Letters from Diaspora


Book Description

"This book is about the Bosnian immigrants that survived the war and genocide. These stories, although fictionalized, are based of real people, real trauma, and real experiences"--Author's note.




Ocean of Letters


Book Description

This unique history of imperialism, language, and creolization in the largest African diaspora of the Indian Ocean reveals the roles of slavery, travel, Christian missions, and European colonialism in the making of a vernacular literary tradition in the islands of the western Indian Ocean during the age of slavery.




The Heartsick Diaspora


Book Description

Set in different cities around the world, Elaine Chiew's award-winning stories travel into the heart of the Singaporean and Malaysian Chinese diasporas to explore the lives of those torn between cultures and juggling divided selves. In the title story, four writers find their cultural bonds of friendship tested when a handsome young Asian writer joins their group. In other stories, a brother searches for his sister forced to serve as a comfort woman during World War Two; three Singaporean sisters run a French gourmet restaurant in New York; a woman raps about being a Tiger Mother in Belgravia; and a filmmaker struggles to document the lives of samsui women—Singapore's thrifty, hardworking construction workers. > Acutely observed, wry and playful, her stories are as worldly and emotionally resonant as the characters themselves. This fabulous debut collection heralds an exciting new literary voice.




The Myth of Wu Tao-tzu


Book Description

'During the Tang dynasty, the Chinese artist Wu Tao-tzu was one day standing looking at a mural he had just completed. Suddenly, he clapped his hands and the temple gate opened. He went into his work and the gates closed behind him.' Thus begins Sven Lindqvist's profound meditation on art and its relationship with life, first published in 1967, and a classic in his home country - it has never been out of print. As a young man, Sven Lindqvist was fascinated by the myth of Wu Tao-tzu, and by the possibility of entering a work of art and making it a way of life. He was drawn to artists and writers who shared this vision, especially Hermann Hesse, in his novel Glass Bead Game. Partly inspired by Hesse's work, Lindqvist lived in China for two years, learning classical calligraphy from a master teacher. There he was drawn deeper into the idea of a life of artistic perfectionism and retreat from the world. But when he left China for India and then Afghanistan, and saw the grotesque effects of poverty and extreme inequality, Lindqvist suffered a crisis of confidence and started to question his ideas about complete immersion in art at the expense of a proper engagement with life. The Myth of Wu Tao-tzu takes us on a fascinating journey through a young man's moral awakening and his grappling with profound questions of aesthetics. It contains the bracing moral anger, and poetic, intensely atmospheric travel writing Lindqvist's readers have come to love.




Migration Letters


Book Description

A poetry collection that reflects on intimate aspects of Black history, culture, and identity, revealing an uncommon gaze on working-class Philadelphia from the 1960s to the present day In 55 poems, Migration Letters straddles the personal and public with particular, photorealistic detail to identify what, over time, creating a home creates in ourselves. Drawn from her experiences of being born in Philadelphia into a Black family and a Black culture transported from the American South by the Great Migration, M. Nzadi Keita's poetry sparks a profoundly hybrid gaze of the visual and the sensory. Her lyrical fragments and sustained narrative plunge into the unsung aspects of Black culture and explore how Black Americans journey toward joy. Propelled by the conditions that motivated her family's migration north, the poems pull heavily from Keita's place in her family, communities, and the world at large. They testify to her time and circumstances growing up Black in Philadelphia on the periphery of the Civil Rights and Black Power movements. Each poem builds upon an inheritance of voices: a panoramic perspective of an Easter Sunday service in a Black church gives way to an account of psychic violence in a newly integrated school; the collective voices of a beauty salon's patrons fragment into memories of neighborhoods in North Philadelphia that have faded over time. Migration Letters strives to tell a story about Black people that radiates across generations and testifies to a world that, as Lucille Clifton wrote, “has tried to kill [us] and has failed.” They interrogate how one's present begins in the past, what we gain from barriers and boundaries, and what notions of progress energize our journey forward. Keita’s poems intimately reveal how Black culture can be inherited and built upon complex relationships where love and pain are inextricably linked.




