Léon Spilliaert


Book Description

The first publication in English of the ultimate monograph on painter Léon Spilliaert. Léon Spilliaert (1881-1946) was one of the most important Flemish Symbolist painters. Although he was embedded in the Symbolist tradition, he was also drawn to the avant-garde. He was, in fact, an einzelgänger, or loner, balancing on the fault line between two centuries, a transitional figure between Symbolism and Surrealism. Spilliaert, like James Ensor, was born and raised in Ostend. And like Ensor, he was also driven by ridicule and irony, non-conformism and the urge to look at the world from a different perspective. He created his own spiritual imagery, experimented with pastel and gouache, and played with purified areas of colour and graceful lines. The sea under a cool moon, lonely figures with a vacant gaze, desolate beaches, empty rooms and stylised silhouettes in backlight: Spilliaert was always able to evoke an atmosphere of mystery, magic and alienation in abstract lines and colours. This revised, English-language version of the ultimate Spilliaert book will be published to coincide with the major Spilliaert exhibition at the Royal Academy in London this autumn.




Léon Spilliaert (1881-1946)


Book Description

Léon Spilliaert (1881-1946) was a daring and visionary artist who callenged the artistic conventions of his day. Born in Ostend, as a young man he wandered the night-time streets of the North Sea resort, creating mysterious and highly atmospheric evocations of its dark quays, beaches and promenades. These layered works, among his most radical, have profound psychological depth and ambiguity, traits also seen in a series of haunting self-portraits considered outstanding exemplars of the genre. This publication, accompanying the first monographic exhibition of Spilliaert's art in Britain, illustrates over a hundred works from international collections. The Belgian artist Luc Tuymans, who considers Spilliaert a key influence, introduces the book.







Mint Tea and Other Stories


Book Description

These stories of love, injustice and the innermost feelings of women are tender and poignant as they weave between generations, past and present. They give a powerful and vivid view of Jamaican life shot through with pride and struggle, contempt and pain. In Mint Tea, her first collection of short stories, Craig displays a flair for language and imagery and a subtle sense of irony.




A Book of Satyrs


Book Description

A richly illustrated book of images. Some of Spare's techniques, particularly the use of sigils and the creation of an "alphabet of desire" were adopted, adapted and popularized by Peter J. Carroll in the work Liber Null & Psychonaut. Carroll and other writers such as Ray Sherwin are seen as key figures in the emergence of some of Spare's ideas and techniques as a part of a magical movement loosely referred to as chaos magic. Zos Kia Cultus is a term coined by Kenneth Grant, with different meanings for different people. One interpretation is that it is a form, style, or school of magic inspired by Spare. It focuses on one's individual universe and the influence of the magician's will on it. While the Zos Kia Cultus has very few adherents today, it is widely considered an important influence on the rise of chaos magic.




Dictionary of Minor Planet Names


Book Description

The history and rapid development of minor planet dis In addition to citing the bibliographic source of the nam coveries constitute a fascinating story and one with a ing, we also provide the source of numbering. A spe rather breathtaking evolution. By October 2005, the cial concordance list will enable the evaluation of the total of numbered planets exceeded the remarkable cor respective publication dates. The complete work is, nerstone of 100,000 objects and only three years later of course, a thoroughly revised and considerably en in November 2008 we are even faced with minor planet larged data collection and every e?ort has been made ( ) 200000 . This dramatic evolution must be compared to check and correct each single piece of information ( ) with the huge time span of two centuries 1801–2000 again. For even more detailed information on the dis that was necessary to detect and to re?ne the orbits of covery circumstances of numbered but unnamed plan only the ?rst 20,000 minor planets. Nowadays, we need ets, the reader is referred to the extensive data ?les even less than 13 months for the same quantity! At the compiled by the Minor Planet Center. end of 2005, we had achieved a total of 12,804 named ( According to a resolution of IAU Division III 2000, minor planets a fraction of less than 11 per cent of ) Manchester IAU General Assembly DMPN attained all numbered minor planets.




Decadence and Dark Dreams


Book Description

"Enigmatic magic, erotic sensuality and dark dreamworlds all characterise Symbolism, which evolved as an art current from the 1880s on - with Brussels advancing to become a centre of activity in the development of European art. The tendency towards the morbid and the decadent was most pronounced in Belgian Symbolism. Many of the impulses for this avant-garde came from Belgian artists, such as the disreputable Félicien Rops, the subtle Fernand Khnopff, the occult Jean Delville and the eccentric Léon Spilliaert and James Ensor."--back cover.







Tamara de Lempicka


Book Description

A landmark retrospective on the Art Deco painter exploring her intersectional identities Tamara de Lempicka (1894-1980), the "Baroness with a Brush," is often cast as one of Art Deco's most celebrated artists, though her work transcends categorization, incorporating elements of Cubism and Neoclassicism in a distinctive, sensuous blend of form and function. Lempicka's paintings, including a self-portrait as the driver of a sleek green Bugatti, often depict dazzling, self-assured women, exuding elegance and transgressive sexuality while combining the modern with the classical. This gorgeous survey presents the full arc of Lempicka's career in the context of her life and her evolving identity, including her Polish and Russian origins, her marriages and other relationships, and her time in France, Italy, and the United States. This book unfolds chronologically through three sections that mark the stages of the artist's life and the evolution of her artistic style, with particular focus on her Jewish heritage, her expression of gender, and her sexuality. Published in association with the Fine Arts Museums of San Francisco Exhibition Schedule: de Young Museum, San Francisco (October 12, 2024-February 9, 2025) The Museum of Fine Arts, Houston (March 9-May 26, 2025)




The Symbolist Roots of Modern Art


Book Description

With the words ?A new manifestation of art was ... expected, necessary, inevitable,? Jean Mor? announced the advent of the Symbolist movement in 1886. When Symbolist artists began experimenting in order to invent new visual languages appropriate for representing modern life in all its complexity, they set the stage for innovation in twentieth-century art. Rejecting what they perceived as the superficial descriptive quality of Impressionism, Naturalism, and Realism, Symbolist artists delved beneath the surface to express feelings, ideas, scientific processes, and universal truths. By privileging intangible concepts over perceived realities and by asserting their creative autonomy, Symbolist artists broke with the past and paved the way for the heterogeneity and penchant for risk-taking that characterizes modern art. The essays collected here, which consider artists from France to Russia and Finland to Greece, argue persuasively that Symbolist approaches to content, form, and subject helped to shape twentieth-century Modernism. Well-known figures such as Kandinsky, Khnopff, Matisse, and Munch are considered alongside lesser-known artists such as Fini, Gyzis, Koen, and Vrubel in order to demonstrate that Symbolist art did not constitute an isolated moment of wild experimentation, but rather an inspirational point of departure for twentieth-century developments.