Legacy of a Musical City


Book Description

The story of Vienna, the musical center of the world. Max Graf, the Nestor of Austrian music critics, relates in a fascinating manner his own recollections of life with Bruckner, Brahms, Strauss, and other immortals in the music world. The author has enjoyed the intimate friendships over the course of fifty years. He gives a delightful as well as a highly educational story of the development of Austrian music. From the table of contents: Studying with Anton Bruckner; Hours with Hugo Wolf; Recollections of Gustav Mahler; Memories of Johann Strauss; Talks with Johannes Brahms; Richard Strauss; Arnold Schoenberg; The Fight Pony Ballets; Music in Churches; The Dead City; Vienna of Tomorrow.




Springwood Avenue Harmony


Book Description

Since just after it's founding in 1871, Asbury Park, New Jersey, has been a "music city". Yet through much of its history, Asbury Park has been a segregated city. While much is known about the musicians who played the seaside resort's beachfront venues, until now, little has been written about the music of the shadow city just across the railroad tracks. Springwood Avenue Harmony details the history of music from Asbury Park's predominantly African American West Side from 1871 through 1945. It includes the genres of Spirituals, Ragtime, Stride Piano, Jazz, Black Vaudeville, Blues, Big Band, Gospel and Pop music. The book examines the social, political, economical and racial climates under which the music developed and evolved. The lives of West Side singers and musicians long forgotten are finally given recognition. Also covered are the churches, theaters, nightclubs and entertainment venues that made up the music scene along Springwood Avenue. The book has close to 200 rare photos/flyers and is drawn from more than 700 documented news clippings, journals, books and interviews.




Music and Philosophy


Book Description

Four classic works that explore the lives and contributions of some of the greatest minds in classical music—essential reading for any classical music fan. In Legend of a Musical City, renowned Austrian music critic Max Graf shares his recollections of life with Anton Bruckner, Gustav Mahler, Johannes Brahms, Richard Strauss, Arnold Schoenberg, and other immortals of the music world. Bringing to life some of the most iconic figures in music as well as the city of Vienna itself, Graf recounts a charming, personal, and highly educational story of Austria’s musical legacy. Jan Holcman’s The Legacy of Chopin is a comprehensive study of the great composer’s views on music, including pianism, composition, pedagogy, criticism, and more. Drawing on extensive research from a wide range of sources, Holcman provides essential historical and musicological context for Chopin’s references and concepts, making his more esoteric ideas accessible to the general reader. In Schoenberg and His School, noted composer, conductor, and music theorist René Leibowitz offers an authoritative analysis of Schoenberg’s groundbreaking contributions to composition theory and Western polyphony. In addition to detailing his subject’s major works, Leibowitz also explores Schoenberg’s influence on the works of his two great disciples, Alban Berg and Anton Webern. In Shostakovich: The Man and His Work, Ivan Martynov presents a compelling and intimate biography of this pioneering legend. Martynov draws on extensive research, including interviews and conversations with Shostakovich himself, as well as his own expertise in the field of musicology.




Manhattan's Musical Heritage


Book Description

Manhattan is an important site in the evolution of all the major innovations in American music, ranging from vaudeville and big bands to folk music, modern jazz, and rock and roll. Manhattan's Musical Heritage, a fascinating postcard history, takes readers on a journey back in time and place to the scenes of seminal musical events and performances. Individual musical greats from Al Jolson to John Lennon are featured, as this book details the locations forever associated with their lives and careers. Armchair travelers and those who enjoy walks in the streets of Manhattan will find this volume useful in discovering the amazing musical history of this special place.




The Ethnomusicology of Western Art Music


Book Description

Since the late 1980s, the boundaries between the ‘musicologies’ have become increasingly blurred. Most notably, a growing number of musicologists have become interested in the ideas and methodologies of ethnomusicology, and in particular, in applying one of the central methodological tools of ethnomusicology – ethnography – to the study of Western ‘art’ music, a tradition which had previously been studied primarily through scores, recordings and other historical sources. Alongside this, since the 1970s a small number of ethnomusicologists have also written about Western art music, thus complicating the idea of ethnomusicology as the study of ‘other’ music. Indeed, there has been a growth in this area of scholarship in recent years. Approaching western art music through the perspectives of ethnomusicology can offer new and enriching insights to the study of this musical tradition, as shown in the writings presented in this book. The current volume is the first collection of essays on this topic and includes work by authors from a range of musicological and ethnomusicological backgrounds, exploring a variety of issues including music in orchestral outreach programmes, new audiences for classical music concerts, music and conflict transformation, ethnographic study of the rehearsal process, and the politics of a high-profile music festival. This book was originally published as a special issue of Ethnomusicology Forum.