Paris, Capital of the Black Atlantic


Book Description

“How African-American artists and intellectuals sought greater liberty in Paris while also questioning the extent of the freedoms they so publicly praised.” —American Literary History Paris has always fascinated and welcomed writers. Throughout the twentieth and into the twenty-first century, writers of American, Caribbean, and African descent were no exception. Paris, Capital of the Black Atlantic considers the travels made to Paris—whether literally or imaginatively—by black writers. These collected essays explore the transatlantic circulation of ideas, texts, and objects to which such travels to Paris contributed. Editors Jeremy Braddock and Jonathan P. Eburne expand upon an acclaimed special issue of the journal Modern Fiction Studies with four new essays and a revised introduction. Beginning with W. E. B. Du Bois’s trip to Paris in 1900and ending with the contemporary state of diasporic letters in the French capital, this collection embraces theoretical close readings, materialist intellectual studies of networks, comparative essays, and writings at the intersection of literary and visual studies. Paris, Capital of the Black Atlantic is unique both in its focus on literary fiction as a formal and sociological category and in the range of examples it brings to bear on the question of Paris as an imaginary capital of diasporic consciousness. “Demonstrate[s] how Black writers shaped history and contributed to conflicting notions of modernity hosted in Paris . . . The wide range of writers and scholars from American and Francophone studies makes this collection very original and an exciting adventure in concepts, movements, and ideologies that could be acceptable to non-specialists as well.” —American Studies




Ghost Letters


Book Description

In Ghost Letters, one emigrates to America again, and again, and again, though one also never leaves Senegal, the country of one’s birth; one grows up in America, and attends university in America, though one also never leaves Senegal, the country of one’s birth; one wrestles with one’s American blackness in ways not possible in Senegal, though one never leaves Senegal, the country of one’s birth; and one sees more deeply into Americanness than any native-born American could. Ghost Letters is a 21st century Notebook of a Return to the Native Land, though it is a notebook of arrival and being in America. It is a major achievement. —Shane McCrae




Emancipation's Diaspora


Book Description

Helping readers understand the national impact of the transition from slavery to freedom, this book features the lives and experiences of thousands of men and women who liberated themselves from slavery and worked to live in dignity as free women and men and as citizens.




Letters from Home


Book Description

The announcement by the Persian king Cyrus following his conquest of Babylon in 539 BCE that exiled Judahites could return to their homeland should have been cause for celebration. Instead, it plunged them into animated debate. Only a small community returned and participated in the construction of the Second Temple in Jerusalem. By the end of the sixth century BCE, they faced a theological conundrum: Had the catastrophic punishment of exile, understood as marking God’s retribution for the people’s sins, come to an end? By the Hellenistic era, most Jews living in their homeland believed that life abroad signified God’s wrath and rejection. Jews living outside of their homeland, however, rejected this notion. From both sides of the diasporic line, Jews wrote letters and speeches that conveyed the sense that their positions had ancient roots in Torah traditions. In this book, Malka Z. Simkovich investigates the rhetorical strategies—such as pseudepigraphy, ventriloquy, and mirroring—that Egyptian and Judean Jews incorporated into their writings about life outside the land of Israel, charting the boundary-marking push and pull that took place within Jewish letters in the Hellenistic era. Drawing on this correspondence and other contemporaneous writings, Simkovich argues that the construction of diaspora during this period—reinforced by some and negated by others—produced a tension that lay at the core of Jewish identity in the ancient world. This book is essential reading for scholars and students of ancient Judaism and to laypersons interested in the questions of a Jewish homeland and Jewish diaspora.




Letters to an American Jewish Friend


Book Description

This passionate polemic addresses itself to the ultimate questions of Jewish destiny and proclaims the primacy of Israel as the locus of the Jewish future. Hillel Halkin is an American-born Jew who has cast his personal and historical lot with Israel. Corresponding with an imaginary “American Jewish friend” who upholds the possibility of a viable Jewish life outside Israel, Halkin forcefully argues his case: Jewish history and Israeli history are two lines in the process of converging; and any Jew who chooses, in the absence of extenuating circumstances, not to live in Israel is removing himself to the peripheries of the struggle for Jewish survival and away from the center of Jewish destiny.