Leon Battista Alberti's Hypnerotomachia Poliphili


Book Description

A critical-theoretical reading of the strange, dreamlike work of Leon Battista Alberti.




Hypnerotomachia Poliphili


Book Description

Francesco Colonna's weird, erotic, allegorical antiquarian tale, "Hypnerotomachia Poliphili", together with all of its 174 original woodcut illustrations, has been called the first "stream of consciousness" novel and was one of the most important documents of Renaissance imagination and fantasy. The author -- presumed to be a friar of dubious reputation -- was obsessed by architecture, landscape and costume (it is not going too far to say sexually obsessed) and its woodcuts are a primary source for Renaissance ideas.




Pliny the Elder and the Emergence of Renaissance Architecture


Book Description

The Naturalis historia by Pliny the Elder provided Renaissance scholars, artists and architects with details of ancient architectural practice and long-lost architectural wonders - material that was often unavailable elsewhere in classical literature. Pliny's descriptions frequently included the dimensions of these buildings, as well as details of their unusual construction materials and ornament. This book describes, for the first time, how the passages were interpreted from around 1430 to 1580, that is, from Alberti to Palladio. Chapters are arranged chronologically within three interrelated sections - antiquarianism; architectural writings; drawings and built monuments - thereby making it possible for the reader to follow the changing attitudes to Pliny over the period. The resulting study establishes the Naturalis historia as the single most important literary source after Vitruvius's De architectura.




HYPNEROTOMACHIA POLIPHILI: AN ARCHITECTURAL VISION FROM THE FIRST RENAISSANCE


Book Description

PLEASE NOTE THAT THIS BOOK IS ONLY THE 2ND HALF OF ONE SINGLE BOOK. IN ORDER TO HAVE A COMPLETE TEXT, READERS ARE SUGGESTED TO CONSIDER ALSO VOLUME I, AVAILABLE HERE http://bookstore.xlibris.com/Products/SKU-0081451017/default.aspx AFTER YEARS OF FIELD RESEARCH AND DEVELOPMENT, THIS IS A SECOND BOOK OF WHAT SEEMS TO BECOME A SERIES OF PUBLICATIONS. THE INTENT IS TO RECONSTRUCT THE ARCHITECTURE AND LANDSCAPES DESCRIBED IN THE HYPNEROTOMACHIA POLIPHILI WITH THE AID OF DIGITAL MEDIUMS. THIS ENIGMATIC INCUNABULUM WITH ITS 172 WOODCUTS, FIRST PUBLISHED IN VENICE IN 1499 BY THE VENETIAN PRESS OF ALDUS MANUTIUS, HAS FASCINATED HISTORIANS, PATRONS, AND ESPECIALLY ARCHITECTS EVER SINCE ITS ANONYMOUS PUBLICATION. A RENEWED INTEREST FOR THIS LEGENDARY RENAISSANCE TEXT HAS EMERGED WITH MODERN TRANSLATIONS READILY NOW AVAILABLE IN ITALIAN, ENGLISH, AND SPANISH, NOT TO MENTION ITS USE AS THE CENTRAL THEME FOR CALDWELL AND THOMASON’S BESTSELLER, THE RULE OF FOUR, NOW TO BECOME A MAJOR MOTION PICTURE. THE STORY BEGINS WITH POLIPHILUS, WHO FALLS ASLEEP AND DREAMS THAT HE IS SEARCHING FOR HIS LOST LOVE, POLIA. WHILE UNDER HER BELOVED SPELL, HE ENGAGES ON AN EROTIC PILGRAMAGE THROUGH ANTIQUITY, DISCOVERING INCREDIBLE ARCHITECTURE, GARDENS AND LANDSCAPES ALL ENVISIONED AND DESCRIBED IN MINUTE, TECHNICAL, AND ARTISTIC DESCRIPTION. PART TREATISE, PART NARRATIVE, THIS BOOK INTRODUCES A VAST ARRAY OF ARCHITECTURAL EXAMPLES AND LANDSCAPE DESIGNS WHICH WERE TOO VISIONARY FOR ITS TIME. WITH MORE THAN 160 ORIGINAL ARTWORK ILLUSTRATIONS, THIS WORK IS PRESENTED HERE AS AN ATTEMPT TO SHARE A NEW DECIPHERING OF THIS LABYRINTHINE TEXT AFTER YEARS OF OBSCURITY, BRINGING TO LIFE AND GIVING SIGNIFICANCE TO ITS FANTASTIC ARCHITECTURE AND ALLEGORICAL VISIONS.




