François Mauriac


Book Description

While François Mauriac's reputation as a novelist is well established, it is often forgotten that fiction forms only part of his output, and that in the post-war years especially, it was principally his activities as a journalist which kept him in the public eye. His interventions in the key debates of the period helped to consolidate his position as a major intellectual alongside Jean-Paul Sartre and Albert Camus. This book examines the evolution of François Mauriac's career during the twentieth century, and his gradual transformation from novelist to intellectual. Situating Mauriac and his activities firmly in their socio-cultural context, it draws in particular on the insights provided by Bourdieusian sociology to explore the mechanisms and social processes which allow Mauriac to emerge as an authoritative voice of moral conscience. In doing so, it offers new perspective on key moments in his career, from his changing fortunes as a novelist in the 1930s, examined here for the first time through the prism of his reception by the influential Nouvelle Revue française, to his unlikely collaboration with the then-radical L'Express in the 1950s. At the same time, it argues that tracing Mauriac's trajectory helps to crystallise the broader changes affecting the literary and cultural landscape in France during the twentieth century.




Pen and the Cross


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Encyclopedia of French Film Directors


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Cinema has been long associated with France, dating back to 1895, when Louis and Auguste Lumi_re screened their works, the first public viewing of films anywhere. Early silent pioneers Georges MZli_s, Alice Guy BlachZ and others followed in the footsteps of the Lumi_re brothers and the tradition of important filmmaking continued throughout the 20th century and beyond. In Encyclopedia of French Film Directors, Philippe Rège identifies every French director who has made at least one feature film since 1895. From undisputed masters to obscure one-timers, nearly 3,000 directors are cited here, including at least 200 filmmakers not mentioned in similar books published in France. Each director's entry contains a brief biographical summary, including dates and places of birth and death; information on the individual's education and professional training; and other pertinent details, such as real names (when the filmmaker uses a pseudonym). The entries also provide complete filmographies, including credits for feature films, shorts, documentaries, and television work. Some of the most important names in the history of film can be found in this encyclopedia, from masters of the Golden Age_Jean Renoir and RenZ Clair_to French New Wave artists such as Fran_ois Truffaut and Jean-Luc Godard.




François Mitterrand


Book Description

Tiersky examines the three major themes of Mitterrand's presidency-socialism, national reconciliation, and the reconstruction of Europe-and shows that on each count, Mitterrand left a decisive mark.




Mauriac


Book Description

Although internationally renowned as a novelist, journalist, and essayist, Nobel Prize-winning author François Mauriac (1885-1970) never established a reputation as a poet. Yet it was Maurice Barrès’s favourable review of his first collection of verse, Les Mains jointes, that launched Mauriac’s career in 1910. He went on to publish three further collections of poems and insisted to the end of his life that, despite critical neglect of his verse, he remained first and foremost a poet. This book offers the first ever in-depth exploration of the whole of Mauriac’s verse output. After a chapter tracing his general conception of poetry and comparing his ideas to those of other poets and theorists, each of Mauriac’s verse collections is analysed in turn, as are many of his poems that were published exclusively in literary journals. A final chapter explores the significant relationship between Mauriac’s verse and his novels, revealing the multiple connections between these two series of texts. This volume will appeal to those with an interest in twentieth-century French poetry and, more generally, to those interested in the relationship between verse and prose.





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Time Out Brussels


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"This edition first published in Great Britain in 2010 by Ebury Publishing, London"--T.p. verso.




God and Mammon


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In this translation of two seminal works by Mauriac, the 1930 novel What Was Lost and its theoretical basis, the 1929 essay God and Mammon, Raymond MacKenzie re-introduces Mauriac to the English speaking world.




Judge Not


Book Description

Andre Gide's lifelong fascination with the conventions of society led naturally to a strong interest in France's judicial system. At the age of sixty Gide published Judge Not, a collection of writings detailing his own experiences with the law as well as his thoughts on truth, justice, and judgment.Gide's obsession with crime and punishment was not just a morbid hobby; rather, it struck at the heart of his themes as a writer. In the literary tradition of Dostoyevsky and Conrad, Gide frequently used criminals as central characters to explore human nature and the individual's place in society.In the first essay in Judge Not, "A Memoir of the Assize Court," Gide writes about his experience as a juror in several trials, including that of an arsonist (Gide actively sought jury duty, so great was his interest in legal matters). In "The Redureau Case" and "The Confined Woman of Poitiers" Gide analyzes two famous crimes of his day, an inexplicable slaughter by Marcel Redureau, a docile fifteen-year-old vineyard laborer who violently murdered his employer's family, and the respected Monnier family's confinement of their daughter, Blanche. Both cases fascinated Gide--elements of each would appear in his later fiction--and he looks closely at the facts of each as they came out in court. In addition, in "News Items" Gide analyzes the way newspapers present crime narratives, drawing from the hundreds of press clippings he collected throughout his life.Andr Gide (1869-1951) wrote The Counterfeiters; several brief works of fiction including Strait Is the Gate and The Immoralist; a number of plays; and several works of literary criticism. He won the Nobel Prize for literature in 1947 and in 1950 was made an honorary corresponding member of the American Academy of Arts and Letters.Benjamin Ivry has translated from the French Vanished Splendors: The Memoirs of Balthus, Raoul Dufy's My Doctor, Wine, and Jules Verne's Magellania, among other books. He is the author of the poetry collection Paradise for the Portuguese Queen as well as the biographies Francis Poulenc, Arthur Rimbaud, and Maurice Ravel: A Life.




The Mask of Innocence


Book Description

A young priest, caught in a web of scandal, receives a confession that sets the stage for murder.