Leon Golub


Book Description

Now in his late 70s, Leon Golub is a leading exponent of history painting - painting as a narrative, symbolic expression of global, social and political relations and of the realities of power. In this book, published to accompany a major retrospective exhibition traveling to Ireland, England and the United States, Jon Bird examines the artist's work from the classically influenced early paintings through depictions of conflict and masculine aggression to compelling images of the last two decades. Despite the widespread critical attention his work has received, the range and extent of his practice and its complex interweaving of the iconographic traditions of both high and popular art have not been properly examined. As a history painter, Golub is acutely aware of the antecedents to his own imagery and symbolism; part of Jon Bird's critical project is to track and define the artist's relationship to modernism. Making a case for Golub's practice of "critical realism" that also takes account of the unconscious, Bird focuses on two themes that dominate Golub's work: how his art figures the body as a sign for social and psychic identity, and what might be termed the symbolic expression of social space.




A Painter of Darkness


Book Description




Leon Golub Powerplay


Book Description

"Accompanies the exhibition of Leon Golub's political portraits at the National Portrait Gallery, London, March-September 2016" - introduction.




The Solar Corona


Book Description

Second edition graduate level textbook giving an up-to-date treatment of our understanding of the solar corona.




Leon Golub


Book Description

This survey catalogue of the American figurative painter, his first in London since 2000, highlights key aspects of the artist's oeuvre from the 1950s until his death in 2004.Golub's paintings from the 1950s depict universal images of man and reference the classical figure found in antiquity, while his highly political series of the 1970s and 1980s draws on the Vietnam War, American foreign policy and the rise of paramilitary soldiers in places such as South Africa and Latin America.His work from the 1990s incorporates slogans, text, graffiti and symbols into dystopian scenes of urban existence.Throughout his career Golub was guided by his belief that art should have relevance. His works are profoundly psychological and emotive - often painted on a huge scale - and return again and again to themes of oppression, violence and the misuse of power.This publication features a conversation between Helaine Posner, Katy Kline, Leon Golub and Nancy Spero.Published on the occasion of the exhibition Leon Golub: Bite Your Tongue at Serpentine Gallery, London, 4 March - 17 May 2015.




Monster Roster


Book Description

Monster Roster: Existentialist Art in Postwar Chicago (on view at the Smart Museum in winter/spring 2016) will be accompanied by a comprehensive publication--the first of its kind--that includes an introductory essay by critic and collector Dennis Adrian; an overview of the Monster Roster by John Corbett; an essay about the historical context out of which the Monster Roster emerged by historian Thomas Dyja; a discussion of Monster Roster prints by art historian and curator Marc Pascale; an in depth look at Leon Golub's early work by art historian Jon Bird; and a personal response to the Monster Roster's work by contemporary artist Arlene Shechet. There will also be historic reprints of key texts including Franz Schulze's 1972 essay "Chicago: The Setting and the Group" from Fantastic Images: Chicago Art Since 1945 as well as Jean Dubuffet's lecture "Anticultural Positions" given at the Arts Club of Chicago in 1951. The publication will also contain full-color reproductions of all work on view in Monster Roster, a detailed chronology and exhibition history, and reproductions of ephemera and historical photographs.




Leon Golub Powerplay


Book Description

Leon Golub (1922–2004) is best known for his iconic history paintings of mercenaries, interrogations, torture scenes, and the riots of the 1980s and ’90s. Published to accompany an exhibition at the National Portrait Gallery in London running from March through November 2016, this collection of nearly all of Golub’s political portraits from 1975–1978, almost 100 paintings, offers a rich survey of his powerful style with analysis from curator Jon Bird and professor of art history Gill Perry. Bird and Perry examine the ways Golub increasingly explored the effects of power upon the body through facial expressions, gestures, and poses, and how he invested his characters with psychological tension and depth. As they show, Golub always derived his source material from media representations, aiming to capture the way power—whether political, military, or social—is mediated through the camera lens. This “look of power” is the dominant characteristic of the portraits included here, all painted as part of his Political Portraits series of the 1970s, which captured historical figures—ranging from Fidel Castro and Henry Kissinger to Pinochet and Mao Tse-Tung—at various stages of their public office. With a narrative of arrogance and venality traced clearly across the face, these portraits forcefully show that power is uncompromising. The result is a startling collection of faces, arrestingly rendered through Golub’s signature, visceral style.




Keeping Good Time


Book Description

Avery Gordon's first book, Ghostly Matters, was widely acclaimed as a work of striking sociological imagination and social theory. Keeping Good Time, her much anticipated second book, brings together essays by Gordon that were "written to be read aloud." Her eloquent voice in this book further establishes her place among literary sociological writers of a new generation. Keeping Good Time will be of great interest to activists, feminists, sociologists, students and everyone concerned about how to beat the odds in influencing the shape of social and culture change. Readers will find their thinking changed by the author's perennial quest to "develop insights gained in confrontation with injustice."




From Head to Hand


Book Description

In his third book, Strauss delves into the mysterious process whereby an idea is born in the mind and materialized through the hand in the expression of an artwork. How exactly does this happen? It's a question so basic, an act so fundamental to art-making, that it has rarely received attention. It makes an ideal topic for Strauss, a writer with an exceptional ability to animate art's philosophical dimensions in a clear, persuasive manner. During this time when craft and the direct manipulation of materials by the artist appear to be in eclipse, Strauss comes to their defense in a spirited cri de coeur. Featuring over 35 illustrations, the book examines a wide variety of media and individual examples. It explores the works of sculptors Martin Puryear, Ursula von Rydingsvard, and Donald Lipski; painters Leon Golub and Ron Gorchov; and writers Robert Duncan, Robert Kelly, Guy Davenport, John Berger, and Leo Steinberg. In addition, there are essays on Joseph Beuys's 7000 Oaks in Ireland, contemporary Haida carvers Reg Davidson and Jim Hart, Cecilia Vicuña's "memory of the fingers," and the influence of curators Harald Szeemann and Walter Hopps on the staging of contemporary art exhibitions. Known primarily for his writings on photography and politics, Strauss here focuses on the least mediated arts--painting, sculpture, and writing. His claims are supported by a series of close readings which succeed in recovering the immediacy of the hand and revitalizing contemporary art's connection to the past.




The Sun


Book Description

It’s a good story: we are made of matter like that we also find in the stars. Essential to our planet’s existence, the Sun—our nearest star––is also the most fascinating object humans have ever adored, literally the difference between day and night. But getting beyond these basic perceptions requires scientific understanding. What, for instance, is the sun made of? Why does it burn so brightly? How long will it last? This book not only answers these questions but also tells the story of how we came to know—not merely behold—the grandest entity in our sky. Leon Golub and Jay M. Pasachoff offer an engaging and informative account of solar science and its history, drawing on centuries of study by solar astronomers who have looked to the Sun not only to learn about our own solar system but also about what lies in the distant wilderness of faintly glimmering stars. They skim along the surface of the Sun, which is decorated with sunspots, discussing these fascinating magnetic aberrations and the roughly eleven-year cycles they abide. They follow seismic waves into the interior of the Sun and its unending nuclear fusion. They show us what is unveiled in solar eclipses and what new views and knowledge our space exploration has afforded us. They brave solar weather, and they trace the arcs of radiation and particles whose effects we can see on earth in phenomena such as the northern and southern lights. Glowing with a wide assortment of astonishing images, this beautifully illustrated guide will delight everyone, from those who know what a coronagraph is to those who simply like to step out on a bright day, close their eyes, and feel the Sun’s warmth upon their skin.