Ulysses


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Leopold Bloom's Sexuality in James Joyce's 'Ulysses'


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Seminar paper from the year 2010 in the subject English - Literature, Works, grade: 1,0, University of Osnabr ck, course: James Joyce, Ulysses, language: English, abstract: The topic of sexuality is an essential one in James Joyce's Ulysses. This novel is full of sexual hints and passages that contain sexual action. The omnipresence of sexuality leads the reader through the novel as a central theme: most of the actions centre on Marion (Molly) Bloom's four- -clock date with Hugh Boylan. This date gives Leopold Bloom's day a certain structure as there are a lot references towards this time: "Funny my watch stopped at half past four" (U 353) and "He's coming in the afternoon" (U 89) are only two passages, which refer towards Molly's date with Boylan and therefore her affair with another man. Since its publication Ulysses affected great controversies due to its obscene passages, so the book was rated as scandalous and became an object of censorship. This paper is going to examine the obscenity of Ulysses and by doing so concentrate on the character of Leopold Bloom. It will be analysed in what degree the novel can be classified as 'obscene' and, furthermore, how the topic of sexuality is presented. Afterwards, these results will be brought into a wider context, concerning the topic of sexuality as a mental process in Ulysses.




Leopold Bloom's Sexuality in James Joyce's 'Ulysses'


Book Description

Seminar paper from the year 2010 in the subject Didactics for the subject English - Literature, Works, grade: 1,0, University of Osnabrück, course: James Joyce, Ulysses, language: English, abstract: The topic of sexuality is an essential one in James Joyce’s Ulysses. This novel is full of sexual hints and passages that contain sexual action. The omnipresence of sexuality leads the reader through the novel as a central theme: most of the actions centre on Marion (Molly) Bloom’s four-ò-clock date with Hugh Boylan. This date gives Leopold Bloom’s day a certain structure as there are a lot references towards this time: “Funny my watch stopped at half past four” (U 353) and “He’s coming in the afternoon” (U 89) are only two passages, which refer towards Molly’s date with Boylan and therefore her affair with another man. Since its publication Ulysses affected great controversies due to its obscene passages, so the book was rated as scandalous and became an object of censorship. This paper is going to examine the obscenity of Ulysses and by doing so concentrate on the character of Leopold Bloom. It will be analysed in what degree the novel can be classified as ‘obscene’ and, furthermore, how the topic of sexuality is presented. Afterwards, these results will be brought into a wider context, concerning the topic of sexuality as a mental process in Ulysses.




The Bloomsday Book


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Molly Bloom's Soliloquy


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Molly Bloom's famous soliloquy from James Joyce's Ulysses is a languorous internal monologue, in which the passionate wife of Leopold Bloom meditates on love and life. While Bloom sleeps beside her (head to toe), Molly recalls her many infidelities, including the energetic sexual encounter enjoyed that very afternoon. Though difficult to read straight from the page, Marcella Riordan's beautiful reading of this passage brings out all the wit and passion of one of the finest passages of writing in modern literature.




Quare Joyce


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The first sustained analysis of the place of homoeroticism in Joyce's cultural politics




Bloomsday 100


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June 16, 2004, was the one hundredth anniversary of Bloomsday, the day that James Joyce's novel Ulysses takes place. To celebrate the occasion, thousands took to the streets in Dublin, following in the footsteps of protagonist Leopold Bloom. The event also was marked by the Bloomsday 100 Symposium, where world-renowned scholars discussed Joyce's seminal work. This volume contains the best, most provocative readings of Ulysses presented at the conference. The contributors to this volume urge a close engagement with the novel. They offer readings that focus variously on the materialist, historical, and political dimensions of Ulysses. The diversity of topics covered include nineteenth-century psychology, military history, Catholic theology, the influence of early film and music hall songs on Joyce, the post-Ulysses evolution of the one-day novel, and the challenge of discussing such a complex work amongst the sea of extant criticism.




The Cambridge Centenary Ulysses: The 1922 Text with Essays and Notes


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This edition offers everything needed by the newcomer to this famous but intimating text: images, maps, footnotes, and introductory essays by eighteen leading Joyceans.




Masculinities in Joyce


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The Most Dangerous Book


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Recipient of the 2015 PEN New England Award for Nonfiction “The arrival of a significant young nonfiction writer . . . A measured yet bravura performance.” —Dwight Garner, The New York Times James Joyce’s big blue book, Ulysses, ushered in the modernist era and changed the novel for all time. But the genius of Ulysses was also its danger: it omitted absolutely nothing. Joyce, along with some of the most important publishers and writers of his era, had to fight for years to win the freedom to publish it. The Most Dangerous Book tells the remarkable story surrounding Ulysses, from the first stirrings of Joyce’s inspiration in 1904 to the book’s landmark federal obscenity trial in 1933. Written for ardent Joyceans as well as novices who want to get to the heart of the greatest novel of the twentieth century, The Most Dangerous Book is a gripping examination of how the world came to say Yes to Ulysses.