Leroy Grannis


Book Description

La vague parfaite sous l'œil de la caméra. Le surf connut ses premières heures de gloire continentale dans les années 1950, sur la côte californienne, où il se mua rapidement en un véritable " style de vie " avant d'être admiré puis exporté aux quatre coins du globe. Le photographe sportif LeRoy Grannis fut l'un des principaux témoins et acteurs de cette génération : surfeur depuis 1931, il commença à fixer sur la pellicule le quotidien des surfeurs californiens et hawaïens au début des années 1960. Cette impressionnante collection de photos tirées des archives personnelles de l'auteur nous dévoile toute une palette d'impressions et de souvenirs de ces petits ou grands événements qui ont écrit l'histoire du surf, depuis les premiers ballets élégants des longboarders de San Onofre jusqu'aux prouesses des casse-cou d'Oahu, sur la côte nord d'Hawaï. Tout aussi remarquables sont ses précieux témoignages iconographiques sur la naissance d'un style de vie propre au surf - ici, un stomp improvisé en marge d'une compétition, là un pick-up Chevy bondé de planches sur la Pacific Coast Highway -, incarnations de l'esprit de liberté de cette époque dorée qui s'est achevée avec la révolution du shortboard et la mainmise du vedettariat sur une discipline jusque-là réservée à un cercle de gentlemen.




Surfing San Onofre to Point Dume


Book Description

Imagine surfing a perfect blue wave off a deserted beach of sparkling white sand. This book takes us back to a time when the earliest surfers were busy inventing the first American beach culture. The beautiful and nostalgic photographs that surfer Don James took of himself and his friends from 1936-46 capture the lost Eden of the California surf dream in all its glory and innocence. Over 100 sepia photos.




Dora Lives


Book Description

Biography of the legendary Miki Dora, who learned to surf from his step father, Gard Chapin, at San Onofre Beach in Orange County, California.




Who Shot Sports


Book Description

From the creator/editor of Who Shot Rock & Roll (“I loved this book” —Dwight Garner, The New York Times. “Whatever Gail Buckland writes, I want to read”), a book that brings together the work of 165 extraordinary photographers, most of their images heralded, most of their names unknown; photographs that capture the essence of athletes’ mastery of mind/body/soul against the odds, doing the impossible, seeming to defy the laws of gravity, the laws of physics, and showing what human will, discipline, drive, and desire look like when suspended in time. The first book to show the range, cultural importance, and aesthetics of sports photography, much of it legendary, all of it powerful. Here, in more than 280 spectacular images—more than 130 in full color—are great action photographs; portraits of athletes, famous and unknown; athletes off the field and behind the scenes; athletes practicing, working out, the daily relentless effort of training and achieving physical perfection. Buckland writes that sports photographers have always been central to the technical advancement of photography, that they have designed longer lenses, faster shutters, motor drives, underwater casings, and remote controls, allowing us to see what we could never see—and hold on to—with the naked eye. Here are photographs by such masters as Henri Cartier-Bresson, Robert Capa, Danny Lyon, Walker Evans, Annie Leibovitz, and 160 more, names not necessarily known to the public but whose photographic work is considered iconic . . . Here are photographs of Willie Mays . . . Carl Lewis . . . Ian Botham . . . Kobe Bryant . . . Magic Johnson . . . Muhammad Ali . . . Serena Williams . . . Bobby Orr . . . Stirling Moss . . . Jesse Owens . . . Mark Spitz . . . Roger Federer . . . Jackie Robinson. Here is the work of the great sports photographers Neil Leifer, Walter Iooss Jr., Bob Martin, Al Bello, Robert Riger, and Heinz Kleutmeier of Sports Illustrated, who was the first to put a camera at the bottom of an Olympic swimming pool and photograph swimmers from below . . . Here are pictures by Charles Hoff, the New York Daily News photographer of the 1930s, 1940s, and 1950s, whose images of the 1936 Berlin Olympics still inspire shock and awe . . . and those of Ernst Haas, whose innovative color pictures of bullfighting of the 1950s remain poetic evocations of a bloody sport . . . To make the selections for Who Shot Sports, Buckland, a former curator of the Royal Photographic Society of Great Britain and Benjamin Menschel Distinguished Visiting Professor at Cooper Union, has drawn upon the work of more than fifty archives, from the Museum of Fine Arts, Houston, to Sports Illustrated, Condé Nast, Getty Images, the National Baseball Hall of Fame, L’Équipe, The New York Times, and the archives of the International Olympic Committee in Lausanne. Here are classic and unknown sports images that capture the uncapturable, that allow us to experience “kinetic beauty,” and that give us the essence and meaning—the transcendent power—of sports.