The Rule of Four


Book Description

“One part The Da Vinci Code, one part The Name of the Rose and one part A Separate Peace . . . a smart, swift, multitextured tale that both entertains and informs.”—San Francisco Chronicle NEW YORK TIMES BESTSELLER Princeton. Good Friday, 1999. On the eve of graduation, two friends are a hairsbreadth from solving the mysteries of the Hypnerotomachia Poliphili, a Renaissance text that has baffled scholars for centuries. Famous for its hypnotic power over those who study it, the five-hundred-year-old Hypnerotomachia may finally reveal its secrets—to Tom Sullivan, whose father was obsessed with the book, and Paul Harris, whose future depends on it. As the deadline looms, research has stalled—until a vital clue is unearthed: a long-lost diary that may prove to be the key to deciphering the ancient text. But when a longtime student of the book is murdered just hours later, a chilling cycle of deaths and revelations begins—one that will force Tom and Paul into a fiery drama, spun from a book whose power and meaning have long been misunderstood. BONUS: This edition includes an excerpt from Dustin Thomason's 12.21. “Profoundly erudite . . . the ultimate puzzle-book.”—The New York Times Book Review




The Egyptian Renaissance


Book Description

Fascination with ancient Egypt is a recurring theme in Western culture, and here Brian Curran uncovers its deep roots in the Italian Renaissance, which embraced not only classical art and literature but also a variety of other cultures that modern readers don't tend to associate with early modern Italy. Patrons, artists, and spectators of the period were particularly drawn, Curran shows, to Egyptian antiquity and its artifacts, many of which found their way to Italy in Roman times and exerted an influence every bit as powerful as that of their more familiar Greek and Roman counterparts. Curran vividly recreates this first wave of European Egyptomania with insightful interpretations of the period's artistic and literary works. In doing so, he paints a colorful picture of a time in which early moderns made the first efforts to decipher Egyptian hieroglyphs, and popes and princes erected pyramids and other Egyptianate marvels to commemorate their own authority. Demonstrating that the emergence of ancient Egypt as a distinct category of historical knowledge was one of Renaissance humanism's great accomplishments, Curran's peerless study will be required reading for Renaissance scholars and anyone interested in the treasures and legacy of ancient Egypt.




Frame Work


Book Description

Frame Work explores how framing devices in the art of Renaissance Italy respond, and appeal, to viewers in their social, religious, and political context.




Classical Architecture


Book Description

This fascinating introduction to classical art and architecture is the first book to investigate the way classical buildings are put together as formal structures. It researches the generative rules, the poetics of composition that classical architecture shares with classical music, poetry, and drama, and is enriched by a variety of examples and an extensive analysis of compositional rules. The 205 line drawings make up a discourse of their own, a pictorial text that serves as an introductory theory of composition or basic design aid. Drawing from Vitruvius, the poetics of Aristotle, the theories of classical architecture, music, and poetry since the Renaissance, and the poetics of the Russian formalists, the authors present classical architecture as a coherent system of architectural thinking that is capable of producing a tragic humanistic discourse, a public art with critical, moral, and philosophical meaning.




Ficino and Fantasy


Book Description

Did the Florentine philosopher Marsilio Ficino (1433-99) influence the art of his time? This book starts with an exploration of Ficino’s views on the imagination and discusses whether, how and why these ideas may have been received in Italian Renaissance works of art.




Architecture and the Senses in the Italian Renaissance


Book Description

This is the first study of Renaissance architecture as an immersive, multisensory experience that combines historical analysis with the evidence of first-hand accounts. Questioning the universalizing claims of contemporary architectural phenomenologists, David Karmon emphasizes the infinite variety of meanings produced through human interactions with the built environment. His book draws upon the close study of literary and visual sources to prove that early modern audiences paid sustained attention to the multisensory experience of the buildings and cities in which they lived. Through reconstructing the Renaissance understanding of the senses, we can better gauge how constant interaction with the built environment shaped daily practices and contributed to new forms of understanding. Architecture and the Senses in the Italian Renaissance offers a stimulating new approach to the study of Renaissance architecture and urbanism as a kind of 'experiential trigger' that shaped ways of both thinking and being in the world.