John James Audubon's Journal Of 1826


Book Description

John James Audubon, an early American naturalist and painter, produced one of the greatest works of natural history and art of the nineteenth century, The Birds of America. As the record of the interior story of the making of this monumental work, his journal of 1826 is one of the richest documents in the history of American culture. ø The first accurate transcription of Audubon?s 1826 journal, this edition corrects many of the errors, both intentional and unintentional, found in previous editions. Such errors have obscured the figure of Audubon as a man struggling to realize his professional and artistic dreams. When Audubon embarked for Liverpool from New Orleans in 1826, he carried with him more than 250 of his watercolor drawings in a heavy case, a packet of letters of introduction, and many a good reason to believe that he was a fool to be gambling his family?s fortunes on so risky and grandiose a venture. These journal entries, conveying with energy and emotion Audubon?s experience of risking everything on a dream??Oh, America, Wife, Children and acquaintances, Farewell!??document an American icon?s transformation from a beleaguered backwoods artist and naturalist to the man who would become America?s premier ornithologist, illustrator of birds, and nature essayist.




John James Audubon


Book Description

In John James Audubon: The Nature of the American Woodsman, Gregory Nobles shows that one of Audubon's greatest creations was himself. Nobles explores the central irony of Audubon's true nature: the man who took so much time and trouble to depict birds so carefully left us a bold but deceptive picture of himself.




The Audubon Reader


Book Description

This unprecedented anthology of John James Audubon’s lively and colorful writings about the American wilderness reintroduces the great artist and ornithologist as an exceptional American writer, a predecessor to Thoreau, Emerson, and Melville. Audubon’s award-winning biographer, Richard Rhodes, has gathered excerpts from his journals, letters, and published works, and has organized them to appeal to general readers. Rhodes’s unobtrusive commentary frames a wide range of selections, including Audubon’s vivid “bird biographies,” correspondence with his devoted wife, Lucy, journal accounts of dramatic river journeys and hunting trips with the Shawnee and Osage Indians, and a generous sampling of brief narrative episodes that have long been out of print—engaging stories of pioneer life such as "The Great Pine Swamp," “The Earthquake,” and “Kentucky Barbecue on the Fourth of July.” Full-color reproductions of sixteen of Audubon’s stunning watercolor illustrations accompany the text. The Audubon Reader allows us to experience Audubon’s distinctive voice directly and provides a window into his electrifying encounter with early America: with its wildlife and birds, its people, and its primordial wilderness.




The Composite Plates of Audubon's Birds of America


Book Description

Despite all that has been written about John James Audubon and his work, one aspect had been overlooked, until now... In 1838, as John James Audubon's monumental creation, Birds of America, was nearing completion, he requested his engraver, Robert Havell, produce 13 extra, unique prints. Havell was instructed to combine images from two separate plates into a single print, commonly known as a "Composite Plate". Only two full sets, along with a handful of individual prints, of these rare prints exist today and are rarely if ever seen by the public. In this book the authors, for the first time, provide an analysis as to how and why these plates were made, while providing illustrations depicting all 13 of the Composite Plates.