Letters and Diary of Alan Seeger (Classic Reprint)


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Excerpt from Letters and Diary of Alan Seeger Hour of battle, for which he longs. Even when cramped in the trenches, this lover of beauty can take keen pleasure in an occasional glimpse of a picturesque vista through the c'reneaux; nor, when his endurance is taxed to the utmost to hold out until the end of a march that lays low many a stronger man among his comrades, does he fail to remember and record the sunlit verdure of the meadows bordering the dusty road along which he toils, with heavy burden, weary almost to the point of dropping. In the lonely vigils of sentry duty, during the hours between night and dawn, when the most cou rageous feel spirit and hope at the lowest ebb, he can find consolation in a kind of comrade ship with the stars. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Letters and Diary of Alan Seeger, 1917 (Classic Reprint)


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Excerpt from Letters and Diary of Alan Seeger, 1917 Those who have read the published poems of Alan Seeger and the sympathetic sketch of his life by Mr. William Archer, in his introduction, cannot have failed to appreciate the motives that led the young American, in his great love for France and her cause, to take up arms in her behalf as a common soldier in the ranks of the Foreign Legion. But it is one thing to yield to a generous impulse and quite another to adhere faithfully to a high resolve through wretched and tiresome hours of unaccustomed hardship and distasteful surroundings. In these pages, written from day to day and from week to week, unchanged and unpolished by afterthought, in the endeavor to make them appear nobler and more consistent than they were when first set down in diary or intimate letter, - no word will be found, either of complaint, of wavering or of discouragement. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Muse of Fire: World War I as Seen Through the Lives of the Soldier Poets


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The First World War comes to harrowing life through the intertwined lives of the soldier poets in Michael Korda’s epic Muse of Fire. Michael Korda, the best-selling author of Hero and Alone, tells the story of the First World War not in any conventional way but through the intertwined lives of the soldier poets who came to describe it best, and indeed to symbolize the war’s tragic arc and lethal fury. His epic narrative begins with Rupert Brooke, “the handsomest young man in England” and perhaps its most famous young poet in the halcyon days of the Edwardian Age, and ends five years later with Wilfred Owen, killed in action at twenty-five, only one week before the armistice. With bitter irony, Owen’s mother received the telegram informing her of his death on November 11, just as church bells tolled to celebrate the war’s end. Korda’s dramatic account, which includes anecdotes from his own family history, not only brings to life the soldier poets but paints an unforgettable picture of life and death in the trenches, and the sacrifice of an entire generation. His cast of characters includes the young American poet Alan Seeger, who was killed in action as a private in the French Foreign Legion; Isaac Rosenberg, whose parents had fled czarist anti-Semitic persecution and who was killed in action at the age of twenty-eight before his fame as a poet and a painter was recognized; Robert Graves and Siegfried Sassoon, whose friendship and friendly rivalry endured through long, complicated private lives; and, finally, Owen, whose fame came only posthumously and whose poetry remains some of the most savage and heartbreaking to emerge from the cataclysmic war. As Korda demonstrates, the poets of the First World War were soldiers, heroes, martyrs, victims, their lives and loves endlessly fascinating—that of Rupert Brooke alone reads like a novel, with his journey to Polynesia in pursuit of a life like Gauguin’s and some of his finest poetry written only a year before his tragic death. Muse of Fire is at once a portrait of their lives and a narrative of a civilization destroying itself, among the rubble, shadows, and the unresolved problems of which we still live, from the revival of brutal trench warfare in Ukraine and in the Middle East.




The Bookseller


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Official organ of the book trade of the United Kingdom.




First to Fight


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Five days after the outbreak of World War I in the summer of 1914, American Kiffin Rockwell was on a ship headed for France. The United States would not join the war for nearly three years, but Rockwell believed it was time to fight. He joined the elite French Foreign Legion and was soon fighting in the trenches of the Western Front. A combat wound in 1915 rendered him unfit to fight on the ground, so Rockwell volunteered to fight in the air, becoming a charter member of the soon-to-be legendary Lafayette Escadrille, a fighter squadron of volunteer American pilots. In May 1916, Rockwell became the first pilot to score a victory for the new unit when he shot down a German plane. He was wounded in the skies over Verdun but refused hospitalization, insisting on remaining in the air. He flew more missions with the Lafayette Escadrille than any other pilot until his death in aerial combat in September 1916. First to Fight is a high-octane drama of a remarkable soldier and pilot who fought in the trenches and in the skies during World War I. It is the story of one of the first American fighter pilots at the dawn of aerial combat, the era of the Red Baron, with dogfighting biplanes high above the trench lines. But more than a World War I story, more than an aviation story, this is the story of an idealist who volunteered—long before his country drafted its first soldier—to fight, and ultimately die, in defense of civilization.




The House of Scribner, 1905-1930


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Concentrates on major figures of a particular literary period, movement or genre.




Rendezvous with Death


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This book sheds new light on the colorful personalities including Wilfred Owen, Rupert Brooke, Alan Seeger, Ivor Gurney, Edward Thomas, Isaac Rosenberg, Ralph Vaughan Williams and George Butterworth, all major figures among England's creative artists during the First World War.Thanks to the authors research and knowledge, the book is a very English story about the tragically short spring of English artistic creativity between 1910 and 1920; the greatest such renaissance since Shakespeare and Purcell in the 17th century. It focuses on these exceptional poets, composers and artists' experiences in the front line and what resulted from these.A short personal Preface records that the authors father, Sergeant Major Anthony Geraghty (later anglicized as Garrity) survived one year and 271 days on the front line with the British Expeditionary Force in France and Flanders including the Somme, in which he served alongside the composer Butterworth in 13th Battalion, Durham Light Infantry.







The Publishers Weekly


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Antiquarian Bookman


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