Letters to Albert Marshman Palmer from Various People, New York


Book Description

Twelve autograph letters signed, 3 typescripts and 1 telegram. The letters are all replies (usually in the affirmative) to invitations to serve as pallbearers at Dion Boucicault's funeral. Correspondents: J.P. Caddagan, C.F. Chatterton, Joseph F. Daly, Henry Edwards, H.G. Fiske, T. Henry French, D. Frohman, Joseph Howard, David McAdam, Henry Miller, Sol Smith Russell, Frank W. Sanger, Edward H. Sothern, Edmund C. Stanton, Frank Work and J.R. Young.




Autograph Letters Signed from Albert Marshman Palmer, New York, Stamford, Connecticut., London, Chicago and Washington, to Various People


Book Description

Correspondents: Mr. Appleton, Augustin Daly, J.F. Daly, Richard Dorney, [Jer.?] Quinlan, and another. Letters concerning benefit performances, such as the Actors' Fund and the Wallack benefit of 1888, and the policies to be adopted by "The Players", 1888-1889. Some items undated. Also, a letter on behalf of Mr. Palmer from S.C. Dunne to Richard Dorney, March 1, 1888.







Autograph Letters Signed from Parke Godwin, New York, to Various People


Book Description

Correspondents: James Appleton Morgan, Albert Marshman Palmer and William Winter. The letter to William Winter discusses Henry Irving's role as Macbeth in the September 29-November 4, 1895 showing at the Abbey Theatre, New York.




Letters Signed from A.M. Palmer, New York, to Various Recipients


Book Description

Recipients: William Winter and Charles Frohman. Two autograph letters and one typed letter. In (1), to Winter, Palmer indicates that he was not previously aware of the "Abbey-Tribune-row" and declares that he has "no connection with his enterprise beyond renting him the theatre." (2), also to Winter, expresses gratitude for Winter's recent address before the Goethe Society. (3), to Frohman, expresses that it would be a pleasure to witness the inauguration of a managers association of the city of New York. Letterhead for (1-2) is "Madison Square Theatre, Mr. A.M. Palmer, sole manager" and (3) Herald Square Theatre.







Letters Signed from A.M. Palmer, New York, to William Winter


Book Description

(1) Autograph letter signed, mentioning the Poe Committee; on letterhead of the Union Square Theatre, New York. (2) Autograph letter signed on letterhead of The Players, 16 Gramercy Park; Palmer writes that he is sorry Winter has not accepted the position of librarian. (3) Typed letter signed; on an address given by Winter before the Actor's Fund meeting. On letterhead of Madison Square Theatre with "Dictated" written at the top of the leaf.




At Lincoln's Side


Book Description

John Hay believed that “real history is told in private letters,” and the more than 220 surviving letters and telegrams from his Civil War days prove that to be true, showing Abraham Lincoln in action: “The Tycoon is in fine whack. I have rarely seen him more serene & busy. He is managing this war, the draft, foreign relations, and planning a reconstruction of the Union, all at once. I never knew with what tyrannous authority he rules the Cabinet, till now. The most important things he decides & there is no cavil.” Along with Hay’s personal correspondence, Burlingame includes his surviving official letters. Though lacking the “literary brilliance of [Hay’s] personal letters,” Burlingame explains, “they help flesh out the historical record.” Burlingame also includes some of the letters Hay composed for Lincoln’s signature, including the celebrated letter of condolence to the Widow Bixby. More than an inside glimpse of the Civil War White House, Hay’s surviving correspondence provides a window on the world of nineteenth-century Washington, D.C.







Bernard Shaw


Book Description

Bernard Shaw fashioned public images of himself that belied the nature and depth of his emotional experiences and the complexity of his intellectual outlook. In this absorbing biography, noted Shavian authority A. M. Gibbs debunks many of the elements that form the foundation of Shaw's self-created legend--from his childhood (which was not the loveless experience he claimed publicly), to his sexual relationships with several women, to his marriage, his politics, his Irish identity, and his controversial philosophy of Creative Evolution. Drawing on previously unpublished materials, including never-before-seen photographs and early sketches by Shaw, Gibbs offers a fresh perspective and brings us closer than ever before to the human being behind the masks.