Lessons in Elocution
Author : Scott William
Publisher :
Page : pages
File Size : 31,75 MB
Release : 2019
Category :
ISBN : 9780259734925
Author : Scott William
Publisher :
Page : pages
File Size : 31,75 MB
Release : 2019
Category :
ISBN : 9780259734925
Author : William Scott
Publisher :
Page : 392 pages
File Size : 12,39 MB
Release : 1812
Category : Elocution
ISBN :
Author : William Scott
Publisher :
Page : 366 pages
File Size : 12,97 MB
Release : 1819
Category : Elocution
ISBN :
Author : Allen Ayrault Griffith
Publisher : BoD – Books on Demand
Page : 245 pages
File Size : 41,81 MB
Release : 2023-03-17
Category : Fiction
ISBN : 3382139545
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Author : William SCOTT (Teacher of Elocution.)
Publisher :
Page : 418 pages
File Size : 20,17 MB
Release : 1784
Category :
ISBN :
Author : Linda James
Publisher : Get Rid of your Accent
Page : 149 pages
File Size : 33,57 MB
Release : 2018-11
Category :
ISBN : 9780955330063
Author : Randy Pausch
Publisher :
Page : 0 pages
File Size : 32,79 MB
Release : 2010
Category : Cancer
ISBN : 9780340978504
The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.
Author : John Sabine
Publisher :
Page : 316 pages
File Size : 40,52 MB
Release : 1807
Category : Elocution
ISBN :
Author : Robert Barton
Publisher : Routledge
Page : 823 pages
File Size : 39,89 MB
Release : 2011-05-03
Category : Performing Arts
ISBN : 1136854754
Voice: Onstage and Off is a comprehensive guide to the process of building, mastering, and fine-tuning the voice for performance. Every aspect of vocal work is covered, from the initial speech impulse and the creation of sound, right through to refining the final product in different types of performance. This highly adaptable course of study empowers performers of all levels to combine and evolve their onstage and offstage voices. This second edition is extensively illustrated and accompanied by an all-new website, full of audio and text resources, including: extensive teacher guides including sample syllabi, scheduling options, and ways of adapting to varying academic environments and teaching circumstances downloadable forms to help reproduce the book’s exercises in the classroom and for students to engage with their own vocal development outside of lessons audio recordings of all exercises featured in the book examples of Voiceover Demos, including both scripts and audio recordings links to useful web resources, for further study. Four mentors - the voice chef, the voice coach, the voice shrink and the voice doctor - are on hand throughout the book and the website to ensure a holistic approach to voice training. The authors also provide an authoritative survey of US and UK vocal training methods, helping readers to make informed choices about their study.
Author : Marian Wilson Kimber
Publisher : University of Illinois Press
Page : 348 pages
File Size : 48,20 MB
Release : 2017-01-19
Category : Performing Arts
ISBN : 025209915X
Emerging in the 1850s, elocutionists recited poetry or drama with music to create a new type of performance. The genre--dominated by women--achieved remarkable popularity. Yet the elocutionists and their art fell into total obscurity during the twentieth century. Marian Wilson Kimber restores elocution with music to its rightful place in performance history. Gazing through the lenses of gender and genre, Wilson Kimber argues that these female artists transgressed the previous boundaries between private and public domains. Their performances advocated for female agency while also contributing to a new social construction of gender. Elocutionists, proud purveyors of wholesome entertainment, pointedly contrasted their "acceptable" feminine attributes against those of morally suspect actresses. As Wilson Kimber shows, their influence far outlived their heyday. Women, the primary composers of melodramatic compositions, did nothing less than create a tradition that helped shape the history of American music.