Eye, Apocalypse


Book Description

Like Sartre's Nausea gives intention and personality to external reality, in Eye, Apocalypse, Fuhrer brings the Apocalypse to the kitchen table, to your fragmented memories, to the television, to the common moments that are ending, dripping from us one after another.




Dear Scott, Dearest Zelda


Book Description

“Pure and lovely…to read Zelda’s letters is to fall in love with her.” —The Washington Post Edited by renowned Jackson R. Bryer and Cathy W. Barks, with an introduction by Scott and Zelda Fitzgerald's granddaughter, Eleanor Lanahan, this compilation of over three hundred letters tells the couple's epic love story in their own words. Scott and Zelda Fitzgerald's devotion to each other endured for more than twenty-two years, through the highs and lows of his literary success and alcoholism, and her mental illness. In Dear Scott, Dearest Zelda, over 300 of their collected love letters show why theirs has long been heralded as one of the greatest love stories of the 20th century. Edited by renowned Fitzgerald scholars Jackson R. Bryer and Cathy W. Barks, with an introduction by Scott and Zelda's granddaughter, Eleanor Lanahan, this is a welcome addition to the Fitzgerald literary canon.




The Asylum


Book Description

FROM THE WINNER OF THE CWA INTERNATIONAL DAGGER 2010 FOR THE DARKEST ROOM 'A compelling and scary psychological thriller' - Sunday Mirror Who amongst us can really say they’re sane? Jan has just started working at the Dell nursery. But this is no normal nursery. It’s linked to a high-security asylum by a dimly-lit underground tunnel, which is used for the children to visit their parents. Who are some of the most dangerous psychopaths in the country. And Jan has complicated reasons for being here. There’s something he’s not telling people about his past. And there’s someone in the asylum who he really wants to see . . .







Starry Night


Book Description

Starry Night is a fully illustrated account of Van Gogh's time at the asylum in Saint-Remy. Despite the challenges of ill health and asylum life, Van Gogh continued to produce a series of masterpieces – cypresses, wheatfields, olive groves and sunsets. He wrote very little about the asylum in letters to his brother Theo, so this book sets out to give an impression of daily life behind the walls of the asylum of Saint-Paul-de-Mausole and looks at Van Gogh through fresh eyes, with newly discovered material.







Harper's Weekly


Book Description




Letters from the Looney Bin


Book Description

In the late 1970s the Emerson Rose Asylum became completely abandoned - all the patients, doctors, staff vanished and were never seen again. The events circling this mass exodus have been one of the most baffling disappearances in history...until now. For hidden deep inside a tattered asylum mattress a stack of bundled letters were found. These letters, all addressed to the pseudonym Dr. Quill, and all written by the patients as they document the final days of the Emerson Rose Asylum.




Dreaming in Cuban


Book Description

“Impressive . . . [Cristina García’s] story is about three generations of Cuban women and their separate responses to the revolution. Her special feat is to tell it in a style as warm and gentle as the ‘sustaining aromas of vanilla and almond,’ as rhythmic as the music of Beny Moré.”—Time Cristina García’s acclaimed book is the haunting, bittersweet story of a family experiencing a country’s revolution and the revelations that follow. The lives of Celia del Pino and her husband, daughters, and grandchildren mirror the magical realism of Cuba itself, a landscape of beauty and poverty, idealism and corruption. Dreaming in Cuban is “a work that possesses both the intimacy of a Chekov story and the hallucinatory magic of a novel by Gabriel García Márquez” (The New York Times). In celebration of the twenty-fifth anniversary of the novel’s original publication, this edition features a new introduction by the author. Praise for Dreaming in Cuban “Remarkable . . . an intricate weaving of dramatic events with the supernatural and the cosmic . . . evocative and lush.”—San Francisco Chronicle “Captures the pain, the distance, the frustrations and the dreams of these family dramas with a vivid, poetic prose.”—The Washington Post “Brilliant . . . With tremendous skill, passion and humor, García just may have written the definitive story of Cuban exiles and some of those they left behind.”—The Denver Post