National Myths in Renaissance France


Book Description

"It was the seventh-century Chronicle of Fredegar which first gave the Franks a Trojan ancestry, and the lineage stuck. This fascinating new study shows how, even as late as the sixteenth century, historians and poets found the lure of the eponymic hero Francus, the Glorious Druids and the Great Celtic Past irresistible. It describes how, obsessed with the origins of their country and the prevailing nationalism of the age, early sixteenth-century writers were largely uncritical of their highly spurious sources - even acknowledged forgeries such as those of Annius of Viterbo. However, a desire to replace fiction with fact gradually took hold as the Renaissance progressed, and National Myths examines the reasons for this change of mood and discusses the emotional satisfaction afforded by a belief in the Trojan and Gallic legends." "With its topical themes of nationalism and the politicisation of history, this book sheds new light on Renaissance historiography and on the history of ideas in general."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved







Dogs' Tales


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Sleeping rough, having sex in public and insulting the most powerful men in the world earned the ancient Cynic or ‘dog’ philosophers fame and infamy in antiquity and beyond. This book reveals that French Renaissance texts feature a rich and varied set of responses to the Dogs, including especially Diogenes of Sinope (4th century B.C.), whose life was a subversive performance combining wisdom and wisecracks. Cynicism is a special case in the renewal of interest in ancient philosophy at this time, owing to its transmission through jokes and anecdotes. The Cynics’ curious combination of seduction and sedition goes a long way to account for both the excitement and the tension that they generate in Renaissance texts. Responses to the extreme and deliberately marginal philosophical stance of the Dogs cast light back on the mainstream, revealing cultural attitudes, tensions and uncertainties. Above all, representations of Cynicism constitute a site for the exploration of strange and paradoxical ideas in playful and humorous ways. This is true of both major writers, including Erasmus, Rabelais and Montaigne, and of dozens of other less well-known but fascinating figures. This book will be of interest to students and scholars of intellectual and literary history.




The Drama To-day


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Œuvres Complètes


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Orestes


Book Description

Orestes was produced in 1750, an experiment which intensely interested the literary world and the public. In his Dedicatory Letters to the Duchess of Maine, Voltaire has the following passage on the Greek drama: "We should not, I acknowledge, endeavor to imitate what is weak and defective in the ancients: it is most probable that their faults were well known to their contemporaries. I am satisfied, Madam, that the wits of Athens condemned, as well as you, some of those repetitions, and some declamations with which Sophocles has loaded his Electra: they must have observed that he had not dived deep enough into the human heart. I will moreover fairly confess, that there are beauties peculiar not only to the Greek language, but to the climate, to manners and times, which it would be ridiculous to transplant hither. Therefore I have not copied exactly the Electra of Sophocles-much more I knew would be necessary; but I have taken, as well as I could, all the spirit and substance of it."




Life of Petrarch


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Biography of the 14th century Italian scholar.




Thinking French Translation


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This new edition features material from business, law and literary texts. This is Essential reading for advanced undergraduates and postgraduate students of French, the book will also appeal to language students and tutors.




The Story of Crass


Book Description

In-depth interviews with the main movers in the punk rock movement--Crass members Penny Rimbaud, Gee Vaucher, and Steve Ignorant--detail the face of the revolution founded by these radical thinkers and artists. When punk ruled the waves, Crass waived the rules by putting out their own records, films, and magazines and setting up a series of situationist pranks that were dutifully covered by the world's press. Not just another iconoclastic band, Crass was a musical, social, and political phenomenon: commune dwellers that were rarely photographed and remained contemptuous of conventional pop stardom. As detailed in this history, their members explored and finally exhausted the possibilities of punk-led anarchy. This definitive biography of the band not only gives backstage access to their lives, philosophies, and the movement that followed, but also to never-before-seen photographs and rare dialogues.