Genres as Repositories of Cultural Memory


Book Description

This volume deals with the inherent relation between literary genres and cultural memory. Indeed, generic repertoires may be regarded as bodies of shared knowledge (a sort of ‘encyclopaedia' or 'museum' of stocked culture) and have played and still play an important role in absorbing and activating that memory. The contributors have focused on some specific memory-linked genres that prove especially relevant in remembering and transforming past experiences, i.e. the (post)modern historical novel and various forms of (post)modern autobiographical writing. They deal with such renowned authors as Carlos Fuentes, Vargas Llosa, Umberto Eco, Antonio Tabucchi, John Barth, Julian Barnes, Michel Butor, Nathalie Sarraute, Alain Robbe-Grillet, Claude Simon, Georges Perec and Marguerite Yourcenar. The volume, thus, constitutes an attractive and representative sample of (post)modern forms of rewriting and problematizing individual and collective pasts.




A History of the Grandparents I Never Had


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A French historian chronicles his meticulous efforts to document the lives of his Polish Jewish grandparents who were killed in the Holocaust. Ivan Jablonka’s grandparents’ lives ended long before his began: although Matès and Idesa Jablonka were his family, they were perfect strangers. When he set out to uncover their story, Jablonka had little to work with. Neither of them was the least bit famous, and they left little behind except their two orphaned children, a handful of letters, and a passport. Persecuted as communists in Poland, as refugees in France, and then as Jews under the Vichy regime, Matès and Idesa lived their short lives underground. They were overcome by the tragedies of the twentieth century: Stalinism, the mounting dangers in Europe during the 1930s, World War II, and the destruction of European Jews. Jablonka’s challenge was, as a historian, to rigorously distance himself and yet, as family, to invest himself completely in their story. Imagined oppositions collapsed—between scholarly research and personal commitment, between established facts and the passion of the one recording them, between history and the art of storytelling. To write this book, Jablonka traveled to three continents; met the handful of survivors of his grandparents’ era, their descendants, and some of his far-flung cousins; and investigated twenty different archives. And in the process, he reflected on his own family and his responsibilities to his father, the orphaned son, and to his own children and the family wounds they all inherited. A History of the Grandparents I Never Had cannot bring Matès and Idesa to life, but Jablonka succeeds in bringing them, as he soberly puts it, to light. The result is a gripping story, a profound reflection, and an extraordinary history. Praise for A History of the Grandparents I Never Had “A deeply moving, poignant, and sad book, but one also filled with hope, light, and inspiration.” —Jewish Book Council “Ivan Jablonka is a tremendous writer—compassionate and searching, intimate and ambitious—and A History of the Grandparents I Never Had is a painstakingly researched and profoundly heartfelt book that teaches us new and necessary things about family, history and the extraordinary power of storytelling. It’s one of the most beautiful books I’ve read in years.” —Molly Antopol, author of The UnAmericans “An extraordinary book—at once a breathtaking work of historical investigation and a deeply personal meditation on the possibilities and limits of historical knowledge. By uncovering the traces left behind by people who literally vanished into thin air, Ivan Jablonka sheds new light on the Holocaust as well as on our own desire to grasp what cannot be grasped.” —Maurice Samuels, Yale University




Minutes of Proceedings and Evidence


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Affaires de Famille


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What are families like in contemporary France? And what begins to emerge when we consider them from the point of view of recent theoretical perspectives: (faulty) cohesion, (fake) coherence, (carefully planned or subversive) deconstruction, loss (of love, confidence or credibility), or, even (utter) chaos and (alarming) confusion? Which media revamp old stereotypes, generate alternative reinterpretations, and imply more ambiguous answers? ...]Uneasy contradictions and ambiguities emerge in this bilingual collection of approaches and genre studies. The family plot seems to thicken as family ties appear to loosen. Has the family' been lost from sight, or is it being reinvented in our collective imaginary? This book proposes a new series of perspectives and questions on an old and familiar' topic, exploring the state and status of the family in contemporary literature, culture, critical and psychoanalytic theory and sociology.




Cimelia


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Journals


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Catalogue


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Les Légendes grecques des saints militaires


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This 1909 French work considers the various legends about soldier-saints, with an appendix supplying the original Greek texts.