The Studio


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Journals of Sieges Carried On by The Army under the Duke of Wellington, in Spain, during the Years 1811 to 1814 - Volume II


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The classic, immensely detailed description of the many sieges of the long drawn-out war that was Britain's major land contribution to the defeat of Napoleon. Sir John Jones was an officer of the Royal Engineers with Wellington in Portugal and Spain and intimately connected with the operations he describes so exactly. Sir John originally wrote his work to draw attention to what he considered were Britain's inadequate 'siege establishments’ and equipment which, he claimed, made some of the war’s sieges more bloody and drawn-out affairs than they need have been. Students of sieges and of military history generally should be grateful that Jones’ massive and meticulous work, illustrated with numerous plans, charts and maps - is once more generally available.




Pierre-Laurent de Belloy, 'Le Siège de Calais'


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Le Siège de Calais, hailed by its author in 1765 as France’s ‘première tragédie nationale’, rolled into Paris like a storm. Pierre-Laurent de Belloy’s play about French bravery during the Hundred Years’ War (1337-1453) appeared on the heels of France’s defeat in the Seven Years’ War (1756-1763). Le Siège de Calais was performed throughout Europe and published numerous times during the second half of the eighteenth century. De Belloy emerged as a national hero, receiving prizes from Louis XV, accolades from the city of Calais, and membership to the prestigious Académie française. Since the French Revolution, however, the popularity of Le Siège de Calais has eclipsed, owing to its overt glorification of France’s royal machine. Several hundred years later, the play warrants a fresh look from a holistic perspective. De Belloy’s tragedy and the varied responses it provoked – many of which are included in this edition – offer complex representations of French political history and patriotic sentiment. Le Siège de Calais reveals conflicting images of gender roles, political debate and family values during the twilight of the Ancien régime; it also constituted one of the last moments when serious drama asserted its role as a popular force.







The Louis XVI Furniture


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Official Journal


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