Surfing in Hawai'i


Book Description

When the early European explorers traversed the globe, their journals held numerous accounts of Hawaiians enjoying surfing. Since Europeans of that era were not accustomed to swimming in their own cold waters, it must have seemed like a dream to watch naked native Hawaiians riding the waves of a turbulent sea. Nowhere in the ancient world was surfing as ingrained into the culture as on the islands of Hawai'i. He'e nalu (wave sliding) was the national sport and enjoyed by all. When a swell was up, whole villages were deserted as everyone fled to the beach to test their surfing skills. Legends of famous surf riders were retold in mele (song/chant), and fortunes could be decided on the outcome of a surfing contest. From these shores, modern surfing was born, along with the iconic romantic images of bronzed surfers, grass shacks, and hula.




San Onofre


Book Description

San Onofre: Memories of a Legendary Surfing Beach is a landmark achievement in the study of surfing history and culture from its origins in Polynesia, Peru, and Africa, to the role that San Onofre played in molding California surf culture.San Onofre is the story of the California surfing culture as seen through the eyes of the surfers at San Onofre Surf Beach. Pioneer surfers tell their own story of the Golden Age of Surfing and illustrate their tales with never-before-seen vintage photographs from their own family albums. Their stories offer a priceless collection of primary source data for future studies of the sport.




The Encyclopedia of Surfing


Book Description

With 1,500 alphabetical entries and 300 illustrations, this resource is a comprehensive review of the people, places, events, equipment, vernacular, and lively history of this fascinating sport.




Masters of Surf Photography


Book Description

"An indepth collection of the work of one of surfing's primary photographers, recording a foundational state in the evolution of the sport of surfing."




Harbour Chronicles


Book Description

In an art form defined by innovative design, superb craftsmanship, and mindboggling attention to detail, Harbour Surfboards has earned a reputation for hand-fabricating breathtakingly elegant surfboards. In 1959, Rich Harbour went into his parents' garage with a saw and a piece of foam and came out with a surfboard. Since that first board, Harbour has crafted more than 23,000 surfboards. Today, vintage Harbour Surfboards are collected by enthusiasts around the world eager to score a piece of surfing history. After more than fifty years, Harbour Surfboards is the world's oldest surfboard manufacturing shop, and is still a vital, driving force within the surfing industry. Harbour Chronicles A Life in Surfboard Culture highlights the photography, surfboards and life stories of Rich Harbour. Featuring 21 written contributions by fellow surfers, Harbour Chronicles is 144 pages of surf culture at its best.




Jeff Divine: 70s Surf Photographs


Book Description

A colorful, insider portrait of '70s surf culture, with a foreword by Pulitzer Prize-winning author William Finnegan If you were there, even just for some of it--Hawaii, California, surfing, the '70s--the memories and stories will flow freely from these photographs. Jeff Divine was there for all of it, and these images have been culled from an enormous personal archive. Divine was shooting for Surfer, the monthly magazine that was the bible of the scene. His photos from this archive show the precommercialized era in surfing when the hippie influence still held sway. Surfers had their own slang-infused language and were deep into a world of Mother Ocean, wilderness and a culture that mainstream society spurned. Surfboards were handmade in family garages, often made for a specific kind of wave or speed, for paddling, ease of turning, and featured all kinds of psychedelic designs. Some were even hollowed out to smuggle hash from Morocco. The color and black-and-white photographs collected here, taken throughout California on the coastlines at Baja, Dana Point, Laguna Beach, La Jolla, Malibu, San Clemente and Oahu, give a vivid image of this close-knit culture and the incredible athletic feats of its heroes and heroines. Raised in La Jolla, California, Jeff Divine (born 1950) started photographing the surfing world in 1966. He held jobs as photo editor for 35 years with Surfer magazine and Surfer's Journal. His works have been displayed worldwide in museums and galleries, as well as in books, magazines and media. In 2019 he was inducted into the Huntington Beach Surfing Walk of Fame for his contribution to surf culture in a career lasting 50 years.