Guide to Reprints


Book Description




Guide to Reprints


Book Description




The Classic


Book Description

Focusing on a moment and a source in 19th century France, the author takes up a big question that is still with us, What is a classic? His enquiry, which centres on the French critic Sainte-Beave takes us on a tour of the history of the 'classic' that provides insights into and beyond the 'culture wars' of the 19th century







The Supplément to the Encyclopédie


Book Description




Shadowing Botticelli's Beauty


Book Description

A suspenseful tale of Borgesian circularity, Shadowing Botticelli's Beauty features an unusual cast drawn from three distinct spheres: C.I.A. operatives running sensitive operations during the Cold War; players from the art world among them a painter-architect based in Buenos Aires, and from ages past, the Renaissance master, Sandro Botticelli; and colorful inhabitants of an elite, New England prep school. But throughout this sinuous tale of intrigue, there is the constancy of "Abel Baaker Charlie:" devoted husband; journeyman case officer; apprentice school master; autodidactic painter; and, last but not least, self-appointed art detective. While weathering the chaos of revolutions, personal tragedies, identity crises, a treacherous colleague, and radical career shifts, the novel's dauntless protagonist tenaciously stalks a lost masterpiece looted by a Nazi war criminal in the closing days of World War II. Baaker's story, which has a basis in fact, is told with the assuredness of a veteran insider privy to the clandestine realm of spies, the arcane province of art historians, and the twisted turf of private boarding schools. While making for a fine read, with its rewarding resolution, Shadowing Botticelli's Beauty ponders the opposing roles of chance and grand design in the destiny of its memorable characters.




Installations by Architects


Book Description

Over the last few decades, a rich and increasingly diverse practice has emerged in the art world that invites the public to touch, enter, and experience the work, whether it is in a gallery, on city streets, or in the landscape. Like architecture, many of these temporary artworks aspire to alter viewers' experience of the environment. An installation is usually the end product for an artist, but for architects it can also be a preliminary step in an ongoing design process. Like paper projects designed in the absence of "real" architecture, installations offer architects another way to engage in issues critical to their practice. Direct experimentation with architecture's material and social dimensions engages the public around issues in the built environment that concern them and expands the ways that architecture can participate in and impact people's everyday lives. The first survey of its kind, Installations by Architects features fifty of the most significant projects from the last twenty-five years by today's most exciting architects, including Anderson Anderson, Philip Beesley, Diller + Scofidio, John Hejduk, Dan Hoffman, and Kuth/Ranieri Architects. Projects are grouped in critical areas of discussion under the themes of tectonics, body, nature, memory, and public space. Each project is supplemented by interviews with the project architects and the discussions of critics and theorists situated within a larger intellectual context. There is no doubt that installations will continue to play a critical role in the practice of architecture. Installations by Architects aims to contribute to the role of installations in sharpening our understanding of the built environment.




Queen Anne and the Arts


Book Description

The cultural highlights of the reign of Queen Anne (1702-1714) have long been overlooked. However, recent scholarship, including the present volume, is demonstrating that Anne has been seriously underestimated, both as a person, and as a monarch, and that there was much cultural activity of note in what might be called an interim period, coming after the deaths of Dryden and Purcell but before the blossoming of Pope and Handel, after the glories of Baroque architecture but before the triumph of Burlingtonian neoclassicism. The authors of Queen Anne and the Arts make a case for Anne’s reign as a time of experimentation and considerable accomplishment in new genres, some of which developed, some of which faded away. The volume includes essays on the music, drama, poetry, quasi-operas, political pamphlets, and architecture, as well as on newer genres, such as coin and medal collecting, hymns, and poetical miscellanies, all produced during Anne’s reign.




Dealing with Authorship


Book Description

Literature and film generate symbolic as well as economic capital. As such, aesthetic productions exist in various contexts following contrasting rules. Which role(s) do authors and filmmakers play in positioning themselves in this conflictive relation? Bringing together fourteen essays by scholars from Germany, the USA, the UK and France, this volume examines the multiple ways in which the progressive (self-) fashioning of authors and filmmakers interacts with the public sphere, generating authorial postures, and thus arouses attention. It questions the autonomous nature of the artistic creation and highlights the parallels and differences between the more or less clear-cut national contexts, in order to elucidate the complexity of authorship from a multifaceted perspective, combining contributions from literary and cultural studies, as well as film, media, and communication studies. Dealing with Authorship, as a transversal venture, brings together reflections on leading critics, exploring works and postures of canonical and non-canonical authors and filmmakers. An uncommon and challenging picture of authorship is explored here, across national and international artistic fields that affect Africa, Europe and America. The volume raises the questions of cultural linkages between South and North, imbalances between the mainstream and the margins in an economic, literary or “racial” dimension, and, more broadly, the relation of power and agency between artists, editors, critics, publics, media and markets.




A Field of Honor


Book Description

Gregory S. Brown's A Field of Honor: The Identities of Writers, Court Culture and Public Theater in the French Intellectual Field from Racine to the Revolution offers a multilevel study of the intellectual, social, and institutional contexts of dramatic authorship and the world of playwrights in 18th-century Paris. Brown deftly interweaves research in archival and printed materials, case studies of individual authorial strategies, the rich, often contentious historiography on the French Enlightenment and contemporary cultural theory and criticism. Drawing on a sophisticated array of recent studies, Brown positions his work against and between the grain of alternative approaches and interpretations. He combines scholarship on the history of the book with analyses of political culture and cultural identity, leaving the reader with a strong and revealing appreciation for the tensions and crosscurrents staged at the center of the 18th-century "republic of letters."