, shortly after accepting the Deanery of Rochester. Amongst his papers were some writings of John Ruskin, his pupil in Grove Lane and, later, at King's College. The earliest of these is an essay written the year before Mr. Ruskin went to Oxford; the others are letters from Rome, Lausanne, and Leamington. The interest of these papers is great. They belong to that period when Mr. Ruskin was trying his powers, when (his famed book) "Modern Painters" was taking form, and when some of the most perfect pieces of prose ever written were given to English readers. The hand of the master is very visible in all these papers, though the earliest of them belongs to the days of boyhood."













The Lamp of Memory


Book Description




Edinburgh Companion to Gothic and the Arts


Book Description

The Gothic is a contested and complicated phenomenon, extending over many centuries and across all the arts. In The Edinburgh Companion to the Gothic and the Arts, the range of essays run from medieval architecture and design to contemporary gaming and internet fiction; from classical painting to the modern novel; from ballet and dance to contemporary Goth music. The contributors include many of the best-known critics of the Gothic (e.g., Hogle, Punter, Spooner, Bruhm) as well as newer names such as Kirk and Round. The editor has put all these contributors in touch with each other in the preparation of their essays in order to ensure the maximum benefit to the reader by producing a well-integrated book which will prove much more than a collection of disparate essays, but rather a distinctive contribution to a field.