The Brook Kerith


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From Your Loving Son


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War was no stranger to the town of Sudbury, Massachusetts. A small farming community at the outbreak of the Civil War, Sudbury stood ready to support the cause of the Union. Uriah and Mary Moore, a local farmer and his wife, parents of ten children, sent four sons off to fight for the Union. George Frederick Moore was twenty years old when he joined the Thirty-fifth Regiment Massachusetts Volunteers in 1862, along with brother, Albert. Their brother, John, had enlisted in the Thirteenth Regiment Massachusetts Volunteers and had been serving since 1861. In 1864, a fourth brother, Alfred, joined the Fifty-ninth Regiment Massachusetts Volunteers. The eighty-four letters in this collection span the years from August 1862 to the end of the War and include correspondence to and from Pvt. George Moore and five family members. Georges personal diaries from 1863 and 1864 are also included, as well as the 1867 diary of Sarah Jones, the girl he married. Through research the family is traced long after the war, revealing their travels and accomplishments. Explanatory passages that accompany these letters highlight the campaigns of the Thirty-fifth Regiment through the war years. George Moore took part in battles from South Mountain and Antietam to Fredericksburg, Vicksburg, Campbells Station, and the Siege of Knoxville. He participated in the Battles of the Wilderness, Cold Harbor, and the assault on Petersburg. The letters to and from George Moore and his loved ones provide an intimate glimpse of the trials, not only of the soldiers, but of the family who sent their boys off to war.







George Moore: Across Borders


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A truly cosmopolitan Irish writer, George Moore (1852-1933) was a fascinating figure of the fin de siècle, moving between countries, crossing genre and medium boundaries, forever exploring and promulgating aesthetic trends and artistic developments: Naturalism in the novel and the theatre, Impressionism in painting, Decadence and the avant-garde, Literary Wagnerism, the Irish Literary Revival, New Woman culture. This volume on border-crossings offers a variety of critical perspectives to approach Moore’s multifaceted oeuvre and personality. The essays by Contributors from various national backgrounds and from a wide range of disciplines establish original points of contact between literary creation, art history, Wagnerian opera, gender studies, sociology, and altogether reposition Moore as a major representative of European turn-of-the-century culture.




The Collected Short Stories of George Moore Vol 1


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George Moore (1852-1933) was one of the most influential and versatile writers and journalists of the turn of the century. This five-volume, reset critical edition addresses scholarly interest in Moore, making available his generally neglected short story collections.




George Moore in Transition


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An Anthology of Pure Poetry


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In a conversation with Walter de la Mare and another friend (reproduced in the Introduction) George Moore, the Anglo-Irish novelist and man of letters, proposed "an anthology of pure poetry, the only one lacking on the book stalls."




George Moore


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This invigorating volume explores the literary worlds inhabited by the pioneering Irish author George Moore (1852–1933). With an eye to Moore’s innovative embrace of visual art, feminism and literary history, and in- the spirit of his feisty resistance to ‘orthodoxy’, it investigates his influences and inventive strategies in novel, short story and memoir. Amongst the names emerging from the disparate spheres of impressionism, literary coteries, the paratextual and the music world are those of Manet, Mallarmé, Wilde, Héloïse, Elgar and Bourdieu, all with Moorian links. Contested depictions of religion and nationalism simmer; France and French influences encompass fin-de-siècle stories and medieval texts; epistolary details evidence vital parental support; contemporary authors write back to Moore. These voyages of discovery enter the fields of feminist scholarship and the New Woman, life writing and letters, fin-de-siècle aesthetics, intersections between art, music and literature, and literary transitions from Victorian to Modern. Valuably, the authors suggest numerous opportunities for additional research in these areas, as well as within Moore studies. This collection, with contributions from an international set of established and new scholars, delivers fresh and original findings as it builds on the substantial and ever-growing corpus of Moore studies.







George Moore and the Autogenous Self


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Moore's work exhibits a profound recognition of the forces of heredity, gender, culture, and history while simultaneously declaring his belief in an autogenous self. In early novels like A Drama in Muslin and Esther Waters, there is a notable conflict between his postulation of the pure, instinctive individual and the emphasis upon the shaping power of heredity and economics inherent in the traditions of social realism that he adopts. In The Untilled Field, The Lake, and later works, Moore perfects a narrative technique that in highlighting the power of subjective memory, allows his characters to work out a new relation with the forces of history.