Popular Music and Human Rights


Book Description

Popular music has long understood that human rights, if attainable at all, involve a struggle without end. The right to imagine an individual will, the right to some form of self-determination and the right to self-legislation have long been at the forefront of popular music's approach to human rights. At a time of such uncertainty and confusion, with human rights currently being violated all over the world, a new and sustained examination of cultural responses to such issues is warranted. In this respect music, which is always produced in a social context, is an extremely useful medium; in its immediacy music has a potency of expression whose reach is long and wide. This two-volume set comprises Volume I: British and American Music, and Volume II: World Music.




Jazz from Detroit


Book Description

Jazz from Detroit explores the city’s pivotal role in shaping the course of modern and contemporary jazz. With more than two dozen in-depth profiles of remarkable Detroit-bred musicians, complemented by a generous selection of photographs, Mark Stryker makes Detroit jazz come alive as he draws out significant connections between the players, eras, styles, and Detroit’s distinctive history. Stryker’s story starts in the 1940s and ’50s, when the auto industry created a thriving black working and middle class in Detroit that supported a vibrant nightlife, and exceptional public school music programs and mentors in the community like pianist Barry Harris transformed the city into a jazz juggernaut. This golden age nurtured many legendary musicians—Hank, Thad, and Elvin Jones, Gerald Wilson, Milt Jackson, Yusef Lateef, Donald Byrd, Tommy Flanagan, Kenny Burrell, Ron Carter, Joe Henderson, and others. As the city’s fortunes change, Stryker turns his spotlight toward often overlooked but prescient musician-run cooperatives and self-determination groups of the 1960s and ’70s, such as the Strata Corporation and Tribe. In more recent decades, the city’s culture of mentorship, embodied by trumpeter and teacher Marcus Belgrave, ensured that Detroit continued to incubate world-class talent; Belgrave protégés like Geri Allen, Kenny Garrett, Robert Hurst, Regina Carter, Gerald Cleaver, and Karriem Riggins helped define contemporary jazz. The resilience of Detroit’s jazz tradition provides a powerful symbol of the city’s lasting cultural influence. Stryker’s 21 years as an arts reporter and critic at the Detroit Free Press are evident in his vivid storytelling and insightful criticism. Jazz from Detroit will appeal to jazz aficionados, casual fans, and anyone interested in the vibrant and complex history of cultural life in Detroit.




Beyond the Beat


Book Description

At a time when the bulwarks of the music industry are collapsing, what does it mean to be a successful musician and artist? How might contemporary musicians sustain their artistic communities? Based on interviews with over seventy-five popular-music professionals in Nashville, Beyond the Beat looks at artist activists—those visionaries who create inclusive artist communities in today's individualistic and entrepreneurial art world. Using Nashville as a model, Daniel Cornfield develops a theory of artist activism—the ways that artist peers strengthen and build diverse artist communities. Cornfield discusses how genre-diversifying artist activists have arisen throughout the late twentieth-century musician migration to Nashville, a city that boasts the highest concentration of music jobs in the United States. Music City is now home to diverse recording artists—including Jack White, El Movimiento, the Black Keys, and Paramore. Cornfield identifies three types of artist activists: the artist-producer who produces and distributes his or her own and others' work while mentoring early-career artists, the social entrepreneur who maintains social spaces for artist networking, and arts trade union reformers who are revamping collective bargaining and union functions. Throughout, Cornfield examines enterprising musicians both known and less recognized. He links individual and collective actions taken by artist activists to their orientations toward success, audience, and risk and to their original inspirations for embarking on music careers. Beyond the Beat offers a new model of artistic success based on innovating creative institutions to benefit the society at large.




Cincinnati Magazine


Book Description

Cincinnati Magazine taps into the DNA of the city, exploring shopping, dining, living, and culture and giving readers a ringside seat on the issues shaping the region.




Music Cities


Book Description

This book provides a critical academic evaluation of the ‘music city’ as a form of urban cultural policy that has been keenly adopted in policy circles across the globe, but which as yet has only been subject to limited empirical and conceptual interrogation. With a particular focus on heritage, planning, tourism and regulatory measures, this book explores how local geographical, social and economic contexts and particularities shape the nature of music city policies (or lack thereof) in particular cities. The book broadens academic interrogation of music cities to include cities as diverse as San Francisco, Liverpool, Chennai, Havana, San Juan, Birmingham and Southampton. Contributors include both academic and professional practitioners and, consequently, this book represents one of the most diverse attempts yet to critically engage with music cities as a global cultural policy concept.